Here’s some comics I’ve read over the past few weeks. I’ve had almost no time to read comics lately…
When translating/collecting works from prolific artists, publishers wisely publish the best material first. I mean, you want the people who pick up the first volumes to be impressed and keep buying.
So what are we getting in the tenth volume of Fantagraphics’ monumental collection of Guido Crepax stuff? More than three thousand pages in?
Yes, “Surreal Stories”, as the cover says, but I’m not sure that’s what most people would call these pieces. The main thing here is a two-hundred-page Bianca… er… non-story, where we basically see Bianca vaguely proceed from torturous tableau to torturous tableau.
Crepax’s best stories are also pretty vague, but you feel compelled to keep reading, because things sorta kinda tie together in a strange way, but this is basically just a collection of Crepax’s fantasies. I mean, the line is still great, but it’s just hard not to fall asleep when trying to read this.
I remember quite liking Leah Hayes’ previous book?
And the art here is still attractive.
And while it’s got a mood going on here, it just feels very slight.
I filled my Spirou quota.
There’s a special issue here about various Spirou authors going to the natural history museum, and that sounds like it’s going to be fun…
And it is, I guess, but it seems like they mostly come up with the same gags. So it gets a bit repetitive.
And there’s now two serials running that I dislike (Louca and Starlight), so not really a good batch for me.
I bought this by mistake — I was totally thinking of somebody else, and not Darryl Cunningham. Is there a different comics artist called Cunningham? One that’s good?
Because this isn’t — it’s pretty annoying, from micro problems like “what box?” “this one” while pointing to a big square thing, but she’s talking about the box in her right hand, to bigger problems like…
… everything about this.
I bailed after a couple dozen pages.
I’ve seen some chatter about this book by Marina Lisa Komiya on the timeline, but I haven’t really paid attention to what the reactions have been?
The line is very attractive.
But the style used allows for such limited range of faces that it’s very hard to keep people apart — you really have to go “this one has slightly longer hair”, “this one has slightly more frizzy hair” etc, and if it’s windy, you’re shit out of luck.
Plotwise, it feels like an algorithmically derived plot. I didn’t dislike the book or anything, but I did roll my eyes a bit at All The Drama.
I’m guessing this will end up on many “best of” lists for 2026.
Michel Vaillant is, of course, an extremely long-running French(ey) comics series, but I’ve never read any books from the 2010(ish) “revival”.
Many of these “revival” books settle on a refreshed look and a new start (of sorts), but this is apparently very much the same as before, and with all the characters older than before.
And unfortunately, it’s really boring. This album is about introducing electric racing cars, and there’s lots of dramas because the Vaillant boss doesn’t want to ditch petrol cars and stuff. I was wondering whether it had been made as a promotional tool for some French electric car maker or other, but apparently not?
And finally, I’m continuing to read Corto Maltese in translation to French.
And colourised, because I’ve read the original black and white versions so many times before.
And this album collects fantastic twenty-pagers — every piece is a perfect Corto Maltese story.
I think I’ve only got one more of these to go before I get to the album-length books that Hugo Pratt would continue to do in the late 70s/80s. They’re also great, of course, but these 20-pagers are simply the best.
And that’s all. See? Almost no comics reading! I’ve gotta get serious.




























