F&C1942: The Magnificent Ambersons

This is officially the 174th best film ever. I think it seems rather self-indulgent and melodramatic. I don’t find the “George” character very convincing.

Yes, yes, he’s an annoying twit, but can anybody really be as annoyingly twittish (that’s a word) as this? Perhaps it would have resolved itself in the last hour, but I kinda doubt it. The studio famously cut the last 50 minutes and shot a new happy ending, and it’s even more awful than you’d imagine. It’s laugh out Ell Oh Ell awful.

But it’s a rather pretty film.

The Magnificent Ambersons. Orson Welles. 1942.

Pegu

This post is part of the F&C series.

F&C1943: The More the Merrier

Hey! Jean Arthur! I like her.

They’re aiming for screwball comedy, but it goes kinda embarrassing at times. Eek. It’s really funny. It’s also amusing how they (as is common in these war time films) weave in “inconspicuous” propaganda scenes about how union busting is patriotic and so on.

The More the Merrier. George Stevens. 1943.

Parkside Fizz

This post is part of the F&C series.