January Music

Music I’ve bought in January.

*gasp* I just discovered that Mimi Goese released an album last year with Ben Neill! So I got it yesterday and have been playing it on repeat since.

It’s really good! I’ve been a huge fan of Goese ever since her album Soak in the mid 90s:

Unfortunately, she seems to be on a “one album per decade” release schedule. More, Mimi, more!

So what else have I been buying this month… Oh yeah, another batch of Mort Aux Vaches CDs… they’re a lot of fun…

Oh, yeah: A new Boris with Merzbow album:

It’s more song-structured than most of their collaborations (without just being Boris playing their tunes while Merzbow is making noise, which some of their things have felt like. Not that that’s a bad thing).

Otherwise, it’s the usual mix of new and old albums, and I haven’t actually had time to listen to them a lot, because I’ve been listening to older albums all month long. One album that stood out on first listen was the Little Annie Anxiety & Hiro Kone album:

And the new Liturgy sounded good?

Lots of stuff! Stuff!

MCMXXXIX XXVII: On Borrowed Time

On Borrowed Time. Harold S. Bucquet. 1939.

So this is about… death and stuff? I’m guessing he’s the guy in the first scene.

I’m actually not quite sure what’s going on in this movie, but I am a bit befuddled. There’s a lot of shouting, and people being angry, but the plot just seems… unclear.

I mean, except the bit about the old guy dying.

The unrestored transfer doesn’t help, because it’s all so washed out.

MCMXXXIX XXIX: Each Dawn I Die

Each Dawn I Die. William Keighley. 1939.

Cagney!

And he’s not a crook!? Is that even legal!?

OK, but he’s sentence anyway. *phew*

(I didn’t know it’s a sci-fi movie — he’s sentenced for drunken driving (and killing some other people while driving (it’s a frame!)), and as we all know, that just doesn’t happen in the US. Killing somebody (if you’re driving a car) is more like a youthful lark kind of thing in the US court system, I think.)

This is great! It’s so noir it’s leaking ink.

He said it! He said the line!

I love this movie.

Man, the casting here is great. It’s got like … a dozen? great guys totally basking in their roles as tough/not-so-tough hoodlums in jail. It’s so much fun to watch.

The bit that feels false is the bit with the warden: He’s tsk tsks the beating of prisoners, but he puts them into “The Hole” (where they’re chained in an awkward position, in darkness, all day) — he’s a total monster. But he’s also this avuncular figure. Like… somehow that makes the torture better? It just makes it more gruesome.

Fan. tastic.

This blog post is part of the 1939
series
.

MCMXXXIX XXVIII: Bulldog Drummond’s Bride

Bulldog Drummond’s Bride. James P. Hogan. 1939.

I ordered the DVD… but apparently it never arrived? Can’t find it now anyway. Fortunately, this movie is in the public domain, so it’s on youtube.

So this was a whole series of movies?

So it’s more like a serial than a proper movie, and this one kinda starts er in the middle. Well, it’s a new mystery, but it’s assumed that we know who all these characters are?

This is pretty amusing.

I like this! It’s cheap and cheery, quite original and thoroughly amusing. Sure, it’s not, like, more well made than it has to be, but still.

It’d be a lot more fun to watch in a restored condition, though. Things are a bit vague on the screen sometimes… but I guess there’s not much of a chance of that happening, since it’s in the public domain.

(Unless the BFI or somebody decides to spend money on it.)

This blog post is part of the 1939
series
.

Today’s Copyright Claim

A while back, I digitised a bunch of VHS tapes I had made in the early 90s and uploaded the interesting bits to Youtube. So, of course, the copyright claims started streaming in, but they all kinda made sense? I mean, I don’t own any of this material, and if EMI doesn’t want people to watch Dead Can Dance live (if they live in the US), then that’s up to them.

But today I got a pretty curious one:

Blocked in Cuba, Iran, North Korea and Syria!? I’m guessing this isn’t actually about protecting copyright, but about not exporting… er… dangerous… interviews? to dangerous… terrorist countries… like… Cuba..

Anyway, if you’re sheltering from a bomb attack in Aleppo, this is the reason you can’t watch this interview with Pale Saints and Boo Radley.

I know that’s serious hardship, but know that you’re making the world a safer place by not listening to Half Life Remembered by Pale Saints.