Good Girls #1-6 by Carol Lay.
There are two serials in Good Girls. The first one is about a journalist who handles the “lonely hearts” column and gets into wacky adventures, as with these slightly oedipal superhero enthusiasts.
The second feature is a romance parody about a billionaire who’s been brought up in Africa and has been given interesting facial modifications as part of her coming-of-age ceremony.
I remember really loving this comic book when I was a teenager, but re-reading it now, I’m somewhat less enthused. Sure, it’s quite funny and stuff, but I remembered the artwork as being sharper than it is. (Lay’s artwork has gotten very stylish and sharp in the last few decades, and I had forgotten how conventional it started out.)
I like the artwork in Good Girls, but…
… epic rescue. What’s not to like?
By this point (#3), the “Irene” storyline has completely taken over Good Girls. This is the final page of the other serial:
A kind of non-ending. We find a possible reason why on the very next page:
Yes, it’s one of those “I have no inspiration and don’t know what to do” stories. It’s pretty fun, though. And it’s followed by this really interesting two-pager:
Very unlike anything that has preceded it in every way: Artwork, layout, theme. This strip points forward to what Lay would do in her future (and great) Story Minute strip.
That guy sitting in the chair has to be a nice guy, right!?
The last two issues brings us back to the “Irene” series, which has moved to a more traditional drama format (for Lay), and ties up all loose ends to give us a proper ending to the saga. Which is very nice and satisfying.
One odd thing: The sixth and final issue was published by Rip Off Press instead of Fantagraphics without any explanation. I can guess that Fantagraphics was tired of losing money on it, but it’s still pretty unusual to have a comic’s final issue published by a different publisher.
This will probably to remain a mystery forever.
This post is part of the Fantagraphics Floppies series.
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