MCMXXXIX XLIII: The Roaring Twenties

The Roaring Twenties. Raoul Walsh. 1939.

Hm! Raoul Walsh? That name sounds really familiar, but perhaps I’m thinking of… something else…

Oh wow!

It’s like three movies a year for decades. He directed 120 movies in total, according to imdb. I think I’ve seen at least a handful of these movies… but I’m guessing he was somebody the studios considered safe, reliable and… cheap?

His imdb pic is awesome.

Anyway.

Cagney! Bogart! In a ditch!

This is just awesome. It’s so snappy, witty and fresh — there’s not a millisecond wasted; it’s all repartee, action or montage.

This is so good! Walsh is a genius!

OK, it cooled down a bit from the stunning first half hour, and now it’s a bit plot heavy. Several love interests, betrayals, complications…

I mean, it’s really good, but it’s no longer “whoa”.

Cagney is absolutely stunning, though — I’ve never seen him this much just… going for it.

So…

… many…

… fantastic…

… shots.

Fantastic.

This blog post is part of the 1939
series
.

A&R1984: A-V in 3-D

A-V in 3-D (1984) #1
by Lots of People

The publisher explains that this comic is a sampler to introduce the new line of Aardvark-Vanaheim comics to the public… but it was published a lot later than planned, so it’s not really that much of an introduction.

Hey! This Ms. Tree strip was reprinted in the Ms. Tree 3D issue, wasn’t it? (Max Allan Collins and Terry Beatty with Gary Kato.)

The Flaming Carrot thing really works — that is, it’s a weird little thing all on its own, but also makes you go “perhaps I should pick up that comic and see if this is going anywhere?” (Bob Burden.)

The normalman strip is set before issue #1, and definitely works as an introduction. It’s not much of a story, though.

The standout is really the Journey story: It’s an amusing story; it’s complete; and it makes you go “I’ve really gotta read Journey”. And it’s got the best 3D effects in the book: I mean, it’s simple, but effective. William Messner Loebs just puts in floating leaves that hover right in front of your face, and also has depth inside the panels, so it’s like “whoa”. I remember this page from when I was a teenager: It was the first 3D page that I thought was, like, good.

The Neil the Horse strip (Arn Saba, Barb Rausch, David Roman) is a fun romp and uses the 3D well.

The Cerebus strip (Dreams II) is the most ambitious, I think? And it does look good, but it’s not much of a story.

I was unable to find any review of the book, but there’s this:

Valentino interviews Ray Zone in Amazing Heroes #158, page 34:

VALENTIN(): I remember at Petu-
niacon Steve Schanes coming into the
convention a little late and he had a
coverless copy of the Three-Dimen-
sional Alien Worlds hot off the presses
and he was so excited about it that he
W’ent around the convention showing
it to everyone. There was this murmur
of excitement throughout the conven-
tion about it. In fact, it wus there that
Aardvark-Vanaheim essentially made
the decision to do the sampler book,
AV in 3-D, which, I believe, was the
second of the “new wave’ ‘ 3-D books.
ZONE: well, it was the third after
Battle. Battle was the first, then Alien
Worlds, then AV in 3-D. It was the
second to receive full distribution in
the direct sales market.

This blog post is part of the Renegades and Aardvarks series.

MCMXXXIX XLII: Mr. Smith Goes To Washington

Mr. Smith Goes to Washington. Frank Capra. 1939.

This wasn’t the movie I was going to watch representing week 42 1939 (mid-October, that is). But the DVD I’d gotten of At The Circus refused to play, so I had to choose something else:

And Mr. Smith was available from der torrentses, so here we are.

*gasp* Pure communism! I like it!

I’m not a Capra fan. That is, I like his movies just fine, but I’ve never… er… actively sought them out? Instead they just seem to happen to me?

I vaguely remember watching this movie when I was… I’m gonna guess at… like… twelve? And I was really into it. It’s got that elegiac thing going that’s quite appealing.

Heh heh:

Mr. Smith Goes to Washington was attacked by the Washington press, and politicians in the U.S. Congress, as anti-American and pro-Communist for its portrayal of corruption in the American government.

[…]

It is known that Alben W. Barkley, a Democrat and the Senate Majority Leader, called the film “silly and stupid”, and said it “makes the Senate look like a bunch of crooks”.

No, it makes the Senate look like a bunch of mean girls.

Oh, I remember this sequence! Boy Scouts (yeah yeah) have printed up a newspaper and are being shut down by the mobster (yeah yeah). It’s a great sequence, but the rest of the movie doesn’t quite live up to that bit.

This blog post is part of the 1939
series
.

MCMXXXIX XLI: 残菊物語

Zangiku monogatari. Kenji Mizoguchi. 1939.

I haven’t seen many pre-WWII Japanese movies…. hm… I guess it’s possible that I’ve never seen any? Like everybody else, I’ve seen a bunch from the 50s and 60s (when the Japanese got very influenced by French movies), but I guess 30s Japanese movies aren’t really part of the Cinematheque repertoire?

So I’m excited about seeing something new, and slightly worried that it’s just going to be some Japanese guys shouting at each other for over two hours.

(It always seems that Japanese people are very shouty when reading about oldee-tymey Japan…)

This is a 2K restoration by Criterion. I hate to imagine what it looked like before they restored it? Because it’s … pretty rough?

I like the cinematography. It’s basically one stationary camera, placed many meters from the actors, but it swivels.

I like this… but my main problem is really with the cinematography x the resolution. When people’s faces are still small, and so grainy, it’s just really hard to tell them apart? If this is how this movie looked at release time, then Mizoguchi really overreached: The film stock just isn’t up to telling the story he wants to tell.

But perhaps it’s just degraded really badly over the years and it was totes clear at the time who was who. m.

That it’s really dark doesn’t help with comprehension either.

On the other other hand, the storyline is super simple, so it’s less confusing than it could have been.

This blog post is part of the 1939
series
.