Officially the Best Reloaded

A couple years back, I watched all the top 100 movies on the 2012 Sight & Sound Directors’ Poll, and that was a lot of fun. Last year, a decade had passed and Sight & Sound did a new poll. And as usual in these polls, there was a whole lot of new movies in the top 100, so I thought it’d be fun to watch them.

There’s about thirty new movies on the list, and virtually all of them are in the bottom 60. Which isn’t surprising — the bottom half of the list is very unstable, while the top 20 doesn’t really see that many changes. In addition to the new movies, I’m also going to re-watch a handful of films on the old list (where I’ve gotten new, restored editions of the films).

Oh, and I’m skipping some of the new movies that I’ve already seen (and blogged about).

Confused? No?

So… here we go!

Tidy Yr A Records

The main point of blogging is so that I can google stuff on my blog instead of having to remember things. Remembering things suck! So this is a normal search for me:

But… what are those results!? “Download File… Pdf Free Copy”? HAS I BEEN HAXORED!?!

No, not really. I just had a DNS A record for new-lars.ingebrigtsen.no that I used during a previous migration of this blog from one host to another, and I had forgotten to remove it. It pointed to an IP address that was now occupied by some kind of spammy web farm (the links didn’t actually lead to John Coltrane Transcriptions, but to some kind of SEO thing).

So I don’t know whether it was a complete coincidence that the IP address was reused this way, or whether SEO spam people search out “dangling” A records and occupy them for some kind of SEO thing — but I’m guessing it’s the former.

I’ve now removed the new-lars DNS entry, so hopefully Google will flush those entries in a while, and self-search becomes pleasant again for me.

Comics Daze

What? Another Comics Daze already? I dazed just a couple days ago, but my foot is still sprained, so I’m still on the couch, so I might as well get some reading done…

The other day, my mentis wasn’t all compos, so I just read mainstream comics. Which means that today, it’s gonna be heavy on art comics, because that’s what I’ve got left. Except that I got another shipment of comics yesterday, so it’ll probably be more mixed…

Many of the books I’ll be reading today I’ve bought as a result of the wonderful Alternative Comics web site. I love the format — one post per book, so it’s easy to use it as a basis for doing shopping. And I also like that they include interior pages — a cover tells me virtually nothing, but I can take a millisecond long glance at an interior page and say whether that’s something I’m interested in reading. (The glance doesn’t tell me if the book’s good or not, of course, but just whether I’m interested in finding out.)

And music today… enough with the nostalgia already! New albums only! (Well, new to me, that is.)

Hieroglyphic Being: There Is No Acid In This House

09:15: Causeway #4-7 by CF

Like everybody else, I love CF’s comics, so finally getting some new ones is an event.

This series is printed on a large sheet, and the individual pages helpfully have numbering.

I’m not quite sure what the storyline here is, but it’s absolutely thrilling to read anyway. I love everything about this.

09:22: Golden Record by Rosemary Valero-o’Connell (Silver Sprocket)

This is an illustrated book of poems and not a comic book, I guess.

It’s nice. Confessional/visceral poetry isn’t really my cup of tea, though.

09:54: Fondant #1, 3 by J. Webster Sharp

The rendering here is very accomplished, but I guess it’s mostly based on photo reference? Which also makes me guess that the creator here spends all his time hanging out on Something Awful or one of those other torture pic web sites?

I’m basically snapping the two least horrific spreads here — the artist is obviously talented, but these books are *throws up a little*.

OK, I also got two shipments from the Desert Island Mystery Package Club… and…

How come my jeans are pink all of a sudden!?

The package includes Blah Blah Blah #2 (which I already have), which is of the same pink hue…

Eek!!!

I think something didn’t go quite as planned when printing that cover. Or was it supposed to turn everybody pink? Fortunately, it seems like the colour washes off easily enough…

Reading comics is a dangerous game! Not only do I have to vacuum myself and all my environs after opening packages from Domino Comics (he uses these envelopes with these itsy bitsy recycled paper shreds inside), not I have to do laundry, too…

Morphine: Good

10:02: Tales from Qtlgoth by Yaxam (?)

But after all that drama, let’s read the other books from Desert Island.

I really like this. It reminds me of 90s indie comics — it’s got some good dialogue going, and an interesting story, and charming artwork. My only complaint is that it’s too short — it feels like it could be, like, a 200 page story, but we only get the introduction. I wouldn’t mind spending a lot more time with these characters.

10:15: Cram #2

This is an anthology of autobio and adjacent stuff. Is it riso? Anyway, it’s a solid, solid anthology, and I particularly enjoyed Allee Errico story about herpes.

But it’s all good stuff, like this “hourly comic” thing from Caroline Cash.

As this is mostly autobio, A. T. Pratt’s piece goes kinda totally meta, featuring Seth, Joe Matt and Chester Brown coming over for a visit (and then all getting killed by Pratt (and his cat)). Tee hee.

Blaine L. Reininger: Ocean Planet

10:40: Plum Pocket by Nate Garcia

If ever a comic book needed a shower, it’s this one. This is the stickiest, sweatiest book ever.

I like it, but I’m not all sure where Garcia is going with all this.

10:53: Smoke Signal #40 by Daisuke Ichiba

Have all the recent Smoke Signal issues been illustration instead of comics? Hm…

I mean, this looks great, but…

10:57: Things To Do by John Vasques Mejias

Heh. Fold out faces.

This is a collection of woodcut and lino comics, mostly autobio.

I like it, but the reproduction leaves a lot to be desired…

11:07: Garo no 212

Well, that’s random! An issue of Garo!? I don’t understand Japanese, but I’ve been wondering what these books look like. It seems like half of Japanese comics being translated these days (excluding comics for children, of course) are pilfered from Garo, so I’ve been wishing somebody would just get on with translating Garo in full. (I know that’s never going to happen.)

It’s much thicker than I thought it would be — 200 pages. And it was a monthly!? Geez.

It’s mostly black and white, but there is some colour.

It’s even more varied than I thought it would be — only the “serious” artists are being translated, of course, but there’s a lot more stuff in here.

And lots of weird stuff.

Lots of sex.

Hey, I recognise that art style… er… don’t know who it is.

There’s also a portfolio of images in here.

Is this something from the 50s, perhaps?

And the issue ends with a whole bunch of text. Letters pages, perhaps? Editorials?

Anyway, it’s interesting to flip through this thing, and it only makes me with even more that somebody would translate the entire series already. The current approach — to do collections of specific authors that have appeared in Garo — is fine, of course, but I really enjoy reading pieces in their original context.

Perhaps some pirate has already done illegal scanlations of Garo? I’m not into that scene at all, but I’d be up for reading those…

11:23: Now 12 edited by Eric Reynolds (Fantagraphics)

And this is the final thing in these two Desert Island boxes… and it’s something I’ve already bought. *pout* Oh, well. Haven’t read it yet, so I might as well do that now.

Hey! They’ve finally changed the paper stock? Now used to be printed on this thin, shiny, brittle paper, and that was the only thing I disliked about the anthology. But now it’s on proper matte paper, and the book feels a lot better.

And I think the contents are slowly changing, too — it feels younger (Cecilia Vårhed).

There’s also more pieces that are less clearly narrative (Cynthia Alfonso).

Everything in this issue is good, but I think that perhaps the standout piece is the series of heartbreaking vignettes by Kayla E. These wouldn’t have been out of place in Raw in the 80s, what with their mix of formal play and emotional wallop. Fantastic.

Huh. Is this Tim Lane? It doesn’t really look like Tim Lane… but it’s also outstanding.

Anyway, another strong Now issue.

Yves Tumor: Praise A Lord Who Chews But Which Does Not Consume; (Or Simply: Hot Between Worlds)

11:50: Harvey Knight’s Odyssey by Nick Maandag (Drawn & Quarterly)

I’ve enjoyed Maandag’s extremely odd humour for many years now, and he’s upped the weirdness in this one. The first story reads like a slightly abstract parody of a workplace sitcom.

The main story reads like a parody of Nick Drnaso books — it’s all cults and strange happenings. But… I’m just not feeling it. The jokes keep on coming, and I’m just sitting here with my brain going “yes, I can see that’s a joke, and it’s well constructed” but without even smiling.

It’s probably just me.

Tujiko Noriko: Crépuscule I & II

12:39: One Beautiful Spring Day by Jim Woodring (Fantagraphics)

I somehow missed this book last year — it collects three of Woodring’s previous books, and adds another 100 pages, making this an absolute brick of a book. The artwork is beautifully reproduced at this size, but I wonder whether it would have been a more commercial choice to go slightly smaller on the page size?

It’s a wonderful book — Woodring is a masterful storyteller, managing to imbue sequence after sequence with real emotional heft. There’s joy and sorrow and horror in here, and it’s emotionally draining to read.

However… “deeply satisfying conclusion”? It’s more like “the oldest trick in the world when doing a fixer-upper on a story that doesn’t go where you want it to go”. It reads like what it is: A collection of separate stories that have been bound together, and then ends with something that will make some of the audience go “ooo” and the rest go “eeeh?”. (I did both.)

But I’m quibbling — Woodring makes the trick ending (well, trick framing) work. It’s a great book.

13:37: Ephemera by Briana Loewinsohn (Fantagraphics)

This is a very heartfelt memoir — it’s very decompressed, but hammers a few things home.

It’s very good. I’m not sure about the desaturated colour scheme… I guess it works? Memories are murky and all that, so it works that way. But the artwork, especially all the plants, is so lovely that it’d just be more pleasurable to look at a less subdued colouring job.

Xiu Xiu: Haenim, People Ain’t No Good

13:54: Tarjei, 13 år by Ana Dahle Øverbye (Samlaget)

While the artwork is lovely, this is an extremely generic child-of-thirteen-with-divorced-parents-is-sad kind of book.

Everything feels extremely unlived — all the scenes seem cribbed from somewhere else. But I guess this book is aimed at children, really — a kind of “see, I’m not the only one with problems” kind of thing?

Various: Fabric 70 (Apollonia)

14:12: Yearly 2021 by Andrew White

This is a collection of three thickish booklets (and a bonus booklet).

Err… Virginia Woolf American? I think White forgot an “or English” there?

Anyway, we get two biographies, sort of — one of Virginia Woolf, and one of Georgia O’Keeffe. The Woolf one is absolutely fantastic: White uses a few excerpts from her diary extremely thoughtfully, and creates something kinda magical. I love White’s pacing and his landscape drawings; they’re outstanding.

The O’Keeffe story is also very good, but seems more diffuse. The Woolf one has a really strong identify, but the O’Keeffe one sorta meanders around without cohering, in my opinion. It’s still lovely to read, but…

Finally, we have some of Yoko Ono’s instructions, and these also work really well on these pages.

Heh. And there’s even a little Gertrude Stein thing on the inside of the paper strip around the booklets. What a nice little surprise.

White’s comics are so pure… comics. He uses the art form so precisely and thoughtfully.

That O’Keefee book sounds interesting, so I just bought a copy off of ebay now.

Yearly 2021 is still available from White. Go there and shop wildly.

15:15: Rituals by Nicole Goux (Silver Sprocket)

This is a collection of illustrations of people getting ready for a night out.

It’s nice.

Which reminds me:

I also got this awesome print by Gina Wynbrandt the other day. I feel seen! This expresses my entire ethos in one print.

15:23: Miracleman: The Silver Age #4 by Neil Gaiman/Mark Buckingham (Marvel Comics)

This is it, isn’t it? The first actual new new new Miracleman book? The first two had already been published, the third was done at the time but not published, and while all three had been redrawn by Buckingham, this is the first one that Gaiman has written now? Or something?

… nope!!! This was also written back in the 90s. Well, at least the first seven pages, apparently.

… and… it’s just kinda dopey. Most of the issue falls flat with a thud. Here’s one super-hero explaining that since super-heroing still meant that he had to do the dishes (or something), it’s better to live as a hermit on a mountain top.

Nothing much happens, because there’s the chapter is only 16 pages long. The rest of the issue is pure filler — nigh-unreadable old Marvelman stuff by Mick Anglo.

What an incredible let-down of an issue.

More Eaze & Claire Rousay: If I don’t let myself be happy now then when?

15:40: Riot Comics by Johnny Damm

This is about the Tompkins Square Park protests, but doesn’t figure any depictions of that — instead it’s all 1930s snaps collaged with 40s comics.

It’s pretty good. It works well.

15:47: 7 Miles a Second by David Wojnarowicz, James Romberger, Marguerite van Cook (Ground Zero Books)

I thought I had this. I mean, I definitely have the original iteration of (some of) this material in World War 3 Illustrated, but I thought I had the DC album edition of this, too. But I’ve been (diffidently) looking for it for some time now, so I decided to just buy a new copy. This is from 2018. (Oh, and Fantagraphics did an edition in 2012?)

Wow, the colouring on this is absolutely insane. I love it!

And I don’t think I’ve ever read this before. Romberger’s artwork is perfect — the storytelling flows wonderfully, and it packs a huge emotional wallop. Wonderful book.

The Keith Tippett Group: How Long This Time? Live 1970

16:23: House on Fire by Matt Battaglia (Living the Line)

Well, that colour is certainly a choice. The publisher describes it (in the afterword) as “orange”. Perhaps he has strange LED bulbs at home?

The story is a post-apocalyptic take on Corona, and… it’s barely there. I mean, the story. It’s well told, but not really… interesting?

16:35: Low Tide #6 by Paper Radio

Hey… this is from 2003? Uhm… I must admit I have no recollection of buying this? Oh well.

It’s great! Very oddball little story — freeflowing and loose, and “stapled” on a sowing machine, I guess?

OK, I should make something to eat now… back in a while.

Charli XCX: Crash

17:15: The Extraordinary Part I by Ruppert & Mulot (Fantagraphics)

This isn’t what I expected from this pair at all. It starts off as a very down-to-earth kind of science fiction thing…

… but then turns into an action/adventure type of things. With super-heroes, I guess. It’s quite strange, and I’m not sure it’s altogether successful. It does have a good kind of atmosphere going, and while the storytelling is sometimes a bit on the choppy side, it’s quite likeable. (Especially the artwork — very sensitive colouring.)

Burial: Hospital Chapel

17:58: I Am Trying To Love You by Emma Jon-Michael Frank (Floating World)

This isn’t really my kinda thing.

It seems heartfelt enough, but…

E Ruscha V featuring Peter Zummo: Thinking a View

18:16: Ish by Adam de Souza (Silver Sprocket)

This is a collection of several previously published books, but it feels pretty cohesive anyway.

I like it. It’s got mood going on.

OK, I think I’m fading. Losing ability to form words. Perhaps just a couple more…

18:27: Comfort Dungeon #1-2 by Drew B. Hall

This is basically a collection of jokes… and it’s pretty amusing.

Lots of social anxiety, which is nice.

18:35: La tour 1 by Kounen/Mr Fab/Ladgham (E-Voke)

This is a post-apocalyptic thing that was originally going to be a TV series. I assumed the pitch was rejected, because it ended up being a comic book instead.

So my expectations for this was below zero, and… it turns out to be really well done! I’m flabbergasted. It does retain some TV series flavour — we’re introduced to a large number of characters very efficiently, and each character has er character, and all that jazz. But it’s just done so well, and we’re introduced to so many intriguing concepts so efficiently that it’s hard not to be dazzled.

So… three thumbs up?

Sidsel Endresen & Jonas Fjeld: Etterlatte sanger

18:57: The End

Now my branes are all tired, so I’m gonna go vegetate with a novel a bit before going to bed.

Comics Daze

Home sweet couch!

On the way back from the Big Ears festival, I stopped for a few days in New York and was going to visit comics shops and get my shopping on and stuff. But instead I got a gastro thing, and ended up staying in the hotel room for a week… and also sprained my ankle when I fainted or something. I’m kinda sorta fine now, though, except for having to keep my foot elevated. I’m not up for doing anything taxing brain wise as I’m mostly vegetating on a “hurr durr” level, but I got, like, 50 pounds of comics yesterday… Lot’s of stuff I’m looking forward to reading (new books from CF!!!), but I’m just gonna read stuff that’s easier on the brain today, and I’m saving that stuff until a later day.

And for music… uhm… OK, only albums that I liked as a child.

A reconvalescing kind of day?

Neil Young: After The Gold Rush

07:20: Donald’s Happiest Adventures by Lewis Trondheim & Keramidas (Fantagraphics)

This is another one of these French revisionist Donald Duck stories. I had some problems getting into it, mostly just by how it’s structured (as “Sunday pages”, sort of, with a gag at the end of every page), but then it started growing on me.

The artwork’s wonky, but charming, and the story trundles along very nicely without getting too manic or too sedate. It’s pretty good.

Genesis: Trespass

07:47: Karmela Krimm 2: Neige Écarlate by Franck Biancarelli & Lewis Trondheim (Zoom)

As with the first album, the artwork is attractive, but the storytelling is a bit choppy.

But it’s a fun story — it’s a quite original plot, and nothing much happens as you’d expect. It’s pretty good.

Joni Mitchell: Blue

08:11: Marry Me A Little by Rob Kirby (Graphic Mundi)

This is a pleasantly meandering kind of book — it’s like a brain dump where one thing reminds Kirby of another thing and then he draws that. But it sometimes feels way too wordy — I mean, nothing wrong with words, but I don’t always understand why he’s telling us some of these things. There’s quite a lot of text that’s just not that interesting.

The colouring approach is original, but mostly it doesn’t seem to… do much. There’s these blue or red splotches all over the place, and they seem kinda random. Sometimes he does use the colours more thoughtfully (like above), but the colours are mostly just there.

So — I don’t think it’s an altogether successful book, but it’s a pleasant read.

David Bowie: Hunky Dory

08:47: Mortadelo y Filemón: ¡Elecciones! by Francisco Ibáñez (Zoom)

I remember this series from when I was a child — it was one of those rare Spanish series for children that got widely translated. I remember the humour being kinda Don Martinesque, but gross and violent, and I haven’t read the series since I was, like, twelve.

But it’s still being published! So I randomly bought this album, because I was curious to see what it’s like these days.

There’s even less of a story here than I remember there being. It’s nominally about two secret agents, where one can change into any costume at the drop of a hat, but this album is “about” an election mania…

It’s basically just chaos — every handful of panels you get a gag, and all the gags are basically the same: The agent with the red pants has a pratfall of some kind. The puns keep flowing, but none of them actually seem that funny? Even as an eight-year-old I found the series to be exhausting and tedious, and I guess I haven’t changed.

There’s an index in the back of the album, and Ibáñez has apparently created 214 (!) of these albums (but only a couple dozen have been translated). So that’s 10K pages of this aimless kind of havoc, which is an achievement of sorts, I guess.

Now I need a shower. Be right back.

Neil Young: Harvest

09:47: Barelli: Bomber til søs by Bob DeMoor (E-Voke)

Shower-in-the-tub isn’t very er handicap friendly… but I survived!

DeMoor was Hergé’s long time assistant, and his artwork is really attractive, I think. It’s filled with all these details without being cluttered, and everything just looks real (even if cartoony).

And the storytelling on a page-to-page basis is solid. It is a really cramped story, though — it’s just 32 pages long, but it has enough plot for twice as many pages.

It’s plenty entertaining.

Genesis: Foxtrot

10:18: A First Time For Everything by Dan Santat (First Second)

Huh. Why did I buy this, then? I had sworn off First Second years ago… must have been something in the solicitation that sounded interesting…

This art style isn’t really my thing. The sheer bobble-headedness of it all.

David Bowie: The Rise and Fall of Ziggy Stardust and the Spiders From Mars

It starts off really unpromising — like a generic story of a generic nerd without any character, and how awful middle school is, etc.

And many of the scenes feel totally fake. But… about half of the book works, and is plenty charming. I can well imagine thousands of 14 year old nerds loving this book, because instead of being sad, it’s a hopeful, wistful kind of book.

Pink Floyd: The Dark Side Of The Moon

11:25: Les vieux fourneaux 7: Clauds comme le climat by Lupano / Cauuet (Zoom)

I love this series…. it’s straightforwardly good-natured (i.e., socialist/anarchist).

This time around, the problems they face aren’t as straightforward, though, and it all ends up being more than a bit sorrowful.

I love they way they draw all these old people. I feel seen!

David Bowie: Aladdin Sane

12:33: Rigel: Urettens ekko by Ida Larmo (Strand)

This book tells the story of the Rigel disaster, where the British bombed a German prison transport, killing more than 2500 people (mostly Soviet prisoners of war).

The storytelling is unfortunately a bit unresolved. Larmo mainly follows two people (one a Soviet prisoner and one a Norwegian prisoner), and these sequences work very well (and are quite moving). But then she drops into these asides about other people that feel irrelevant, or infodumps at inopportune moments. It’s feels like… there’s a fantastic book in here? Lovely artwork and convincing portrayals. The book just needs some rearranging and light editing?

Various: This Is Reggae Music

13:30: Le Maitre chololatier 3: La Plantation by Chetville/Corbeyran/Gourdon (Zoom)

This album concludes the trilogy (it seems like the fashion today in French comics publishing is to produce three albums worth of anything), and as usual, it’s well-told and attractively drawn…

… but the storyline (which is about a guy who wants to make good chocolate) has both French and Chinese mobsters, which seems a bit overboard for something like this.

It’s a pleasant read, though.

David Bowie: Diamond Dogs

14:15: Jeu de dames 1-2 by Toldac/Philan (E-Voke)

The artwork isn’t really appealing — it’s going for classic French(ey) realistic adventure style, but it just looks kinda coarse and chunky.

The plot isn’t that bad, but the storytelling — oy vey. It’s like the author spent years planning an intricate plot, but then had absolutely no idea how to turn it into a proper story. It frequently feels like I’m reading a recap.

Pink Floyd: Wish You Were Here

It’s such a frustrating read that I almost ditched it some pages in. But I stuck it out, and… I really should have ditched it. The plot’s fine, but the plot is the least important thing about a comic book.

Joni Mitchell: The Hissing Of Summer Lawns

15:07: Nervous Rex #1 by William Van Horn (It’s Alive)

I remember this series from the 80s — I think it was published by one of the Schanes brothers? I remember it being really funny and quite cute.

Oh! This is just a reprint of that old series. But on shiny paper, and… really kinda weirdly reproduced. It looks like if they’ve scanned the printed comics in colour and then kinda sorta smashed it into black and white. That is, the lines don’t look crisp, and the stipples look awful.

And… while I remember this as being really charming, it just seems a bit old-fashioned now: The main gag is that the T Rex is really small, and is henpecked by his wife.

David Bowie: Young Americans

15:23: Les tuniques bleues 29 & 63 by Lambil & Cauvin (Egmont)

And here’s another series I randomly bought a couple of albums from. Again, this is a series I remember from my childhood, but haven’t read since I was twelve. But it’s still being published, so perhaps it’s better than I remember…

The first of these albums is from 1989. I had quite forgotten that this series takes place during the US civil war…

Ah, right — the main gag is that one of the soldiers wants to get out of the army, but his best buddy thwarts that. Hi-jinx ensue.

Nothing much about this set-up is explained in this album, but I guess that the creators felt that, 29 albums in, the readers get what’s going on.

The plot is pretty basic, but the storytelling is lively.

The other album is from 2019, and is a depressing affair. It seems like they’ve started basing the stories more on actual history, so we get the retelling of a battle (that the good guys lost), and it’s just no fun.

It’s like the creators are exhausted; no enthusiasm to be seen.

Well, I’m not buying any more of this series — that’s for sure. But I’m not sorry I bought these two albums — it’s kinda interesting to see where this series has ended up.

The Rolling Stones: Black and Blue

16:38: Skare by Aleksander Kirkwood Brown / Thomas Falla Eriksen (Strand)

This is a post-apocalyptic kind of thing — everything’s frozen, etc.

These are very attractive pages — good layouts and great colouring. The actual line work is kinda rough, though — it’s a weird mix.

The story is very, very standard, but it’s fine.

16:53: The End

And now I think I should take a nap. Or possibly just go to bed for the night, even if it’s er early.

I think I’ve basically read all the … mainstream comics I have here, so the next Comics Daze is gonna be more alternative.