CCCB: The Two of Them

It’s Thursday, so I have to pick a book to read. Hickory dickory…

I choose The Two of Them by Joanna Russ.

Many of the books I’ve apparently avoided reading for two and a half decades have good reasons for not being read. This is not one of them.

I bought, at the time, all the books that Joanna Russ had written, and over the years (I try to avoid reading too many books by the same author in a short time period), I’ve read them all except this one.

I’ll let you read the first three pages before I comment.

So this is a typical 70s Joanna Russ book: It’s science fiction, it’s funny, it’s scathing, it dumps you straight into the storyline and lets the reader catch up the best they can.

Russ was a part of the new wave of sf writers in the 70s that wanted to bring the genre forward literally. Literally forward? I guess as part of this cohort were Octavia Butler and Samuel Delany and… Uhm… I forget. Both Butler and Delany are, of course, major favourites of mine, and I’ve read all their books, some of them several times. Delany even had a major, major best seller in Dhalgren (although I would guess it sold 10x as many copies as were read).

Indeed.

This is a quite straightforward sf novel, though. Two interplanetary agents go to a backward planet to er do something, and that’s as standard an sf plot you can get. The planet they go to here is basically Saudi Arabia, and Russ doesn’t so much try to file the serial numbers off as stamp them all over each page. There’s great glee to be had seeing Our Hero (or is she?) putting all those stupid misogynist ka’abalites in their place.

Which, of course, means that this book Would Be Frowned Upon By Twitter these days. Tsk tsk orientalism tsk tsk colonialism. It feels downright naughty to be reading this book.

The author gets involved at some points, imagining other ways the book could go. And it doesn’t really go where you’d think. It’s a thrilling reading experience, and Russ’ deft skill at confusion/anger is something to behold.

And now I’m sad that I have no further Russ books to read. She’s stopped writing now, right?

But I was gonna bake something. Let’s see… how about kransekake, which, in English, is called kransekake. English is such a rich language.

Or do I mean depraved? Deprived? All of them?

Anyway, the recipe is trivial: You mix almonds, sugar and egg whites and put it in the oven. However, there’s like some manual labour involved.

For instance, you have to (but you are) blanch the almonds, which I’ve never done before. You let the almonds steep in hot water for ten minutes, and then you spend half an hour watching MST3K (the new season) while drinking rum’n’coke while er shucking the almonds. It’s very relaxing.

*squeeze* *squeeze* *glug* *squeeze*

I don’t have a grinder, so I ran the almonds (half blanched (but you are) and half not) through a fud perfessor.

I googled around a bit and found a site that said you have to be careful not to run them too long because the almond oil will start separating out from the dry stuff, and you don’t want that. So they recommended running it half a minute, and then put the stuff through a sieve and then run it again.

And I thought… why would you run the sieved stuff again? It’s already flourish?

And while I was standing there shaking the strainer it hit me: They meant run the stuff that doesn’t make it through the sieve in the fud perfessor some more!

Thank you, thank you. No, I won’t accept your Stanford offer; I’ll just be sitting here waiting for the McArthur “Genius” Award people to send me my award.

So you roll out the dough into sausages and then put them into these round shapes. The recipe said “finger thick”, but I’ve got many fingers and some of them are way thicker than other fingers. And other people have bigger hands. And smaller hands!

WHY CAN”T RECIPES BE METRIC

Uhm… I wisely started in the middle of each one because running out of the top rings isn’t nice. They’re supposed to overlap when you build the tower after baking… I mean, I need the smallest rings from all the baking rings, and then the next-to-smallest ones…

I think? MacArthur?

Anyway, do you think these will increase in size much when baking? I wouldn’t think so? I mean, it’s just almonds, sugar and egg whites… I guess the egg whites might make them blow up somewhat, but not a lot? I think? I mean, they’re not whisked or anything?

AAAAAAAAA

Well, it’s good that I did one test first.

Back to the rolling board and roll some narrower ones.

Pop them in…

And… I think that’s pretty spot on? Except for how uneven they got? How can anybody roll with the required precision?

I was afraid they were gonna stick to the non-stick rings, but they didn’t. *phew*

Now there’s only decorating left…

D’oh.

I didn’t know that I had a grinding attachment to my Kenwood that I could have used to make the almond flour instead of the fud professor. I’ve never used it! It would have been an adventure!

Oh well.

After the rings have cooled way off, it time to build the tower.

You use regular glaze to glue the rings together.

Look! It’s a tower! Even if the rings came out way wobbly (and a bit overcooked).

And then… to decorate the cake. As it’s usually served around the Norwegian fourth of July (which happens in May in Norway), it’s usually very flaggy. Here’s a typical example:

But that seems so… uhm… I don’t know. You know.

Surprise reveal:

Unfortunately no stores around here were selling cocktail Anarchist flags (how could they have missed this market segment?), so I had to make them myself! Geez!

Printed out some…

Cut cut cut.

Glue glue glue.

Eating time!

You start at the bottom so that the tower doesn’t become stumpy.

So how does it pair with the book?

The crispy exterior along with the moist, chewy inside is a dialectic that fits the sf-angry exterior of the book with the feminist-angry chewy centre of the book.

Perfect!

4AD 1984

The B-side to Kangaroo, the single by This Mortal Coil with the confusing name “It’ll End In Tears” is not included here, because I can’t find it on Spotify. It’s basically a short instrumental version of Kangaroo, though, so it’s not a catastrophe, I guess. But it’s a nice version. Somebody should fix that on Spotify.

But here’s 4AD 1984 on Spotify.

While 1983 was a year of change for 4AD, saying goodbye to many artists that had released music through 4AD in the early years, 1984 is firmly “new 4AD”. 1984 was the year that really signaled to the world that 4AD was an aesthetic thing: From the beautiful covers created by Vaughan Oliver/23 Envelope featured on almost all the releases, to music that sounded like nothing else.

Significant releases of the year are the first Dead Can Dance album, which is perhaps let down by indifferent production work. They fulfil all their potential with the 12″ that follows on its heels, Garden of the Arcane Delights, and I think everybody was won over.

As a thing that made 4AD a “thing” in people’s minds, This Mortal Coil was very important. If you want to look at it crassly, it’s basically label boss Ivo Watts-Russell and 4AD go-to producer John Fryer getting all the various 4AD artists into a studio and recording covers of Ivo’s favourite songs. This, along with the record design, gave 4AD an intimate club atmosphere… but perhaps too intimate, since some of the artists started resenting being looked upon that way.

If you’re a musician, you may want people to listen to your music and consider you as an independent artist, not part of some label collective. If you read interviews with Robin Guthrie from Cocteau Twins, this is a theme he seems to return to again and again, so in a way, This Mortal Coil existing may have been instrumental in Cocteau Twins leaving (well, being fired, sort of) from 4AD later. (And that people were offering up gobs of money to use Song to the Siren in various film, sung and played by Cocteau Twins but appearing on the This Mortal Coil album, and Ivo refusing all comers, didn’t help the relationship.)

But it’s a lovely album… and speaking of lovely albums:

Many consider Treasure by Cocteau Twins, released late in 1984, to be the best thing 4AD ever released, and some consider it to be the best album released by anybody ever… And why not? There’s nothing like it. Elizabeth Fraser is in peak form here, with her increasingly mysterious lyrics, hovering perfectly on the border of intelligibility, and Robin Guthrie and Simon Raymonde’s wall of beauty behind her is something to behold.

But I have to say that wonderful as it is, the drum sound gets on my tits, and it always has — even when it was brand new. The drum sound is just so… 1984.

Anyway, a class year for 1984, and basically from now on, until the early 90s, they would release no music that wasn’t excellent. This is 4AD’s imperial period.

1984

 BAD401
Modern English — Chapter 12

Chapter 12, Ringing In The Change, Reflection

 CAD402
Modern English — Ricochet Days

Rainbow’s End, Machines, Spinning Me Round, Ricochet Days, Hands Across The Sea, Blue Waves, Heart, Chapter 12

 BAD403
Colourbox — Say You

Say You, Fast Dump

 CAD404
Dead Can Dance — Dead Can Dance

The Final Impact, The Trial, Frontier, Fortune, Ocean, East Of Eden, Threshold, A Passage In Time, Wild In The Woods, Musica Eternal

 BAD405
Cocteau Twins — The Spangle Maker

Pearly-Dewdrops’Drops, Pepper Tree, The Spangle Maker

 BAD406
Colourbox — Punch

Punch, Keep On Pushing, Punch, Shadows In The Room

 CAD407
Xmal Deutschland — Tocsin

Mondlicht, Eiland, Reigen, Tag Fur Tag, Augen Blick, Begrab Mein Herz, Nachtschatten, Xmas In Australia, Derwisch

 BAD408
Dead Can Dance — Garden of the Arcane Delights

Carnival Of Delight, In Power We Entrust The Love Advocated, The Arcane, Flowers Of The Sea

 BAD409
The Wolfgang Press — Scarecrow

Respect, Deserve, Ecstacy

 AD410
This Mortal Coil — Kangaroo

Kangaroo, It’ll End In Tears*

 CAD411
This Mortal Coil — It’ll End In Tears

Kangaroo, Song To The Siren, Holocaust, Fyt, Fond Affections, The Last Ray, Another Day, Waves Become Wings, Barramundi, Dreams Made Flesh, Not Me, A Single Wish

 CAD412
Cocteau Twins — Treasure

Ivo, Lorelei, Beatrix, Persephone, Pandora (for Cindy)|=Pandora, Amelia, Aloysius, Cicely, Otterley, Donimo

This post is part of the chronological look at all 4AD releases, year by year.

*) Missing from Spotify.

For Flacs Sake

Yesterday, I bought this Black Cab EP off of Bandcamp, but when I played it today, all I got was silence.

A new form of Extreme Australian Minimalism or a bug?

My music interface is Emacs, and it uses flac123 to play FLAC files. It’s not a very er supported program, but I find it convenient since it uses the same command format as mpg123/321.

I have encountered FLAC files before that it couldn’t play, but I’ve never taken the time to try to debug the problem.

$ file /music/repository/Black\ Cab/Empire\ States\ EP/01-Empire\ States.flac 
/music/repository/Black Cab/Empire States EP/01-Empire States.flac: FLAC audio bitstream data, 24 bit, stereo, 44.1 kHz, 29760127 samples

Huh… so it’s 24 bits, while the rest of the FLAC files I’ve got are 16 bits?

Hm! Spot the problem!

Yes, if the format is anything other than 8 or 16 bits, then no samples are copied over from the FLAC decompression library to the libao player function, resulting in very hi-fi silent silence.

So this should be easy to fix, I thought: Just copy over, like, more bytes in the 24 bits per sample case, right?

Right.

But… the libao documentation is er uhm what’s the word oh yeah fucked up. It doesn’t really say whether ao_play expects three bytes per sample in the 24 bit case or four bytes. I tried all kinds of weird and awkward byte order manipulation, and got various forms of quite interesting noises squeaking out of the stereo, but nothing really musical.

So I wondered whether libao just doesn’t support 24 bits “natively”, and I added some “if 24 bits, then open as 32 bits” logic and presto!

Beautiful music! With so many bits!

I’ve pushed the resulting code to my fork on Microsoft Github.

The four people out there in the world playing 24 bit FLAC files on Linux from the command line or in Emacs: You’re welcome.

May 1945: The Valley of Decision













Gregory Peck and Lionel Barrymore… And Greer Garson… Oh, I’ve seen her in Mrs. Miniver, which was very good indeed…

Uh-oh! It’s a movie about Irish in the US.

ME AM SUSPICIOUS

There’s something particularly dreadfully tedious about Irish cultural extruded product. The combination of religiosity, pomposity, sentimentality and forced cheer is positively venomous. If only these things had actual humour instead of some asshole saying and then going “HO HO HO” there’d been something to enjoy.

So I’ve got a totally open mind here! No prejudices! I’m sure this will be a wonderful movie!

[time passes]

OK, the first half hour was boring, and then the next three hours were annoying, and then the last nineteen hours were just excruciating.

It’s everything I expected. And more.

It’s a horrible, horrible movie.

Did it win all the Oscars? Hm…. No! Garson was nominated for best actress, which is well deserved, I guess, but then the entire world tried to forget that the movie ever happened.

But people liked it:

The film was a massive hit, earning $4,566,000 in the US and Canada and $3,530,000 elsewhere resulting in a profit of $3,480,000 in profit.

How many Irish are there anyway?

The Valley of Decision. Tay Garnett. 1945.

Popular movies in May 1945 according to IMDB:

PosterVotesRatingMovie
13617.4The Valley of Decision
62907.4The Body Snatcher
2957.0Molly and Me
10106.9The Scarlet Clue
2736.7Pillow to Post
28366.7Back to Bataan
5076.6Thrill of a Romance
2036.5Boston Blackie Booked on Suspicion
7406.4The Bullfighters
3386.4The Brighton Strangler

This blog post is part of the Decade series.

April 1945: Blithe Spirit












*gasp* I can see colours!

Technicolours!

Well, this is a high-ticket item. Directed by David Lean from a script by Noel Coward (and also produced by him).

Margaret Rutherford is wonderful as the most unlikely medium ever.

It’s a very, very English screwball comedy: A deceased woman comes back as a ghost to visit her husband. Hi-jinx ensue where English people talk very rapidly at each other in exquisite Estuary.

I so want this to be wonderful, but it doesn’t quite connect. The jokes just aren’t funny enough and it doesn’t get screwy enough.

I mean, it is funny and it is screwy. But it lacks that certain something to push it over the edge into hilariousness and ends up in the uneasy “well, that’s amusing” territory.

Rex Harrison and Constance Cummings may be the problem — they just don’t have the chemistry.

Blithe Spirit. David Lean. 1945.

Popular movies in April 1945 according to IMDB:

PosterVotesRatingMovie
38987.2Blithe Spirit
2287.1Counter-Attack
3877.0It’s in the Bag!
19646.9Tarzan and the Amazons
9576.8The Horn Blows at Midnight
7476.7Brewster’s Millions
3296.5The Power of the Whistler
5466.4Two O’Clock Courage
5556.4Son of Lassie
14276.2Blood on the Sun

This blog post is part of the Decade series.