Book Club 2025: A Carnival of Snackery: Diaries (2003-2020) by David Sedaris

I’ve been trying to ween myself off of Twitter (and by “Twitter” I mean Twitter and Bluesky) for about a month. If Twitter was more entertaining it’d be less of a problem, but it’s not, and it just feels like a waste of time to keep scrolling. I don’t have any big theory of why the feeds don’t work better — I get lots of posts repeated, and lots of posts with 7 views that go like “I know!” and that’s it, or “Yeah, the SKD with the PMCs flurdle Thomas” — totally oblique stuff — but I’m wondering whether it’s to trigger some kind of hunting instinct. If there was just one fun thing after another, you’d grow tired of all the interesting posts? It would become an obligation and a chore to go through all the posts? But since there’s twenty bad posts for every good one, you get a kind of rush when you get to that one good one?

I dunno. You shouldn’t ascribe cleverness to something where the more likely explanation is that the people who implemented the algos suck. But the end result is that I feel I can’t justify spending time hunting for pearls. It’s just not a sane way to spend time.

The difference is striking between the Twitter experience and reading things in the “INBOX” way. That is, if you’re reading an RSS feed or going through your mail, if your reader says “102 unread messages”, your heart sinks a bit: Going through those 102 messages is a chore. Even if you’ve elected to do so yourself.

For instance, I read Hacker News in Gnus (via Gwene), and there’s certainly no danger of me spending hours going through this stuff — even if it’s much more interesting than sitting in front of Twitter. It’s just weird: If there’s too much to actually read, it gets to be a chore? Or something?

Can you imagine if Twitter was like “Unread tweets (2134)”?

I dunno; I have no answers, just questions.

So I try to limit reading Twitter to one time per day only — after I get up, before eating breakfast.

It was hard to de-train my fingers. If I have Firefox up, reading something, if my mind starts wandering for a second, my fingers will automatically, by reflex, type Ctrl+t t RET, which takes me to Twitter. The trick is then to Ctrl+w before the page loads — and since Twitter is so embarrassingly slow to load, there’s plenty of time.

So why am I wittering on about this here? Isn’t this about this brick of a book by Davis Sedaris? Yes indeed: I needed something to replace the “I have some minutes to fill — I’ll read some Twitter” reflex. You know — waiting for the potatoes to cook, or something to compile, or a delivery that’s supposed to have happened five minutes ago. The inbetween times where I can’t concentrate on something more substantial.

And this book has been ideal for that. It’s mostly short texts, and it’s by David Sedaris, so it’s always somewhere between amusing and really fucking funny.

Parts of some of these texts have been recycled into his magazine pieces, but really not all that many.

You kinda hope that not all of these anecdotes are actually true, but you never know.

I wonder what Goodreadserses (that’s a word) thought about it…

Yeah, I can see that. Reading it as if you were reading a novel doesn’t work, I think. But it was perfect for my use case — I had it by my side here for a month, and picked it up a handful of times per day.

Hm… are they thinking of this bit?


I found that a solid joke!

The book has 4.2, but I always enjoy reading the negative reviews:

Heh heh heh.

Anyway. Good book.

And now I have to find something else to read in the in-between times. Perhaps a musician’s biography? Hm…

A Carnival of Snackery: Diaries (2003-2020) (2021) by David Sedaris (buy new, buy used, 4.21 on Goodreads)

TSP2023: Problemista

Heh heh.

I’ve never seen Tilda Swinton do a role like this, and she totally nails it. It’s awe-inspiring and it’s downright scary.

YES!

Comme des garçons.

This is a frustrating movie. It’s like it wants to be a skit show (which is what Torres did next, and it worked really well), but not so much here. And there’s scenes that feel like they’d be more at home on Youtube? The escalation quick-cut scenes, for instance.

It’s a shame, because the performances are amazing, and it’s got some really good gags, but it doesn’t really satisfy as a movie.

So many great little details, like her always having the flash on on the phone.

I didn’t like how the movie basically did the manic pixie dream girl thing where the girl dies (oops spoilers) so that the protagonist can learn an important thing. On the other hand, they did a twist on that at the end that was very satisfactory indeed, so I guess I have to give them a pass on that point.

But still! It just doesn’t quite work? There several scenes in here that I absolutely adore, but…

This post is part of The Tilda Swinton Project.

Problemista. Julio Torres. 2023.

TSP2024: “Toilets”

Now this is how you colour grade.

Aaah. This is Tilda Swinton’s bit here — they flush the toilet, and she’s the voice of the water going “aaah”.

Very minimal!

Anyway, this is a very funny series, but it should be even funnier?

Heh heh.

Oh, there’s more! A speaking part!

The set design is amazing.

There’s many good gags here, and the pacing is pretty snappy… but it could be snappier. I was going to go with , but I just enjoyed how they’d actually built sets instead of just greenscreening things that I’m upping it.

Fantasmas S01E03: “Toilets”. Julio Torres. 2024.

This post is part of The Tilda Swinton Project.

TSP2023: The Killer

Nooo

Heh heh. Is this a comedy?

This really seems like a comedy. A parody? But it’s David Fincher? I didn’t know that he had a sense of humour.

Product placement!

The first 15 minutes of this has possibly been the most tedious 15 minutes I can recall from a movie. Well, except The Smiths bit. Yes, yes, we realise that he’s a moron! And pretentious about it. Did we need 15 minutes for that?

Heh heh. Well, it picked up now.

Did Fincher really need to colour grade Paris this colour? Eww.

But… it’s not a parody? This is a serious thriller?

O my god. I can’t believe it.

I still can’t believe this isn’t a parody. Like, “did you notice anything odd today?” “No, office, just that van with a caterwauling guy playing on the stereo.” (He blasts The Smiths all the time.)

It not just the sheer stupidity of just about every scene. That’s fine. But we’ve been given no reason to care about anything that’s happening, really. OK, they semi-fridged his girlfriend, so I guess that’s supposed to be sufficient?

It also just looks bad. Everything is super colour graded — mostly into greys and teals, like in this scene, and it’s just ick.

Yeah, I guess.

Oh, that’s interesting — virtually all the critics love the movie, but the audience is pretty lukewarm.

I guess people think this is deeply mid. So it’s… Oh yeah! This is Netflix! So this is a movie designed to appeal to people who this kind of movie appeals to: Extruded Film Product.

I’d forgotten. So the scenes are intensely stupid — not because it’s a comment on anything, but just because they haven’t bothered to write anything better. Using The Smiths soundtrack isn’t a comment on anything, but because they thought it would appeal to a certain age group (and besides, they have so many lyrics to choose from that you can always find something to go with the scene in question).

Phew! The dog survived! I was so worried!

Another sequence that made absolutely no sense — if he wanted to kill the guy in Florida, why go into the house? Why not just shoot him from the yard?

*sigh*

And at any point in this movie, would anybody feel anything if the protagonist got killed instead of not getting killed? I don’t think so. “Oh well, it’s over, I guess. Time to put on the next movie in Netflix’ algorithm.” There are no stakes; there’s no tension.

O god, the lines Swinton had to deliver here… I’m embarrassed for Fincher.

Fincher is still trying to redo his Ikea scene from Fight Club?

The Sub Pop t-shirt on the billionaire is a nice touch.

Giving this movie the lowest die rating seems hyperbolic, doesn’t it? Surely it can’t be that bad? Very few professionally made movies are that bad? But c’mon. I’ve never been this bored watching a movie. Everything about it is just so lazy. Even the fight scenes are lazy — they mostly take place in darkness so that you don’t have to get the choreography right.

This is the most “you wanted product, here’s product” film I’ve seen in quite a while, and I would have stopped watching halfway through, but I assumed that it must surely pick up a bit at some point.

But nope.

The Killer. David Fincher. 2023.

This post is part of The Tilda Swinton Project.