December 1943: Ghost Ship














“Why, a captain has more law than the King of Siam! A captain can marry you!”

“Well, I’m already married.”

This is an extremely odd film about a crew on a ship ships that’s possibly haunted. Excuse me while I do some googling.

It was produced by Val Lewton for RKO Radio Pictures as part of a series of low-budget horror films.

So it’s a B movie, I guess? Which explains the short length and the really weird cast. And the DVD I have has been sourced from a 2005-era torrent, judging by the quality of the compression artefacts.

But it’s so bizarre. A plot element is a heavy hook that’s not been tied down because er uhm the captain is insane? Or… an Objectivist? Is A A?

Bizarre.

There’s a plot twist that made me laugh out loud (inside of me), though. And after that, it’s pretty exciting.

But still… bizarre… It’s so weird it could almost be brilliant. But it isn’t.

Ghost Ship. Mark Robson. 1943.

Popular movies in December 1943 according to IMDB:

PosterVotesRatingMovie
46717.7The Song of Bernadette
63647.6Jane Eyre
3417.3Lost Angel
2747.3The Phantom
19317.2Madame Curie
36827.2Destination Tokyo
16797.0A Guy Named Joe
3816.9Whistling in Brooklyn
11446.9The Gang’s All Here
16806.9Tarzan’s Desert Mystery

This blog post is part of the Decade series.

November 1943: Old Acquaintance

















It’s Bette Davis! Again! Geez, the person who bought these movies had a one track mind…

Anyway! It’s a comedy! A romantic comedy! I didn’t think Davis did those, but this is the second one in this blog series…

Oh, it’s not a comedy after all. That makes more sense. It’s about an insufferably grating woman who’s very successful and that makes her husband all insecure and stuff, so Bette’s totally justified in having an affair with him. I mean, how dare she write successful books! How dare she!

But the mystery is really why either her husband or Bette hangs out with her at all. It’s even brought up in the script, but they don’t really have much of an answer.

So by making it easy for themselves (by making her so awful) they also ruin some of the tension, because there’s no doubt who we’re rooting for.

But I’m really kind of quibbling. The scenes with Davis and her arch-frenemy played by Miriam Hopkins are really kind of electrifying.

Old Acquaintance. Vincent Sherman. 1943.

Popular movies in November 1943 according to IMDB:

PosterVotesRatingMovie
21677.6Old Acquaintance
6117.5The Battle of Russia
3267.1His Butler’s Sister
6726.9Cry ‘Havoc’
11756.9Girl Crazy

This blog post is part of the Decade series.

October 1943: Guadalcanal Diary























This DVD has a very artifactey transfer — it’s probably mastered off of a torrent site.

This is not the first movie in this blog series that’s been told from the point of view of the troops, but this one keeps the focus there throughout the movie. And while it’s a propaganda movie (the opening scenes with horseplay on the decks of the ships (complete with puppy) under a tropical sun are very… er… appealing), it gets tense pretty quickly.

But always amusing.

Does it work as a recruitment tool? I think so…

The final scenes, where they rout the dirty Japs (oops spoilers) is pretty amazing. And the dog survives (oops spoilers).

Guadalcanal Diary. Lewis Seiler. 1943.

Popular movies in October 1943 according to IMDB:

PosterVotesRatingMovie
2758.0Mr. Muggs Steps Out
2737.5My Learned Friend
4107.3L’éternel retour
40057.2Lassie Come Home
8106.9Princess O’Rourke
17446.8Guadalcanal Diary
2026.5Sweet Rosie O’Grady
2676.4Yellow Canary
32496.2Son of Dracula
2306.0The Dark Tower

This blog post is part of the Decade series.

September 1943: Le Corbeau














What’s this then? A French movie? Made during the occupation? That had to be controversial.

Ah. Some wikipedia editor says:

The film caused serious problems for its director after World War II as it had been produced by Continental Films, a German production company established near the beginning of the Occupation of France, and because the film had been perceived by the underground and the Communist press as vilifying the French people. Because of this, Clouzot was initially banned for life from directing in France, but after protests only until 1947. The film was suppressed until 1969.

It was shown in cinematheques during the war, and then banned in France afterwards.

I… don’t quite understand the acting style, but it might just be that I’m not familiar with the pre-Nouvelle Vague French acting style. It’s nothing like American, British or Swedish acting of the era (which I’m more familiar with). It’s… kind of stylised, but not… really?

Perhaps it’s just bad acting? I don’t really believe in any of the portrayals?

Probably not. It’s a pretty exciting movie, and nobody’s very pretty or noble, so I can understand that some people accused Henri-Georges Clouzot of being anti-patriotic by making this.

The bluray restoration looks great.

Le Corbeau. Henri-Georges Clouzot. 1943.

Popular movies in September 1943 according to IMDB:

PosterVotesRatingMovie
2247.8Doña Bárbara

This blog post is part of the Decade series.

CCCB: Larque on the Wing

Like everybody, I’ve got a bookcase of unread books, but perhaps weirdly, mine is organised along a simple principle: Older books sink towards the bottom. That is, as I read books, I compact the rest and move them towards the bottom left.

It’s a sedimental journey.

The last couple of years I’ve read very few books, and have instead been reading comics and comics and comics, and I’m totally burned out on that. So what better way to get back into reading books again than to take a whack at those books that I’ve been avoiding reading most of my life?

That’s the selection. I think the oldest ones here have been with me since the late 80s, probably… and somehow I’ve never gotten around to reading them because other books have seemed more urgent.

Oh god. One of them’s fucking Ulysses, and now I have to read it…

But to entice me to make headway here, I’m also going to teach myself how to bake cakes and cookies. One cake, one book. Cake, Cookies, Crumpets and Books: CCCB.

Let’s aim for… one per week? And I can read other books in-between while finishing off the cake.

I started with this banana mocha cream cake, which looks very scrumptious in the pictures at least…

Do I have all the ingredients? Yes!

I ate too much of the dough. I’m allowed!

Bake baby bake.

So shiny.

For the book I chose Larque on the Wing by Nancy Springer, which I’ve always pronounced in my head “Laroque” when I’ve decided not to read it, several times per month, the last 24 years.

It’s a very witty, and strangely unclassifiable book. It’s not quite a fantasy, but it’s not quite a non-genre book either. It reads more like a magic realism book? But it’s marketed as a a fantasy book.

Just read these three opening pages:

But how does it pair with the cake?

Hm, it came out dryer than on the picture on that blog… but it’s been in the fridge, so I should probably let it sit on the table a few hours to get back to room temperature.

But it’s really more like a banana bread with a chocolate covering than a cake, really, which isn’t quite what I wanted. But it’s a pretty good banana bread, anyway.

And it pairs well with the sinister whimsy of the Nancy Springer book. Which is very good, indeed. I never know where it’s going.

One thing I find upon returning to books after this hiatus is that I’ve aquired some bad reading habits, probably from spending too much time reading blogs: My eyes have started skipping past text I think I know what’s going to say. They slip into skimming mode for short periods of time. And that doesn’t work with this book at all, because just about any sentence here doesn’t go the way you think they’re going to go.

It’s published by Avon Books, and this is what they usually publish:

So it’s somewhat out of their normal remit, but I seem to remember them also publishing weirder stuff like this. It’s got a very exciting plot, with the most horrifying monster of all time as the main antagonist: A mother who can change reality by just refusing to see whatever is in front of her eyes. But it’s also a somewhat frustrating read, because for most of the book, things don’t much develop as repeat themselves, so reading it feels like we’re stuck in molasses. Which may be Springer’s point, but…

But you can’t fault the fabulously climactic confrontation at the end, wart hog and all.