FF2014: DKW: Ditko Kirby Wood

DKW: Ditko Kirby Wood by Sergio Ponchione.

This comic book (colour, slick pages) is a translation of material previously published in Italy, which is a pretty unusual thing to do in 2014 (since alternative pamphlets don’t seem to sell much).

It’s dedicated to the recently deceased Fantagraphics co-publisher Kim Thompson.

Anyway, there’s a framing story where a neophyte artist visits an old sage (Ponchione), and receives the wisdom of pap pap comics.

Two of the pieces embedded within this framework are biographical sketches; one of Steve Ditko (with a splash page inserted with some of Ditkos more prominent (co-)creations displayed…

… and one of Wally Wood. The Wood piece is a short essay with illustrations interspersed, and I have to say (I HAVE TO) that Ponchione doesn’t really draw a lot like Wood.

The third and middle story is an imagining of Jack Kirby in an alien afterlife, creating new work. It’s fun, but slight.

Ponchione had previously published the Grotesque series at the Fantagraphics Ignatz imprint (which I’m not covering in this series of blog posts).

Ponchione continues to publish work in Italy.

This post is part of the Fantagraphics Floppies series.

FF2006: Monster Parade

Monster Parade #1 by Ben Catmull.

Apparently meant to be a series, only one issue was published.

It’s a quirkily amusing book. Here we have a winter storm…

And here we learn how certain kinds of perfume are made, and it does explain a lot.

The stories are rather oblique. They set a mood, and then not all that much happens, but it’s a great place to spend a while.

Reminds me slightly of some of Rick Geary’s more abstract stories?

Catmull doesn’t seem to have published many other comics, but there’s an illustrated book of haunted houses, which seems like a perfect fit.

This post is part of the Fantagraphics Floppies series.

FF2006: Runaway Comics

Runaway Comics #1-3 by Mark Martin.

Mark Martin is not a very prolific artist and is probably most famous for his Gnatrat series (or his duo comic book with Jim Woodring, Tantalizing Stories).

So a new solo series from him was exciting.

Martin is an excellent cartoonist. The stories in Runaway Comics mostly feature his long-running Montgomery Wart character, but there’s a lot of random stuff here…

Like the story about not finding stuff in their overcrowded apartment.

Martin had ads for those statues in the book, so perhaps they were real items?

I wonder where they have the factory for the Lady-Sawin’ Machines…

Martin does real purdy exteriors, too.

And workplace comedy.

The final two issues have excerpts from his Jabberous web site as backup features. The site apparently closed in 2010.

This post is part of the Fantagraphics Floppies series.

FF2013: 3 New Comics

3 New Stories, Cosplayers #1-2 by Dash Shaw.

The major alternative publishers have all but stopped publishing comic book comics, so it was quite a surprise when Fantagraphics dropped 3 New Stories on an unsuspecting public in 2013. According to the comics database and my notes here, Fantagraphics had published no new pamphlet series since 2006 (although Tales Designed To Thrizzle, started in 2005, continued to appear irregularly throughout the years).

I would assume that publishing art comics pamphlets in the current market is a money-losing proposition, but some artists like the format. I would guess that that’s why these comics were published like this, with ads (even however untraditionally produced) and all. Shaw had previously released a number of (pretty successful, I think?) graphic novels.

In the first story in 3 New Stories, Shaw does his “reproduce paintings under drawings” thing that he would use more at length in his New School graphic novel, also released around this time.

It’s often difficult to make out what the paintings (and sometimes photos) are supposed to be, and whether there’s any connection between them and the storyline.

Like here, where the father has sold off all the furniture, and they’re eating (the dog) on the floor of the apartment, there’s a picture of a desert landscape underneath. It adds a dissonance to the already dissonant story. It’s rather unnerving cumulatively.

Oh, yeah, it’s a wonderful story.

The second piece is Shaw apparently adapting a Girls Gone Wild segment. It’s fun.

And rounding out the issue is a brutal story about a future Bronx children’s prison.

The first issue of Cosplayers, released the year after 3 New Stories, is about two girls who are making no budget films in a rather original manner: They don’t tell the other people in the films that they’re in the films. So it’s a different version of “cosplaying” than you’d think looking at the cover.

Heh heh. Fashion advice, too.

It all feels so real.

In the next issue the protagonists go to an Osamu Tezuka convention and do the cosplay thing. (And meet up with some nerds.) It’s drawn in a simpler line than the 3 New Stories pieces. All the figures are more blunt.

Reading these comics, I’m mostly just flabbergasted how much emotion Shaw manages to convey. It’s all so tense and feels so important, both to the characters in the stories, and to me as a reader. I really want to find out what’s going on.

And funnily enough, Cosplayers was recently published in a collected edition, which I haven’t read yet, but it’s somewhere over in that stash of unread comics…

Give me an hour and I’ll read it and get back to you on whether the collected edition is any different from the comics.

I’m back!

The storyline hasn’t changed much, but the material from the first issue was completely redrawn. Here’s a page from the original (printed on very glossy paper, by the way):

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And here’s the new version (on non-glossy paper, and somewhat smaller format):

The material from the second issue hasn’t been redrawn, but the colouring has been touched up on some pages.

In addition to those changes, about fifty new pages were added to the end.

There’s a story about Hulu approaching our heroes to make a professional version of their cosplay films, with a somewhat predictable storyline.

And a story about a very wise guy working in a comic book store. (That’s Cold Heat by Frank Santoro and Ben Jones, but Shaw did a special, I think…)

The Cosplayers book is, of course, a very enjoyable book, but I think I may have preferred the floppies. It’s difficult to say, though: Reading the story twice over a couple of hours isn’t the normal way you’d read comics.

Anyway, Shaw has a number of new books out at the moment (I think perhaps Doctors is the latest one (and which I managed to buy two copies of, for some reason or other)), and it’s also rather good. I think the only Shaw book I haven’t enjoyed was Bottomless Belly Button, which I think was akin to Blankets: Not very exciting.

This post is part of the Fantagraphics Floppies series.

FF1999: Death & Candy

Death & Candy #1-4 by Max Andersson.

Max Andersson is a Swedish cartoonist who make nightmarish stream of consciousness comics.

Andersson’s style takes me back to early 80s New York newave comics: Macabre and funny stuff in a blender. Here’s Car Boy, one of Andersson’s more recognisable characters.

The print quality of the first issue is variable. Some of the pages look washed out, while others are fine.

I think most of the material for Death & Candy was new, but this one is a reprint from a French magazine. Andersson is a contributor to anthologies all over the world, which might help explain the less-than-annual schedule Death & Candy was published at.

Andersson’s mixture of grotesque and sweet is endearing, but the main attraction is perhaps his gorgeous artwork with those juicy inks…

The stories mostly don’t really go anywhere, but when you’re having this much fun, who not stay put? This feels like a very dream-inspired apartment…

The title of the comic book is Death & Candy, who are two characters that Andersson had used earlier. Hm… I just read a bunch of their adventures, but where? Hm… Oh, yeah, I was in Sweden the other month and got one of his collections. Anyway, the only appearance of these characters in this series are for four pages in issue three, which is slightly perverse. But it’s a good title, anyway.

The last couple of issues are dominated by a collaboration with Lars Sjunnesson, “Bosnian Flat Dog”, which is even more stream-of-consciousness than Andersson’s solo work. Here they explain that they’ve forgotten what the narrative was all about.

The artwork is messier in the collaboration than in the solo stuff, too, but it’s rather funny.

Andersson is still publishing stuff today, and I’ll have to get that book, I think.

This post is part of the Fantagraphics Floppies series.