Maps on the Galaxy Flip front screen? Is that possible?

I’ve got one of those foldy phones, and I like the format. The one inconvenience, though, is that, like, you have to unfold it. The phone doesn’t even have *sproing*. Why doesn’t the phone have a button you press end then it goes *sproing*? And you have to do a lot of unfolding if you’re walking around a strange city, looking at Google Maps.

However, there is a screen on the front, too, and on the Samsung Galaxy Flip 7, it’s gotten so big that it should actually be useful. I mean, while walking around, I usually just have to confirm that I’m walking in kinda the right direction instead of 180° wrong, as I’m apt to do.

(When I started writing this blog post, I had a Flip 5, but it died, so the pics here are a mix of Flip 5 and Flip 7… Sorry for any confusion…)

So this is what the Google Maps app look like on the cover screen. About half the screen is filled with stuff that’s unnecessary and covers the actual map. I mean… what are all those things, anyway? The “Latest in…” thing you can pull up, which is exactly what the “Explore” button does, too. And… “Go”? Never used it. The “Saved” button — never tapped it, because the map shows the saved bits anyway. And… “Contribute”? “Updates”!?!

It’s a typical Google effort — they’ve got all this data and functionality, but the app has received no polish for this use case. On a tiny screen like this, all the non-mapsey bits should be hidden under a hamburger menu or something.

It’s even more ridiculous if you’ve plotted a route — then you get virtually no map at all. And this is what I’m usually using when walking around — I never hit the “Start” button, but just look at the map.

So that’s totally unusable.

I also tried Google Maps in Firefox to see whether that makes any sense, and… Well, you can see all the clutter there, and it’s not even using the entire screen. I thought perhaps I could work around the clutter by just hiding elements (with Ublock Origin, for instance), but:

Whenever you hit “Directions”, it forces a redirect to the Google Maps app. According to the Internet, there used to be a way to disable this, by using force=lite or various settings, but these have been disabled in newer versions. I guess Google really, really wants people to have to use the app?

And I tried googling to see if anybody’s made an app of their own to fix this, and I couldn’t find anything. But it’s not trivial to Google for, either…

You need to go through this complicated process to be able to run the app on the cover screen. Samsung is so weird sometimes…

But looking at the Google Maps app now on the Flip 7, it appears that Google has some work — the app now uses the entire screen, and it’s now not as insanely cluttered. I mean, it’s still insane, but less.

See? That’s not totally awful. But then you pull up a route, and:

Yeah, that’s not good. But it’s almost usable… except that when you put the phone in your pocket and then pull it out again, and:

Yeah, Google Maps does its “recentering” thing whenever you unlock the phone, so you lose where you were. That’s pretty maddening on the full-screen version of app, too, but it’s even worse here.

If you hit the turn-by-turn thing, which I don’t like to use anyway, it stops using the entire screen, and you get an interface that’s obviously meant for driving, and there’s all these unnecessary clutter taking up what’s left of the screen. But at least it stops moving the map around when you unlock it.

People have been bitching about all this for years, and apparently Waze has a good front screen app, but it’s exclusively for driving.

I just want a simple map on the screen! Showing where I am and with a line showing where I came from and where I’m going to. Is that too much to ask!?

I was pondering writing my own app for this, but it really isn’t an attractive option. The problem is that I have all my data in Google Maps — locations I want to go to, and things like that — so typically I’d be planning my stuff on a laptop, and then using the phone when out walking. If I were to use a separate front screen app, I wouldn’t have access to that data.

Hm… The Here Wego app has a menu that allows it to be minimised like this, so that’s a lot better than Google Maps… and it doesn’t shift the zoom when you unlock the phone. Perhaps that’s a possibility? Too bad you can’t make that menu thing even smaller. And it has the advantage that I can start the walk on the main screen, close the phone and then open the app on the front screen, and it’ll continue there.

What about the OSMAND (nice name) app? It doesn’t use the full screen, and it’s a bit cluttered…

Hey, you can configure a lot of stuff here, so I made most of the buttons disappear, and now it’s not bad? The map itself is a bit cluttered, but…

It doesn’t snap back when unlocking the screen, so that’s good.

Too bad there’s no option to get rid of more clutter, like elevation and distances and stuff.

But… Have I found a solution!?

I took a walk in the rain to test.

Yes! It seems to work well — no odd shifts i map positions or the like… and it’s possible to export locations from Google Maps, and import them into the OSM app. And also use the desktop Osmand thing, and sync things between them.

Hey! I think Google just lost a Maps app customer? Just because they couldn’t spend some time to make the app spiffier on flip phones.

(Isn’t there a rumour that Apple is going to start selling a flip phone? My guess is that Apple will manage to make a map app that works on the front screen if that’s the case.)

But OsmAnd people! Can’t you make it use the entire flip front screen, instead of just the bits over the cameras? That’s unused screen estate!

But… apparently that’s a Samsung restriction? It only allows select apps to extend down into the “camera area”? Darn! At least that’s chat ChatGPT says.

Or… perhaps I can Google it, and… YES!!! Thank you, Instagram man! There’s a vague button there you can tap to extend the app into the “flex area”!

BEHOLD! ALL THE PIXELS!!!

OK, I don’t think I have to make my own app after all.

Plinth

After putting the Beau Travail installation in the hall, I decided to try something I’ve been thinking about off and on for a while — what about having a ton of pictures on one wall? Gertrude style? Does the above look nice?

I don’t know, but it’s obvious that that… hole… over the TV is an eyesore. I could move all the pictures down, but then there’s be a lot of re-hanging going on.

And the TV is resting on the floor. So… perhaps it would be nice to have a… plinth? Like… 10cm high? That’s also a practical advantage, because it makes it easier to clean the floors without being careful with the TV.

So…

It turns out that I was a genius when I left that too-big space over the TV, because now I can put some wood beneath the TV!

Here’s some wood. It’s 48x148mm big. 148mm is good for the depth — the TV needs to lean towards the wall, and 15cm is the right depth at the bottom. And I could mill a trough near the outer edge that the TV could rest in, so that it doesn’t slip? And I could take two of these and join them together, and then paint them nicely?

I think that’s worth a shot!

Or… this one: It’s just 7cm high, but that’s fine. Yeah, that’s less work. And then some moulding to stop the plank and the TV from sliding. Yeah, that’s the ticket!

And to fasten it to the floor (I don’t want it to slide out — that’d be ouchey), use more moulding at the front? Er… I shouldn’t do this kind of thing, because I have zero patience when doing carpentry, which is weird — I can spend hours and weeks on getting some program “just right”, but not when it comes to wood.

But I got some anyway! It’s a massive plank, but it’s not as heavy as it looks — it’s spruce or something.

Japanese sawing time.

Hm… Well, I had an idea that I can fasten it to the floor on the sides instead…

So drill, and…

No, that’s a stupid idea: I need to screw in from two sides (to the plank and to the floor), but since it’s a 45 degree angle, that means that I’d have to drill far down into the triangle, and … then there just isn’t much to screw into. So ditch that idea.

But I can still follow the original idea with the top “lip” — I can screw the screw in at an angle.

It works!

And to fasten it to the floor (it’s a wooden floor (from the 90s), but painted, so it’s not sacrilege to screw something into it), I can drill 80% into the plinthy plank, and the screw it the rest of the way.

I think that’s a better plan than the triangle thing anyway.

And then it’s spacklin’ time. (Or “sparkling time” as we say here, because we don’t know the word “spackle”.)

… and sanding.

And then there’s priming…

Behold my brush.

So after two coats of priming, and then two coats of black paint, and then a week to “cure” or whatever (I don’t want the edge of the TV to bond with the paint)…

It’s time!

Does that look correct? I’m so bad a eyeballing things, but now that I see this picture, it’s obvious that the er plinth is too far to the right.

But why do I never have the right screw bits for my screws?

I have, like at least six of these bits (from the two different makes) that are way too pointy for any of the screws that I have.

And the one I do have that’s the correct size is too short…

But I do have one of these extender things? Is that small enough?

No.

I do have this set of odd bits, but they’re really odd.

Oh, well, gotta re-drill the holes, but bigger.

Yay!

There! See? Too far to the right. Eh, whatever; it’s hidden behind the chairs anyway…

Hah! Perfect!

Dance, Denis, dance!

*ponder* Is that a sufficient number of screens in the hall? On of life’s eternal questions, I guess.

Comics Daze

I got new comics the other day, so perhaps today is a good day to get into a proper comics daze. After Diamond’s collapse, it’s just hard to know what’s actually being published, so my comics buying has trickled off, but I think that perhaps I’ve now got it right at Goshenite, so I’ve been able to buy more stuff. I’m still not sure I’m hitting the correct PRH/Lunar dates, though…

And for music today: Albums from 1997 only. Just because.

Stephan Mathieu: Wurmloch Variationen

12:38: Butch: A Hate Comic by Peter Bagge (Fantagraphics)

Oh, so this continues straight off of the Hate series from the other year? Well, that’s cool. I wonder whether Bagge is going to settle into doing a series of sorta-yearly one-shots about the crew… that’d be fun.

In this issue, Butch is first adopted by some alt-right people who kinda screw him over, and then he lands a job after pretending to be trans. It’s a happy ending for Butch!

I wonder whether people on Bluesky are angry about it… no, doesn’t seem like it. I guess nobody’s read it.

Missy “Misdemeanor” Elliott: Supa Dupa Fly

12:56: Rio by Doug Wildey (IDW)

I’m not really a Duran Duran fan, but… oh, I did that joke already? Yeah, I read the Comico collection of Rio some weeks back, and I wanted to read the rest of these strips.

This is reproduced pretty dark? Was it this way originally? This is one of those books that’s halfway between those huge “artist editions” and a normal collection… which is… Well, I guess it’s cheaper than scanning and then restoring?

Anyway, the stories are solid. These are classic western stories — Rio is a drifter without much personality (beyond being a good guy), and he then encounters various famous personalities (Doc Holliday, Wyatt Earp, etc) and has some adventures. It’s not very original, but as these things go, it’s very entertaining. Wildey’s artwork is perfect for this sort of thing, and you can feel his love for this milieu.

But… this reproduction, man… I can’t imagine that this was how Wildey meant for it to look.

The book also includes an unfinished story — it’s fun looking at what stuff Wildey inked/coloured first and what he left for later, but…

Anyway, somebody should do a new collection of this material, but in a more restored, normal way, because these are very readable stories that deserve to be presented in a more readable format.

Stereolab: Dots and Loops

13:45: Hype #1

This book was included in a package of Comics International issues I received some weeks back. Either a mistake or somebody included it as a gift, I guess?

This was apparently published around 1990 by Miriad Comics, a shop in Croydon.

It’s pretty good! The artwork on all the pieces seem to have the same energy — they must have had some kind of scene going on in Croydon.

Most of the stories don’t really go anywhere, but it’s still a pretty neat book.

14:07: Š! #57 (Kuš)

I got this from here.

The theme this time around is Scandinavia, the Balkans and myths.

It’s fun.

And very pretty.

And interesting.

Yet another great issue, really.

14:27: Testament by J. Marshall Smith (Bulgilhan Press)

This starts off well — it’s a kinda traditional setup with colonists going to another planet, cared for by an android.

And the artwork’s nice — it’s quite Linnea Sterte.

But the story is just the most jejune thing about Christianity and god and stuff. Very disappointing.

14:51: All-Star Statics #2 by Jeffrey Lewis

Hey, did I read this before? It’s from 2023…

Yes, this seems very familiar, but I re-read it anyway. It’s still really good stuff — very lively take on autobio comics and stuff. Unfortunately, there doesn’t seem to be any new issues

Various: Recovery

15:09: Naked by Éloïse Marseille (Pow Pow Press)

Well, OK… this art style just isn’t my thing — it’s very animation influenced and extremely tablet-ey.

I like the general feeling of the book — it’s all about sex — but the didacticism gets wearying after a while.

Heh he. Another book about The Horrors Of Herpes? Well, not quite, but it makes you wonder what kind of edumacational system they have over thar.

15:48: Rabbel 2 by Anna Fiske (No Comprendo Press)

This is really charming. Love the colours.

This is one of those rare comics for children that are actually meant for children to read.

But it’s amusing for adults, too.

16:17: Oddball #1 by Mike Bodziak (Seriously Disgusting Comics)

I guess this one came from Domino

This is very strange…

… but I like the artwork.

Laub: Kopflastig

16:23: Prop Comic by Veronica Graham

At least that’s what I think this is called? It’s impressively big — it’s not tabloid size; it’s broadsheet size. That’s something you rarely see.

This is quite something… it’s kinda vague what it’s about, but it’s interesting.

I like it.

Kaia: Ladyman

16:38: Fun Time by Mike Dawson

I got this from here.

This is a collection of stuff previously published in various minis or on Insta and the like.

The er “desktop publishing aesthetic” doesn’t really appeal to me…

… but it’s amazing how well it works as a book. It doesn’t feel forced in any way, but still it hangs together in a digressive way. It’s an engrossing book, and funny, too. I very pleasant way to spend some time.

17:37: Metadoggoz by Bérénice Motais de Marbonne (Drawn & Quarterly)

I like the general look of this book… punky 80s comics…

But I found it really hard to get into this book. The mixture of Fake Drama scenes (like above) with an apparently metaphysical plot is just pure Snoresville for me.

So despite some cool pages (see above), I ditched the book halfway through.

Fridge: Ceefax

17:50: The Shadower by Peter and Maria Hoey (Top Shelf)

Wow, that cover doesn’t look so much like a Chris Ware knockoff, but like a knockoff of a Chris Ware knockoff. Like somebody really into Ethan Persoff.

The storytelling style is pretty unusual for this day and age — it’s mostly driven by captions with the images not really adding all that much.

And the images look very much like clip art. They aren’t, but they have that feel, so the whole thing is kinda offputting.

Oh, and they’ve seen The Rehearsal, I guess?

I kept on reading, because despite it all, I was getting kinda into it. But then the plot (oops spoilers) turned out to be some trite thing about identity. I mean, you can do that well (say, Auster or Lynch), but it’s not really done well here.

But I guess… it’s OK?

It’s been reviewed widely:

The Hoeys are keener on exploring the idea of identity, and they use a spy thriller to do it. They’re certainly not the first to do it, but they do it in a tonally odd way, which helps the story quite a lot.

Which I guess means that IDW has a good publicity dept:

Spies, double agents and political activism makes for a potent brew and that’s excellently exploited in a memorable graphic novel.

Although they seem to have sent it off to some odd sites:

Top Shelf Productions voluntarily rated The Shadower as a book for Mature Readers. I think that’s a fair assessment, though there is little in the way of offensive content.

And some interviews, too:

But like all the Hoeys’ eerie, moving work, The Shadower on every page puts you in a state of unreal reverie that calls your conscience to wake up.

The Goodreads rating is 3.41, though, which is as low as it gets:

This is the first time I’ve ever read a graphic novel with a “show don’t tell” problem and I’m honestly a little unsure what to make of it. The story of The Shadower was interesting, definitely pretty unique overall, but 99% of it is written in summary of everything that’s happening on the page which leaves absolutely no room for the reader to interpret from dialogue or the literal artwork what’s happening in the story. Nope, we’re literally just told every single piece of what’s happening so much so that it basically makes all of the illustrations pointless.

18:34: The End

OK, I think I’ve read enough comics for today. Gotta run some errands.

My new career as a Lenovo laptop repair man

After being wonky for some weeks, my Control key finally popped off the other day. (Yes, I know, there’s a key marked “Ctrl” to the left of it, but I’ve remapped that to Fn, and this key (which is marked Fn) to Control.)

So I tried using the real Ctrl key as Control, but that just made my pinkie hurt, and then I remapped CapsLock to Control, but do you know how hard it is to unlearn, like, three decades where the Control key has been in the exactly same place? Literally beyond extremely.

And the thing is, I’ve already ordered a new laptop (the latest X1 model) when this happened, so sending this one out to be repaired just seems like such a waste of time. But ordering laptops from Lenovo is slow as usual, so the new laptop won’t arrive until May 9th!

WHAT TO DO

Lenovo ThinkPad X1 Carbon 8th Gen Laptop How to Key Cap Repair

Well, there’s Youtube.

And… nothing seems to be actually broken?

Looks OK…

And the mechanism seems to be mechaning. (That’s a word.)

Perhaps I should clean a bit… I seem to be out of Air Duster, but I’ve got this lens cleaning brush…

All clean!

So I broke the key cap into constituent parts… I guess those white bits are called a “hinge”?

Plopped down…

Tap gently with a li’l screwdriver…

And… OK, it snaps back into place, but the “tabs” don’t seem to secure into the plastic very hard. So I guess that’s why it came loose in the first place — the plastic that the two bottom-most prongs fit into has gotten worn.

You can apparently buy replacements for these easily enough, but let’s see whether it still works…

And the cap itself snaps onto easy and nice.

And… It works! OK, it’s still a bit loose, but it works. Perhaps it’ll be fine until my new laptop arrives. *crosses fingers*

But it doesn’t pop off at least!

Ain’t life exciting.

Hm…

Oh, I just remembered that I have a replacement keyboard for a previous laptop generation lying around… perhaps I can just pop a cap here, and take the hinge?

Er… is that a different shape?

YES IT IS! Darnit, Lenovo, why must you continually innovate!

But… OK, I never use the Fn key. Perhaps I can just swap the hinges?

How To Fix Small Keyboard Key - Lenovo Thinkpad

Before popping a cap, I consulted The Wise Book of the Youtube again.

It’s easy!

It works! I now have a functioning, non-wonky Control key!

And while I’m at it, I swapped the caps, too, so that my Control key now says “Ctrl”.

I even managed to put the spare keyboard back together again, even though it’s probably going to a landfill somewhere at some point.

I actually dud it! I feel so proud.