Google GeoChart

I wanted to have some maps in my World of Films and Cocktails series.  Like this:

I tried various mapping services, but nothing was flexible enought to do what I wanted.  I wanted more recently “visited” countries to be brighter, I wanted it to be scriptable, I wanted it to be easy to take unassisted “screenshots”, and I wanted an interactive version where you could click on the countries to get some information.

Then I found Google GeoChart. It’s really kinda geared towards displaying numerical data per country, but it’s flexible enough that you can disable almost all of the distracting, ugly elements.  And, as a bonus, it generates SVG images, so whatever you can’t disable with the features provided, you can just alter by inspecting the DOM after the image has been generated.

Kudos to Google.  It’s very neat.  I managed to make the maps look exactly like I had envisioned.

You can see the interactive version here, and the source code is on github. It’s totally trivial.  It just sets a bunch of defaults, and then (after inspecting the DOM a bit), it removes some textures.  And adds events that pop up lightboxes that point back to the films.

To create the snapshots of the charts, I use PhantomJS. It allows rendering web pages headless, and generates a PNG as the result.  It’s really neat and easy to work with.  With all this in the tool chain, I can generate the WFC entries automatically without human intervention.

Well.  Somebody has to make the cocktails.  And drink them.  And edit out the boring screenshots.

shot0023 png2

Yes!  I do that!  The nerve of some people…

WFC Australia: Prisoner Queen: Mindless Music & Mirrorballs

This is a very low budget film. It does have charm and an insane plot going for it, but it’s so, so awkward.

A million kudos for casting Noeline Bourke (Jude Kuring) from Prisoner: Cell Block H, my favourite soap ever. (And all the other actors from that series.) Well. The only soap worth watching. When I get elder, I’m going to watch all 692 episodes all over again.

You can see how much fun everybody had making it, and I really enjoyed watching it, but it’s… not… whatchamacall it… good.

The Joan Ferguson bits are awesome.

Prisoner Queen. Timothy Spanos. 2003. Australia.

Australia

Adios Motherfucker

  • 2 parts vodka
  • 2 parts rum
  • 2 parts tequila
  • 2 parts gin
  • 2 parts blue curacao
  • 1 part lime juice
  • 1 part lemon juice
  • 1 part simple syrup
  • 4 parts lemonade

Pour into ice filled glass and stir.

This post is part of the World of Films and Cocktails series. Explore the map.

WFC Algeria: معركة الجزائر

I had planned on watching a diffent, more Algerian film, but it turned out to only have French subtitles. (Two different French subtitles and dubbed into French two different ways.)

So I went with this one instead, which is perhaps more Italian than Algerian, but

The Battle of Algiers. Gillo Pontecorvo. 1966. Algeria.

Algeria Cocktail

  • 2 parts white rum
  • 2 parts Limocello
  • 1 part orange juice
  • 1 part red grapefruit juice
  • 1 part simple syrup
  • 1 part tonic water

Shake with ice and pour over an ice filled highball glass.

This post is part of the World of Films and Cocktails series. Explore the map.

Everything Is Horrible: Headphone Edition

There are many minor problems in the world. Global warming. The refugee crises. ISIS.

But there’s one problem so serious, so controversial, so all-encompassing that nobody has dared discuss it before:

The bad user interfaces on wireless headphones.

This may seem like a minor problem in comparison to other problems, like the fact that most wireless headphones don’t actually work at all, but at least with those you just throw them away. They don’t annoy you on a daily basis.

(By “you” I mean “me”, of course.)

The problem is with those headphones where the hardware people have been unusually competent, but the user interface designers have struck out.

Exhibit A: The Jabra EVOLVE 65

When I’m washing the floors and stuff, I usually drag around a small laptop showing Xena or Star Trek: The Next Generation or something similar. Listening to Data finding his humanity in the Holosuite while the Kardashians (I think that’s what they’re called) are attacking that planet where the aliens have really ridgey foreheads makes dusting behind the sofa slightly less boring.

I guess.

So I needed a lightweight wireless headphone to use while swishing around. And mono is fine, so these seemed idea.

They do bluetooth, but badly. The range is like four meters. But! They come with an NFC dongle:

And with that I get like a ten meter range. It’s perfect! It even makes amusing sounds when I go out of range.

https://youtu.be/MC6b-0SbpKg

However, this is the UI:

It’s one slider button. In the position it’s now, it’s off. If you flip it to the middle position, it’s on. And if you push it to the third position, it goes into bluetooth pairing mode.

Like er. Pairing is something you do perhaps four times in your lifetime. Switching it on and off is something you do daily. Why make the latter complicated? Whyyyy!!!!

Exhibit 2: The Sony WH505

These aren’t actually wireless. Sure, they have no wires, but they have an mp3 player embedded. No screen or anything, but you can skip to the next song/album/etc, and sounds pretty nice. If you increase the bass, it just seems to make the rest of the range weaker, though, but they’re fine. A bit on the heavy side.

I use them when I walk to work.

But here you have, basically, something that you can switch off and on, and that can play music. So what would you expect them to do when you switch them on? Perhaps… start playing music?

Nope.

To switch them on you slide this thing on the left phone:

Remember not to slide the sliding thing next to it, because that switches the headphones to “speaker” mode, where the headphones turn into the wimpiest speakers possible and annoy everybody around you.

Then you wait about five seconds. If you do anything before that, nothing happens, because the phones haven’t finished booting, or something.

Then push this button on the right phone:

Then a woman will say “play” to you, and you can listen to music.

*sigh*

Every time. Every fucking time.

Exhibit IV: The Sennheiser RS170

As opposed to most of the other Sennheiser wireless headphones, this uses Kleer technology, and they’re great. The range is like 15 meters, through a couple of walls. They sound great, too. And very little latency.

These are the ones I use when I watch TV and movies. I mean, I could just have the TV speakers on, but I just find it more comfy to use headphones. I don’t have to have the volume turned to 11 to understand what people say, and if they’ve decided to suddenly have an explosion with 10x the volume of the dialogue (i.e., most films), I can just tilt the headphones back. So relaxing.

Anyway. Sounds perfect? Right. So here they are hanging on the very nice and convenient charging station.

So since these are wireless headphones, you’d think they’d switch themselves on when you lift them from the cradle?

Ha ha ha.

First you push this button on the charging station.

Then you push this button on the headphones, cleverly hidden in the middle of the other buttons:

And then the sound starts arriving. Clever, huh?

About those other handy buttons — the button I reach for with most urgency is the “NOT SO LOUD” button. Do you see where that is?

Yes, it’s the middle one. So I reach up with my left hand, start feeling my way to the larger middle button with a gap besides it, and then I either adjust the balance or I turn the volume down.

Because it’s obviously optimal user interface design to have the balance buttons (never used by anybody more than once) next to the volume buttons (used by everybody every ten minutes).

And the on/off button (which should exist at all) in the middle of the volume buttons.

*sigh*

Well, that’s it. I hope I’ve convinced you that everything is horrible. You can now return to your less important problems and your less pressing issues.

WFC Ireland: The Irish Pub

Oops! It’s a documentary about an Irish bar.

I thought it was gonna be a feel good comedy or something.

Fudging Irish.

“This bar serves the best Guinnes in Dublin!”

Whaa…

As it went on and on I started hating it more and more. And I started out hating it quite a lot! Sentimental twaddle.

As revenge, I’m not using Irish whiskey in this oh-so-Irish cocktail! Hah! That’ll teach ’em.

The Irish Pub. Alex Fegan. 2013. Ireland.

Blarney Stone

  • 2 parts Scotch whisky
  • 1 part fresh lime juice
  • 1 part simple syrup

Shake with ice. Strain into an ice-filled high-ball glass. Top with ginger beer and garnish with a twist of lime.

This post is part of the World of Films and Cocktails series. Explore the map.