F&C1958: Touch of Evil

It’s a self bronzer catastrophe!

Much tense!

I can see why the studio weren’t quite happy with this film. The tense maelstrom into depravity is difficult to parse — does the film really mean it (man), or is it a parody? Were the actors rolling around laughing while coming up with the “reefer” lines?

But anyway. It is awfully exciting.

Touch of Evil. Orson Welles. 1958.

Mudslide

I made this with totally the wrong sort of whisk{e,}y. It’s probably nice with a better brand.

This post is part of the F&C series.

F&C1959: 浮草

Oh, this is from the same director as 東 京物語, which is officially the best film ever.

I really like his style. He puts the camera almost in the line-of-sight of the characters while they’re speaking to each other. So you feel like you’re in the middle. It’s very odd, but quite effective.

It’s funny, too. I totally LOL-ed out loud (using sounds and stuff) several times. Like the shaving scene.

So melodrama. Wow.

浮草. Yasujirô Ozu. 1959.

Leap Year

Lemon Drop

This post is part of the F&C series.

F&C1960: The Apartment

The DVD transfer is among the worst I’ve seen. Is this an upsampled VHS thing? Everyhing is all moire and stuff…

It might just be me, but I just didn’t find this to be very funny. And I usually like Billy Wilder films. Perhaps I’m just in a lousy mood tonight. Or perhaps it’s the magic pixie dream girl thing, once again, boring me to tears.

The Apartment. Billy Wilder. 1960.

Last Word

This post is part of the F&C series.