I bought a “snowman” mains cable. Can you tell which one is the correct one?
No, they aren’t interchangeable.
Sony has a newish version of their “sporty” headphones branded “Walkman” (or “NWZ-W273”). They have a built-in mp3 player. I’ve got big headphones with built-in mp3 players, but it would be nice to have a pair in a more convenient form factor.
I bought the previous Sony iteration, but they were huge and fell out of my ears all the time, so they were basically unusable. This version is much smaller, so *crosses fingers*.
They come with an impressive number of very small manuals.
They also come with a pretty big cradle (heavier than the headphones). You have to plug the Walkman into the cradle to charge them and transfer data to them. The cradle is symmetrical, but the headphones have to be put in the right direction, so I got it wrong the two first times. Tsk, tsk. Bad design.
Apparently the Walkman doesn’t want me to write anything to the built-in storage in anything but utf8. When rsyncing to it I get errors like
rsync: mkstemp "/run/media/larsi/WALKMAN/MUSIC/Prize/.06-Ex Pregui\#347a.mp3.vrixrA" failed: Invalid argument (22)
rsync can do anything, though:
[larsi@building ~]$ rsync -av --iconv=utf8,iso88591 \ --exclude '*.flac' \ "stories:/music/repository/Arto\\ Lindsay/Prize" \ /run/media/larsi/WALKMAN/MUSIC/
So what’s the sound quality like? Surely the Walkman should be charged now after I’ve typed all this…
Geez, there are a lot of teensy weensy buttons on this this… Ok, after studying it under a magnifying glass, I managed to switch it on. Oh, nice. There’s a nice lady telling me what button I just hit. “Shuffle.” “Shuffle. Off.” She sounds like she’s an actress in a sci-fi tv series. A slight metallic tinge.
Oh, sound. Hey, it sounds pretty nice. There’s quite a lot of bass. I had never imagined that teensy headphones like this would have so much bass and such “big room” feeling.
There’s a slight hiss if you pump the volume up beyond what’s comfortable.
They block out a lot of external sound. Since these are in-ear, you end up listening to yourself breathing a bit. But overall, these are way better than I had thought was possible.
And I tried headbanging a bit now, and they don’t fall out of my ears. Wow!
Hm… so there’s buttons to skip to the next/previous track. And if you press them a longer time, they skip to the next directory! That’s perfect for skipping to the next album. Very nice. Hm. But when you switch them off and then on again, it starts playing at the start of the current song instead of continuing from where you left off. That really sucks for listening to podcasts and the like.
But overall I’m really impressed. I’ll probably start hating them once I start using them for real, but right now, I’m loving them.
Due to the exceptionally warm winter, or exceptionally studly plants, the roses on my balcony survived. But one of the bushes looks kinda… odd…
See? There’s a white powder thing going on, and there seems to be a lot of spider web action going on, too. But mainly around the buds.
So is this a disease of some kind? Or is it environmental? They’ve been renovating the neighbouring house the last few weeks, and there’ a lot of white dust flowing around everywhere.
But I do think it looks kinda diseased.
Should I get rid of the roses? I had kinda assumed that they would die during the winter, so I would plant vegetables there this summer…
Mmm. Peas.
When being handy around the house, I prefer using professional workwear, because they have straps to hand the hammer off of, and lots of pockets for tools and screws and stuff.
And now it’s summer, so I went to buy some shorts.
But at the Blåkläder store they also had workwear kilts.
Yes.
So I had to buy one.
So it’s a rather long strip of cloth that wraps around you once and a half.
Hm… It’s different…
It’s rather a lot cloth, so it’s kinda warmer than you’d think. Even when worn traditionally.
So I’m not sure whether this is super practical. I’ll give it a try the next time I have to fix something.
Indoors, where it’s not windy.
Hey, that didn’t take long at all.
What I’ve learned from watching 100 movies and making 100+ cocktails is: 1) There are a lot of bad cocktail recipes out there. 2) New movies suck. 3) The WordPress spell checker doesn’t think that “movie” is a word.
But I swore to never use the word “film”. Just to annoy people.
Oops.
My selection turned out to be a bit Now That’s What I Call Quite Early 90s Film Club, which is kinda natural, since that’s where I left off. I tried getting a bit more current by buying a few handfuls of movies that had won Sundance awards during recent years, but most of them turned out to be lower-ish budget Hollywood-like schmaltz like Beasts of the Southern Wild. They look kinda indie and interesting, but are excruciatingly boring to watch.
I mean, I do have patience with “boring” stuff as long as it’s good. (For instance India Song or Blue.) But when my bullshit detector goes off, I get cranky.
And I have little in the current crop of European art movies, like Antichrist or Irreversible. And I loathe Haneke. Basically crappy and dehumanising movies that have delusions of relevancy. While probably functioning like the R&D division for commercial movies.
Anyway.
I’ve tried scoring the movies based on whether they’re good or not, and not whether I like them. I do have great taste, though, so these are correlated, of course. I sometimes like bad movies a lot, and (somewhat less often) I hate some good movies.
Here’s the complete list. 1 star means “awful”, 2 “bad”, 3 “not good, but watcheable”, 4 “not bad, but misseable”, 5 “good”, 6 “fantastic”.
★★★★☆☆ | 1978 | Jubilee | Derek Jarman |
★★★★★☆ | 1972 | Solaris | Andrei Tarkovsky |
★★★★☆☆ | 1981 | The Pee-Wee Herman Show | Marty Callner |
★★☆☆☆☆ | 2009 | District 9 | Neill Blomkamp |
★★★★★☆ | 1947 | Black Narcissus | Michael Powell, Emeric Pressburger |
★☆☆☆☆☆ | 2005 | Batman Begins | Christopher Nolan |
★★★★★☆ | 1938 | Bringing Up Baby | Howard Hawks |
★★★★★★ | 1964 | Bande à part | Jean-Luc Godard |
★★★☆☆☆ | 2008 | The Dark Knight | Christopher Nolan |
★★★★★★ | 1996 | Nénette et Boni | Claire Denis |
★★☆☆☆☆ | 2012 | Beasts of the Southern Wild | Benh Zeitlin |
★★☆☆☆☆ | 2005 | Red Eye | Wes Craven |
★★★★☆☆ | 2005 | Me and You and Everyone We Know | Miranda July |
★★★★★★ | 1963 | 8½ | Federico Fellini |
★★★★☆☆ | 2004 | Palindromes | Todd Solondz |
★★★☆☆☆ | 2010 | Tron: Legacy | Joseph Kosinski |
★★★☆☆☆ | 1968 | Rachel, Rachel | Paul Newman |
★★☆☆☆☆ | 2008 | Be Kind Rewind | Michel Gondry |
★★★★★☆ | 2009 | Κυνόδοντας | Yorgos Lanthimos |
★★☆☆☆☆ | 2011 | Like Crazy | Drake Doremus |
★★★★★☆ | 1959 | Hiroshima, mon amour | Alain Resnais |
★★★★★☆ | 2004 | Mean Girls | Mark Waters |
★★★★★★ | 2012 | The Hobbit: An Unexpected Journey | Peter Jackson |
★★☆☆☆☆ | 1980 | Rude Boy | Jack Hazan, David Mingay |
★★★★★☆ | 2009 | The Limits of Control | Jim Jarmusch |
★★★★★★ | 1975 | India Song | Marguerite Duras |
★★★☆☆☆ | 2010 | L A Zombie | Bruce LaBruce |
★★★☆☆☆ | 2013 | Elysium | Neill Blomkamp |
★★★★★☆ | 2013 | I’m So Excited | Pedro Almodovar |
★★☆☆☆☆ | 2007 | Superbad | Greg Mottola |
★★★★★☆ | 1993 | Blue | Derek Jarman |
★★★★☆☆ | 2009 | Transformers: Revenge of the Fallen | Michael Bay |
★★★☆☆☆ | 1930 | Menschen am Sonntag | Kurt Siodmak, Robert Siodmak, Edgar G Ulmer, Fred Zinnemann & Rochus Gliese |
★★★☆☆☆ | 1996 | Bottle Rocket | Wes Anderson |
★★★★★☆ | 1937 | Shall We Dance | Mark Sandrich |
★★★★★☆ | 2000 | In The Mood For Love | Kar Wai Wong |
★★★★★☆ | 1988 | Chocolat | Claire Denis |
★★★★★☆ | 2010 | Winter’s Bone | Debra Granik |
★★★★☆☆ | 1963 | Shock Corridor | Samuel Fuller |
★★★★★☆ | 1945 | Brief Encounter | David Lean |
★★★☆☆☆ | 2011 | Scream 4 | Wes Craven |
★★★★★★ | 1979 | Woyzeck | Werner Herzog |
★☆☆☆☆☆ | 2013 | Pacific Rim | Guillermo del Toro |
★★★★★★ | 2007 | Paranoid Park | Gus van Sant |
★★★★★★ | 1983 | L’Argent | Robert Bresson |
★★★★☆☆ | 2007 | Eastern Promises | David Cronenberg |
★★★☆☆☆ | 2005 | New York Doll | Greg Whiteley |
★★★☆☆☆ | 1985 | Subway | Luc Besson |
★★★★★☆ | 1980 | Berlin Alexanderplatz | Rainer Werner Fassbinder |
★★★☆☆☆ | 2002 | Solaris | Steven Soderbergh |
★★★★☆☆ | 2002 | The Rules of Attraction | Roger Avary |
★★★☆☆☆ | 1971 | Two-Lane Blacktop | Monte Hellman |
★★☆☆☆☆ | 1934 | Of Human Bondage | John Cromwell |
★★★★☆☆ | 2013 | The Hobbit: The Desolation of Smaug | Peter Jackson |
★★★★★★ | 1965 | Pierrot le fou | Jean-Luc Godard |
★★★☆☆☆ | 2002 | Resident Evil | Paul W S Anderson |
★★★★☆☆ | 2005 | The Hitchhiker’s Guide to the Galaxy | Garth Jennings |
★★★★★☆ | 1953 | Tokyo Story | Yasujirô Ozu |
★★★☆☆☆ | 2004 | 2046 | Kar Wai Wong |
★★★☆☆☆ | 1999 | Jawbreaker | Darren Stein |
★★★★★★ | 2006 | Inland Empire | David Lynch |
★★★★★☆ | 1990 | Cry-Baby | John Waters |
★☆☆☆☆☆ | 1970 | Husbands | John Cassavetes |
★★★★★☆ | 2012 | Hunger Games | Gary Ross |
★★★★★☆ | 2010 | Sound of Noise | Ola Simonsson, Johannes Stjärne Nilsson |
★★★☆☆☆ | 1993 | Three Colours: Blue | Krzysztof Kieslowski |
★★★★☆☆ | 1930 | Animal Crackers | Victor Heerman |
★★★★★☆ | 2004 | Eternal Sunshine of the Spotless Mind | Michel Gondry |
★★☆☆☆☆ | 2008 | The Day The Earth Stood Still | Scott Derrickson |
★★★★☆☆ | 2011 | Midnight in Paris | Woody Allen |
★★★★★☆ | 1981 | Death in Venice | Tony Palmer |
★★★★☆☆ | 1943 | Destination Tokyo | Delmer Daves |
★★★★★☆ | 1987 | Out of Rosenheim | Percy Adlon |
★★★☆☆☆ | 1977 | The Serpent’s Egg | Ingmar Bergman |
★★★☆☆☆ | 1995 | The Flower of My Secret | Pedro Almodóvar |
★★★★☆☆ | 1992 | Simple Men | Hal Hartley |
★★★★☆☆ | 1988 | Heathers | Michael Lehmann |
★★★★★☆ | 2013 | G B F | Darren Stein |
★★★★☆☆ | 1994 | Prêt-à-Porter | Robert Altman |
★★★★☆☆ | 2013 | Gravity | Alfonso Cuarón |
★★★★★☆ | 1935 | Top Hat | Mark Sandrich |
★★★★★☆ | 2009 | White Material | Claire Denis |
★★☆☆☆☆ | 2012 | Promised Land | Gus Van Sant |
★★★★☆☆ | 2008 | Adoration | Atom Egoyan |
★★★☆☆☆ | 2010 | You Again | Andy Fickman |
★★★★★☆ | 1960 | Breathless | Jean-Luc Godard |
★★★☆☆☆ | 2013 | The Hunger Games: Catching Fire | Francis Lawrence |
★★★★☆☆ | 2011 | Limelight | Billy Corben |
★★★★★★ | 1948 | Bicycle Thieves | Vittorio De Sica |
★★★★☆☆ | 1973 | Day For Night | François Truffaut |
★★★★★☆ | 1942 | To Be Or Not To Be | Ernst Lubitsch |
★★☆☆☆☆ | 2013 | CBGB | Randall Miller |
★★★☆☆☆ | 1936 | Theodora Goes Wild | Richard Boleslawski |
★★★★☆☆ | 1939 | The Rules of the Game | Jean Renoir |
★★★☆☆☆ | 2009 | Inglorious Basterds | Quentin Tarantino |
★★★☆☆☆ | 2005 | A History of Violence | David Cronenberg |
★★★☆☆☆ | 2010 | Blue Valentine | Derek Cianfrance |
★★★★☆☆ | 2006 | Small Town Gay Bar | Malcolm Ingram |
★★★★☆☆ | 1940 | Foreign Correspondent | Alfred Hitchcock |
★★★★☆☆ | 1948 | The Red Shoes | Michael Powell, Emeric Pressburger |
I started CM&C partially because I had too many unseen DVDs on the shelves. After finishing it, I have more unseen movies than I started with.
And I have way more booze in the cupboard than anybody should have.
I peeked at imdb scores for the films I was watching, and it seems like virtually all movies get a rating between 6.5 and 7.5. The only exceptions are truly awful ones, that get 5.7-6.3, and totally horrible fan service ones that get a rating of 8.0-8.5. Any newer movie with a rating over 7.5 is almost certainly execrable.
Hm… perhaps I should do a correlation matrix between my ratings and imdb ratings… but that seems like work.
And now I never have to watch another movie again in my life! Whoho! I have my life back!