My New Innovations in Packaging blog

While unpacking this week’s haul, I was surprised when unpacking a Laraaji album (Sun Transformations) sent to me by…

… All Saints Records.

It’s this intricately, but beautifully cut paper. It feels like just kinda normal paper, but since it’s been cut in this way, it replaces bubble wrap. It’s kinda magical: It’s light but has kept the album safe during shipping.

And this is much, much, much better than previous paper-based packaging material I’ve seen: I’ve had some just kind of pour out of the package and get into everything.

I hope everybody starts using it.

BC&B: Salade Frisée aux Lardons aux Lyonnais w/ Mon Gâteau au Chocolat

I think I’ll do a salad tonight, because… Salads.

As salads go, it’s not very saladey. I mean, the main ingredient is pork sausage. Those aren’t green. Or not supposed to be green. If you’re eating green pork sausage, you should probably reconsider.

I went to a couple of stores to get endive, but couldn’t find anything. So I finally thought “perhaps it’s called something completely different in Norwegian”, and indeed it is: “Sikory.” Which is very similar to “chicory”, which she mentions up there. Like duh. I should read recipes more thoroughly.

But… it mentions “frisée” in the name I see now. We do have frisee salads here. I mean, it’s nothing like an endive. And I got endives. I think. “Sikory.” But small.

Gah!!!

That’s a frisée! So I got the wrong salad!

Gah!

As if this were not baffling enough, what we in the U.S. (and France) refer to as frisée is in turn called endive in the U.K.

OK, I’m soldiering on with the wrong type of greens…

And Stargate: SG1 and beer to drown my sorrows.

The recipe says “fresh pork sausage”, so I got some raw salsiccia. Which is Italian… but it’s fresh and it’s pork, so…

Mm… looks so appetising simmering for half an hour.

The dressing (Dijon, peanut oil, vinegar) is kinda tasty. I don’t really go for super-vinegary salad dressings, but this one’s nice.

So that’s the sausage in the wrong kind of salad. It would have looked visually better with the frisée, I mean endives, I mean the curly green stuff. It’s so… pale…

She said to cut both the bacon and the bread in one-inch cubes. That’s oddly huge for crutons, isn’t it?

That’s a really unappetising-looking salad bowl, isn’t it? All the colours are somewhere between sickly green and sickly yellow.

But the flavour is kinda good. The sausage is excellent, the croutons could have been more baconey (needs more bacon), and the dressing goes well with it.

The salad should definitely have been endives instead of endives, though.

Since I’m just making a salad (and a cake), it’s fitting that the book I’m reading tonight is a very small one. I picked up The Red Tenda of Bologna by John Berger on a whim at a bookstore the other month because I watched The Seasons in Quincy the other er year. I don’t think I’ve read anything of him before.

So let’s read the first three pages of this slim booklet:

Hey, it’s nice. It’s a reminisce told in these short sections.

And there’s even a recipe in here. Nothing could be more apposite.

Goes well with a salad.

So let’s make a cake, too:

That’s the easiest chocolate cake recipe ever. And I’m already slightly sceptical: I like cakes with lots of flour. I mean, I love chocolate, but I really prefer to eat chocolate as chocolate, and not dissolved into butter and named “cake”.

But let’s see. Perhaps this one will be fab.

So the most important bit: Melting the chocolate with some unsalted butter.

I used the pot-in-pot thing. I think it’s less work than the newfangled microwave method.

Mmm… deli… OK, it looks horrible. But then!

Smoooth chocolate.

And then you whisk some egg whites and beat the yolks into the butter and then add the way-too-little flour and then carefully fold the egg white into the batter and:

Presto! Wrinkly-looking cake!

I may have slightly overcooked it. I tested it (with the wooden stick trick) and it was too underdone and then a second later it was overdone.

But not too bad.

To drink with this cake, she suggests a fortified wine called Banyuls, which I have never had before, I think. It’s basically a French Port.

Mmm… They really do go well together. I had like three slices and er six glasses. Nice.

This blog post is part of the Bistro
Cooking & Books
series.

TSP2019: Letters from Baghdad

Letters from Baghdad. Sabine Krayenbühl. 2016.

This is not my favourite genre: It’s a docudrama with the footage “aged” to simulate oldee tymee stock; everything played back slightly too fast to make it look like an old silent movie. But with fake sounds inserted… incessantly… it’s never silent; always a bed of foley or music.

OK, I was inaccutate: It’s my least favourite genre of movie ever.

I’m just… why!?! It makes every single shot into a lie. Even the real ones. “Is this photo real? This shot can’t be real. Is this actual footage? Is this letter they’re reading from real? Did they have photos back then? Did these people ever exist? Do I exist? Why am I watching this? I could be in bed!”

My own comfortable bed!

It’s 4AM and I think I’m going to find my bed instead of watching the rest of this… thing…

But if you’re the kind of person that likes this style of documentary, you may indeed like this; it seems well-made and quite interesting. I find it unwatchable, but that’s just me.

This post is part of The Tilda Swinton Project.

TSP2019: Suspiria

Suspiria. Luca Guadagnino. 2018.

I have not seen the original Suspiria movie, but I’ve seen quite a few movies by Luca Guadagnino, and I’ve liked almost all of them.

There’s so many references here… “Dr. Klemperer”… Arthur Koestler… “Berger”… Baader-Meinhof… Surely these can’t all have been in the original horror movie? Or perhaps they were? I have no idea. Are they just in-jokes or do they make sense?

Swinton is brilliant in the roles. She does an aging doctor perfectly as she does the choreograph.

I knew this was a horror movie, but when the er horrific bits started, I was still kinda nonplussed. And then it dawned on me that this was going to be the movie, and I got a couple of pillow to hold in front of my face for the rest of the movie. (And there were bits I had to cover my ears as well.)

This isn’t a scary movie, but it’s grisly. Is this torture porn or New Extreme European Cinema?

The cinematography is interesting: They’ve kept everything in 70s beige and greys. One thing this doesn’t help with are the black actors, whose faces are basically just #000000. It reminds me of that Mad TV (or was it SNL?) sketch about the couples photographer?

One thing this entire movies reminds be of is Out 1, and that’s also what makes this movie frustrating: Just when I’m thinking “OK, finally we’re going to see some dancing” then there’s all these gruesome images interspersed with it. They should have added another 30 minute just with the dancers dancing.

This post is part of The Tilda Swinton Project.

TSP2019: Avengers: Endgame

Avengers: Endgame. Anthony & Joe Russo. 2019.

Hey! It’s time to catch up with Tilda Swinton again.

I really enjoyed the previous Avengers movie (by the same directors as this one). The Marvel Studios movies have really gotten a whole lot better the past few years, embracing humour and sci-fi more than the first few iterations (which were mostly about some dudes standing on top of buildings punching other dudes).

So I’m hopeful about this one. That usually leads to me hating whatever I’m going to watch, but let’s see.

[time passes]

I’m one hour into this movie now, and I’m going to take a break to bake a cake, and I’ll just jot down my impressions so far:

It’s sad and it’s funny, and that’s what they’re going for. I guess you could say that they’re leaning in on TV storytelling (most movies wouldn’t spend this much time on just… setting things up; structurally (so far) it’s like one of those TV episodes between when things are happening), but there’s so many little fun details in every scene. While it’s pretty leisurely in terms of plot, it’s dense as fuck in the way of world-building details and teensy little background jokes. I’ve laughed, I’ve cried, and now I’m going to bake a chocolate cake.

[time passes]

OK, I’m back, and I’m finding it distinctly difficult to get back into this now that the cake’s in the oven. But let’s concentrate!

Tilda Swinton only has (basically) once scene in this movie, so it’s not the most TSP movie ever. It’s kinda fascinating how much time they spend on scenes that are basically callbacks to earlier movies… I think! Because, while I’ve probably seen all of them, I’ve also forgotten most of them.

The fights scenes here are pretty mind-boggling. It’s not 100% CGI, which makes anything uninteresting, but they’re so huge. It’s like the ultimate super-hero comic book movie. It’s going to be hard to top this for sheer spectacle.

This post is part of The Tilda Swinton Project.