It’s time to wake up: An Emacs alarm clock

I’ve been using some variation of the same system for my alarm clock since at least 2011. Probably earlier — I didn’t have a blog before that, so who knows? As the saying goes: What hasn’t been blogged about is lost to the mysteries of time…

(Here’s some music to play while reading this blog post (because of the “I feel like an alarm clock” lyrics)… This is gonna be one of those posts that require a lot of scrolling. You’ve been warned.)

My alarm clock idea has been the same since the start, but with a varying assortment of components.

A numpad to input the alarm…

… and a screen/computer to display time and the alarm. (And the temperature. Brrr!) This particular hardware combination has been going since 2019.

So I tap in the time I want to wake up (like 9) and then at 09:00 it turns on the stereo to play whatever was playing. I’m kinda proud of the interface; I’ve found nothing that is so easy to use in any commercial system. That is, if the alarm is at 09:00, I just type 9, and if it’s at 09:30, I type 930, and if it’s at 13:00, I type 13. *tap* *tap* done. (I’m very good at numpad keying.)

(I guess most people get up at the same time every day, so it doesn’t matter as much, but I always want to eke out the most sleep I can in the morning, so the alarm time changes every day, basically.)

The problem here, though, is that there’s too many moving components. In particular, the system relies on telling the central music server to start playing again, which requires 1) the network to work on the alarm clock computer, 2) the network to be up, (2b) the external network to be up to do DNS until I removed that requirement), 3) the music server to be up, 4) me not having chosen something extremely ambient to be playing, like Music To Sleep By, and 5) me not having futzed around with something that just breaks everything.

Some of these things can be ameliorated, but all of these things have failed over the years, so if I really have to get up, I’ve started using an Iphone:

Ewww! This thing has the worst interface imaginable for an alarm clock. That the interface is geared towards making these long lists of possible alarm times is an admittance of failure: It’s so futzy to set up an alarm that people choose to have these moronic lists instead.

Not to mention how many times I’ve lain there for half a minute trying to disable an alarm before it goes off, half awake. (I wake up five minutes before the alarm 87% of the time.)

So… that’s what this blog post is about: I’m building a new alarm clock.

I want to keep the good parts of the old system: The numpad. That’s just the best input device. But I want to jettison the rest, which is too unreliable, and have a totally self-contained system that doesn’t rely on the network or any external components.

I know! Revolutionary! A self-contained alarm clock! I bet nobody’s thought of that before! I must be some kind of genius!

Yeah yeah yeah yeah, I hear you…

Anyway:

I got the components!

Oh, wow, I’ve been thinking about this for quite a while… I got that numpad over a year ago! But it’s still very nice. I bought various small screens while trying to think of a design for the clock, and I ended up with this 4″ screen. I didn’t want an OLED one, because of burn-in issues, so I wanted a small one so the amount of light would be more limited.

(My current setup has an epaper screen which is nice light pollution wise, but it means that if I wake up in the middle of the night and want to know what time it is, I have to hit a key on the numpad to turn a light on, and that’s not ideal, and is another reason to ditch the old system.)

And I got a Raspberry Pi 5 for this. You may think that this is total overkill for an alarm clock… and it is, but I want to run Emacs on it, and I’ve just had a lot of problems doing so reliably on weaker Raspberries. I mean, it works, but suddenly something happens and it’s out of memory etc, and it’s just a pain. Reliability is the point here, so I’m over provisioning.

I also got a light sensor from Yoctopuce. I’m wondering whether it’s a good idea to dim the screen when it’s dark and increase the backlight when it’s light, but I’m not sure whether that’s practical or indeed supported. But it’s another fun gadget to play with, so what the hey.

This model connects via Mini-USB, but I see there’s a USB-C version now, too, which is probably a better idea these days.

Uh-oh! I’m filling up all the USB ports… let’s see… it’s power to the screen, the numpad, the Yoctopuce, the USB speaker… NOOO! I was also gonna put a Tellstick in there, so that I can also use this as part of my home automation network (the old alarm clock machine is, but that’s going away). OK, I have to add a li’l bus-powered USB hub, too. That’s a shame.

I’ve got the cables!

It works!

I’m not quite sure what I’m going to use the knobs for. Well, one is easy enough — that’s going to be a volume adjuster for the music in the bedroom. And then tap it to pause/unpause the music. The other one… I can use to turn the lights on/off? Eh. Dunno.

The numpad is, as described, to set the alarm clock, and then the two remaining keys I use for “cancel alarm”.

So the screen uses a full HDMI connector, and then is USB-C powered.

There’s all these connectors included — for if you have a Raspberry Pi screwed to the back of the screen, but that isn’t going to be an option here. Instead I’m going to use cables like this very, very thin USB-C for both the numpad and the screen. It’s too bad that there apparently are no USB-powered small USB hubs that have USB-A toward the host (i.e., the Pi) and USB-C toward the devices. Obviously not USB 3 speeds, but USB 2 would be fine for all of these things. I guess it’s just too niche, so I guess I see some USB-C to USB-A adapters in my future.

It’s installed!

So this is basically the topology I was thinking of. I’m building a box where the front of the box is the screen, and then on top of the box, the numpad is sitting. Then I have that box on the nightstand, and I can tap on the numpad before going to sleep. And possibly twiddle the knobs to adjust volume on the stereo or something. (Heh heh, he said knobs.)

OK, I think I’ve got the hardware under control now, so it’s time to do some programming. (You can find the software on Microsoft Github.)

As a designer once said: “Futura, centred, and you’re done”.

But perhaps I can use the currently playing album as a background? Eh… gotta down the opacity on the image a bit, I think, but it’s not worth fiddling with until it’s running on the real li’l screen. (I don’t want the screen to be too bright.)

OK, now running on the Pi… Looking promising.

But one think I’m not sure about is how I’m going to fasten the screen to the box. The really isn’t anything to “grab onto” here… There’s the screen, and then a gap, and then there’s electronics that extend equally far out.

So… er… I wondered whether I might stick something between the board and the screen or something, but what? It can’t be metal, because that would risk shorting out some circuits. Hm…

So for that light sensor… I had Claude write a small Python script to just dump the luminance (or whatever) values, and then I can write something in Emacs that listens to that and adjust screen brightness.

But:

While ddcutil is able to talk to the screen, apparently, it doesn’t get much more than the EDID. So it doesn’t seem possible to adjust the backlight after all. (Lenovo L1950wD!? Lenovo made the li’l screen?)

Uhm… I could still use the sensor to make the text on the screen less bright. I.e., add a black alpha channel on top that’s controlled by the luminance… Hm. Not ideal, but perhaps better than nothing?

Oh, I’d forgotten that I’d gotten these USB-A to USB-C cables. They consist of a ribbon cable, and then you clip them onto the connectors. Looking at them now, I thought perhaps the point was that you could cut the ribbon to the required length?

But no? Because the ends of the cable look kinda connectorey…

Anyway, I’ve set up the alarm clock for a test run. In “deconstructed form”. Just to give it a go in realistic environments to see whether I’ve forgotten something…

If you’re making a light sensor device, what’s the one extra thing you absolutely have to put on the device? Yes, exactly! A blinking LED! Perfect!

But now it’s carpentry time!

This is the first time I’ve worked with this material — it’s laminated wood with MDF and whole wood things alternating through? And just 1cm thick, because 1) the thinner the less sawing, right, and 2) it makes the clock a bit smaller in all directions.

I’ve worked with thinner wood before, and it’s just not fun. It splinters easily, and you can’t really screw anything into it (and expect it to stay screwed). (So to speak.) So I’m trying this now and see whether it’s a happy medium between Too Much Work and Totally Splinters All The Time.

Errr… my jigsaw totally chewed through the wood. That’s not nice.

So I’ve got these blades…

… “basic” and “fast” and “clean”. I used the “basic” first.

Man, that “clean” isn’t any better, especially on the reverse side, which is just chewed to bits. Am I just using the wrong blades, or is this wood really shitty?!

Oh, there’s something called a two side clean blade. That sounds like what I want?

A li’l trip to the store, and I now have some T308TB blades. Let’s try one out:

Wow, that’s some difference. The cut to the right is the “basic”, then to the left is “clean cut”, and then in the middle is the “hardwood 2 side clean” T308BF. That’s incredible. And it does almost look equally good on both sides — the other side is even better! Pristine.

Let’s do some cutting of the lid for the box! I’ve measured so precisely, and…

Oh. That’s not… that’s not right. Did I really mis-measure that badly? OK, I’m following the old adage of “measure once and cut twice”, so…

Yeah, that’s really bad. I’m off by 1.5cm at one end while being correct on the other end.

Is there a trick to cutting straight with a jigsaw? There is!

Now let’s see…

I’ve got these… what are they called? Hand held vises? Nah, can’t be right. Squeezey thingies. That’s the ticket.

So I squeeze the wood, using one as the guide for the other…

But there’s a lot of mathing involved, since I have to add the width of the guide thing on the jigsaw…

Nooo! It’s the wrong thickness… I want 85mm, but this cut varies between 84mm and 87mm… how did that happen.

OK, do it one more time — cut a “clean” bit off, and then guide it to 85mm… *phew* I thought I was going insane there for a minute — the math wasn’t mathing! Things just had to have shifted while I was fastening the vise or something.

YES! CORRECT BOTH ENDS!

So there we are: Two sides, 200x125mm. Bottom and lid 200x85mm. Or… er… was the lid supposed to be 10mm shorter? Uhm… Oops, yes. Grr! OK, gotta cut 10mm off the lid.

But I want some funky feet for the box.

I’m inspired by the Hollie Fingold box I’ve got. It’s so funny. So I want some triangle feet.

Oh, I’ve got this thing! It’s meant for cutting things at an angle… but… er… hm.

OK, I just cut some freehand: As long as they’re vaguely the same height, that’s fine, because I can just sand off the tips… or rather, I guess I’m adding some rubbery substance at the tips, anyway — Sugro or something — so I can get the feet to the same heights by adjusting the Sugro.

There! All wooden bits assembled! And I changed my mind on the lid length — I think it’d be amusing if it peeks out on the front top a bit. A jaunty hat lid or something.

(That it means that I don’t have to make another cut didn’t affect this decision at all! I’m not at all afraid of losing any fingers! *counts* Nine, that’s the normal number, I think? And using 1cm wood made cutting these things child’s play. Much less drama than jigsawing thicker wood.)

Now I just have to nail it all together.

I was worried that the wood would splinter when I nailed in the nails, but nope — I’m doing a test run with some cutoff pieces to see whether this works at all.

It’s all coming together nicely. The problem is keeping the nails going in straight: Since the wood is only 1cm wide, and these nails are 2.5cm, if I’m hitting things at a slight angle, they pop out of the wood on the other side.

But here’s why using nails instead of screws make sense: Using finishing nails, I then use a nail punch to drive them further into the wood…

… so I can then use filler to completely hide the nails. Doing that with screws isn’t really possible.

OK, time to start working for real. All bits assembled.

Bang bank bang and oops. Once again, a nail going in at an angle… *sigh* This happened three times during the mounting, and I had to pull the nails and do a new one for the worst ones. Is there a tool to guide or something? To guarantee 90 degree angles?

Tada!

The screen fits! Wow!

OK, time to swap out the cables I was using during the test run with production cables, which means thinner cables that are angled, for the most part. So I got some from AliExpress, and…

WTF. That’s two angled USB-C connectors, and one has a plug that’s more than twice as long as the other. So that’s one more measurement to take into consideration when trying to find cables that can do the job.

But while a new shipment of cables is winding its way from China, it’s time to do some sanding and painting and stuff.

See? I messed up one of the corners during cutting, I think.

But a bit of sandpapering and it’s fine.

It’s spackling time!

I need to spackle all the ends (to hide the composite nature of the wood), and of course all the nails and stuff.

Annoying… need several turns with spackling and sanding…

And then I’m just gluing on the feet using wood glue. I guess I could have nailed them in, too, but…

Hey what’s that outside the window.

Double rainbow! Or triple! Man. This alarm clock was born lucky or something.

Three of the feet actually turned out exactly the same length, but one is sliightly too short. That’s a lot better than I had expected.

So I added some Sugru-like substance to the short leg… and man, that Sugro knock-off from Locktite just isn’t as good. For one, it sticks to your fingers like crazy — I had to do the “OUT DAMNED SPOT” for like five minutes to make the gunk part ways with my hands. Yuck.

Damn monopolists — Sugru was so good, but then all the big companies launched similar products, so now you can’t find Sugru in shops. You just find the inferior knock-offs.

Oh, I see that Tesa has bought Sugru now? Well, they’re a big company — why can’t they make the shops carry it?

Grrr.

Then after doing two coats of primer and two coats of paint… it turns out that the lid is now too big! D’oh! I didn’t take into account the millimeters added by the spackle, primer and paint… So now I have to plane off some millimeters.

Oops! I went shopping again. And bought this thing.

It’s works! Got the lid a few millimeters narrower and now it fits again.

OK, more cables arrived from China… but how does this HDMI connector work anyway? Do you just flip the white thing up?

OOPS. Nope. *sigh* The black things slide out instead. Oh well, I guess I gotta order more stuff from China.

I painted the clock black, because my inclination is to always paint things black. But I wasn’t careful enough when letting the box dry, and it bonded to some surface and now I have more to fix.

But back to that Hollie Fingold box — I was going to do something fun and whimsical for a change, right? So how about painting it gold on the inside? I mean, you can only see a bit of gold when it’s finished, but some poking up will be whimsical?

And… are lines whimsical?

They better be!

Tada! Plenty whimsical. In an orderly fashion.

And then it’s the moment of truth. Does the screen still fit after all this painting?

YES! It’s totally snug — I was going to mount it into the box with some Sugro or something (there really aren’t any good options), but it fits so precisely that I don’t think I have to do anything?

Everything fits! *phew* So it’s time to put the lid on the clock. I was wondering how to do that — very few things work well with wood this thin.

Like, I got these shelf rests, but the screws here are both too long and too thick — it would totally splinter the wood.

So I cut some bits off and painted them gold, and then I could glue them to the walls and then let the lid rest on them? Two problems: If they aren’t totally the right height, the lid is going to be wobbly when I’m using the numpad. And if the glue isn’t strong enough, they’re going to fall off when I’m typing.

Ideally I would screw them in, but I’d have to do that from the inside. Possible, but… I could also use a nail on them, but I’d have to do that from the outside, and then redo the entire paint job. *sigh*

But… what about a hinge?

Finding screws that are short and thin enough locally turned out to be difficult, so I ordered this set. 1200 parts! Whoho!

Look at all these tiny screws… just what I need.

OK, test screwing — do these splinter the wood? Nope.

And I also managed to find hinges that are small enough. There’s a huge variety of hinges out there, but (of course) 99.7% are geared towards real solid things, and are inappropriate here. But these are less than 1cm wide, and so perfect. The screws that were included were too long, of course, but I had my set now.

Huh… would it be fun to mount the lid this jaunty way?

That is, have the numpad be on a slight incline? Might make it easier to type… But… nah…

I thought it would be fiddly to mount the lid, but it turned out to be incredibly easy.

(Also note masterful paint job. I’m a master painter.)

Tada!

Yes. The concept works!

And the cables arrived from China this morning. And this time around I managed to assemble them without destroying them.

So connecting from the screen to the Pi… but, er, like, I had gotten the Micro HDMI side angled the wrong way. Even after re-checking five times before ordering. Gah! But it’s OK; I can just have the Pi the other way around.

Jamming all the bits in there…

It works!

And it seems solid and stable enough — I can tap away at the numpad without any wobbling.

I also got a package of these in the mail today… What was I going to use these for? The lid? Hm… No! Now I remember — I was going to use them to fasten the screen: Screw them into the wood and then slide the screen down on them. But that’s not necessary, it turns out, and it wouldn’t have worked, anyway — they’re only 1mm thick, but that’s still too thick. I would have had to have taken that into account (is that the correct tense?) when sawing.

Oops, how did that running black paint happen? I thought I was more careful about sanding those mishaps away…

Anyway, this is the back of the clock — I cut out a bit for the speaker. That’s probably not necessary — it would be loud enough anyway. But what the hey. And it’s lucky that the speaker is exactly the same width as the screen, eh?

And that’s the light sensor poking out at the top. It’s possible to break off the tip there (where the sensor is) and then do some wiring between the main part and the sensor, but… I don’t wanna go soldiering.

And the power cable: I was going to drill a hole in the side of the box and just plug it in that way, but because the Micro HDMI was angled the wrong way, that’s not possible. But I could get a new Micro HDMI plug… I dunno. Either works, really.

Time for a test drive:

It works! The numpad is clicky and nice, and the menu interface for Other Functions feels very intuitive with the dial knob.

Lessons learned:

1) I have to get better at painting. Too many blobs.

c) I need a better work station for stuff like this — I’ve been working off of random pieces of furniture, which really isn’t a good idea when using a jigsaw and stuff:

XIV) There’s a bunch of fun tools one can buy to make woodworking more fun.

Oh yeah… I forgot about the light sensor. The sensor works fine, and I’m using it to make everything on the screen dimmer. That works, but it really would be better if I could actually control the backlights, because even a totally black IPS screens emit a lot of light.

But I can’t see any screens of this size that allows controlling the backlights, so… I mean, OLED would be better, except for the burn-in — which would be extreme with a static display like this.

Anyway, I hereby declare alarm clock victory! It’s a build that my thirteen year old self would have been proud to have done!

Comics Daze

The weather’s turned cold and stuff, so I think it’s time to spend a day reading comics. And accompanied by music from 1982 only.

Kate Bush: The Dreaming

12:03: Betas by Nick Maandag (Drawn & Quarterly)

This book feels kinda displaced in time — it’s about PC Madness Gone Wrong etc, and is probably meant to be read as a parody of right-wing fears of sorts? I mean, it’s hard to read, for instance, the sequence about his testicles blowing up as something other than poking fun at men who spout that “blue balls” thing…

And there are some funny bits in here.

But reading this is just page after page of these conversations that aren’t very entertaining, so the book becomes a joyless slog for the most part.

I’m wondering what the reactions to this book are (if any), because you could also easily read it as an earnest alt right depiction of How Things Are These Days — they’d be reading this going “ha ha ha so true own the libs ha ha ha”…

I can find virtually no reviews of this book, which is very strange for a book from Drawn & Quarterly. Those people are usually really good at getting their books in front of reviewers. Here’s somebody who totally interpreted it “the other way”:

You get the point pretty early on – it’s political correctness gone mad!!1 – but Maandag continues to hammer home this very obvious message over and over throughout the book. Tim can’t get ahead because of Diversity, Equality and Inclusion (DEI) hirings, despite his seniority at the restaurant (and his passivity because, hoho, he’s a beta), while their boss has to crawl around on all fours all day because of White Atonement Day (chortle, wot a beta).

Very odd that there aren’t any reviews from the usual outlets… perhaps this book is too toxic (or bewildering) to touch? Did D&Q try to keep the release secret? 🙀

Peter Gabriel: Peter Gabriel 4

12:56: Yearly 2026 by Andrew White

Wow, Andrew White has been productive this year. His “Yearly” series for 2026 consist of four books and a process pamphlet. I think I’ll just read a couple today…

I’ll start with A Catalogue of Reasons.

It’s not clear at all at the start what the book is going to be about.

But as the book progresses, it becomes clear that it’s about Picasso and Apollinaire…

… but also about Alice B. Toklas after Stein’s death.

It’s enthralling! And very moving. I love the way it flows. And the artwork is perfect.

The Cure: Pornography (1)

13:21: Pear Shape by Nick Thorburn (Fantagraphics)

From the sublime to the disgusting, I guess?

But it turns out that the most disgusting thing in this book is the cover, really.

It’s mostly short and depressing gag strips — the kind we like. It’s a solid book.

13:38: Mystère dans le grenier by Dorothée de Monfried (E-Voke)

Oops! This is a children’s book. I didn’t know that E-Voke had gone into the children’s book business.

It’s about a bunch of cute dogs that are scared by noises coming from the loft. If I were three, I would have loved this book. I’m not, but I still think it’s very charming.

13:42: Etikett #3

This is an old Swedish magazine that I happened upon in a used book store the other day — I’ve never heard of it before, but it looks intriguing, so I picked it up.

It’s pretty funny.

Very transgressive.

Huh, there’s a bit cut out of the copyright credits? Weird.

The comics are mostly American (from National Lampoon or something?).

Here’s why I bought the magazine — Tintin in Lebanon. It’s well done.

Simple Minds: New Gold Dream (81-82-83-84)

14:12: Smoke Signal #46 edited by Floyd Tangeman (Desert Island)

It’s an anthology issue…

And most people get two pages each, I guess.

It’s pretty great.

Eurythmics: Sweet Dreams (Are Made Of This)

14:32: Nestor Burma: L’hommes et sang bleu by Malet/Moynot (Faraos Cigarer)

MOYNOT does a pretty good job at emulating Tardi… but some of the colouring here is a bit odd. I mean, it’s supposed to emulate the sun in Marseille coming through shades and stuff, but it’s still kinda disturbing.

I did start to wonder whether Moynot is drawing on a tablet now, because some of the linework looks kinda tabletey… but apparently non? The article says that he does some of the layout en numérique, then draws on paper, and then scans it in to do the colouring and shading on a tablet. I still wonder whether he does (some) of the inking on the tablet?

Depeche Mode: A Broken Frame

Anyway, this is a classic Leo Malet story — very hard boiled, what with Burma stumbling around semi-drunk a lot of the time, and getting beat up, and the dames etc etc. It’s fun.

And now I’m gonna go buy some candy and run some errands.

Candy achieved!

Blaine L. Reininger & Alain Goutier: Paris en Autumne

18:04: Mad about DC (DC Comics)

This is a collection of gags made by people who normally do super-hero comics for DC, and as you’d expect, some of it’s pretty unfunny. But a surprising number of things are very amusing.

New Musik: Warp

Mostly the ones that make fun of ads, for some reason or other.

See? It’s pretty funny here and there.

18:47: Wishbone #1 by Nate Garcia

I really like Garcia’s artwork.

This book reminds me of 90s indies comics (complimentary). It feels like it may be the first in (perhaps) a longer series? I’m aboard.

Deutsch Amerikanische Freundschaft: Für Immer

19:03: And One Night More by Andrew White

This book is hypnotic.

It’s about the making of A Thousand and One Nights…

… and it gets at the story through repetitions and spiralling back all the time. It’s fantastic! So engrossing. And such lovely artwork.

Tuxedomoon: Ninotchka

19:28: Causeway #33-38 by CF

I’ve been saving up the Causeway issues from the past er year? because I wanted to read them as a bigger chunk, and I guess the time has come. Hm, is the newest one from 2025? Huh.

Anyway, some of these are more illustration (lovely)…

… and some are stories (intriguing).

King Crimson: Beat

19:38: Brownfield Action Family #1 by Ted May (Revival House Press)

This is another book that feels like a 90s indie comic (in a good way)…

It’s a surprisingly straightforward (for the most part) young-people-drama kind of thing, but it’s told in an engaging fashion.

This was apparently made over a long period of time, but I hope May continues this story toot sweet.

19:57: Gawk Zine by Nazir Hedgepeth

You see so few comics inspired by R. Crumb these days…

This is a lot of fun.

20:03: The End

And now I think I should make some dinner, so that’s enough comics for today, unfortunately. It was pretty much all pretty good? Except that one book.

Surveillance

When I was in Paris, like, fifteen years ago, I happened past a glassware shop and I saw these dinner plates in the window:

That is, out-of-focus night-time surveillance photos. On dinner plates. And I had a sudden vision:

A… what’s this style called in English? “Peasant romantic” or something? It sounds less insulting in Norwegian, somehow. Anyway, I was thinking about the juxtaposition of an oldee-tymey romantic dinner plate display shelf of some kind (not as romantic as the above, because there are limits) and these spooky and unnerving dinner plates.

So I bought the plates, schlepped them back home (without breaking any! it’s miracle!) and then… put them in a cupboard for fifteen years.

Until now.

I spent a lot of time researching (i.e., at least half an hour), and I just couldn’t find any antique ones that wouldn’t look like a too overt joke in my kitchen, or that were big enough, and I finally resorted to Etsy.

Tada!

But, er, during the fifteen years that had passed, I had forgotten that there were only six of these plates. I could have sworn that there were eight! Had I broken some over the years and repressed the memory!? I need false memory regression therapy stat!

But no, some Googling shows that there were indeed only six of them. And the artist’s name is Magdalena Gerber, and these were made in an edition of 1K. I feel so speshal now.

Hey, is that the place I bought them? That looks vaguely familiar…

The table, it is well known, is a setting for fruitful exchange and conviviality. With this work of images on plates I lay out a landscape that adorns the table and invites the guests to share their stories and to transform the meal into a feast of shared exchanges. Through captured video I explore the space, sometimes strange, between the ordinary and the extraordinary. Here, barely visible characters are crossing the street quickly under the rain, and there passing on a bicycle, and so forth.

It’s even more arty than I thought!

(I do think that perhaps these look less spooky now than when they were made, perhaps. Everybody’s willingly under surveillance now anyway…)

But… only six… so… now the shelf is too big, really. Perhaps I can pad with some other plates?

Yes? No? Hm.

Oh, and I think I need a different lamp for the table now… One that’s not as tall.

As mounting this shelf involved drilling into some very hard red brick walls (under the paint), I got to use my Bosch battery powered drill again. I think I’ve mentioned this before, but this is the thing I’ve been missing all these years. It’s not just that the cordlessness means that I save half an hour looking for a power outlet and extension cables, but somehow the drilling itself is also easier — perhaps because of the lack of drag from the cable subtly making me mis-point the drill? With this thing, it just BROOOWWWWKCKKCKCKCK and I’m done.