NFLX2019 November 21st: The Knight Before Christmas

The Knight Before Christmas. Monika Mitchell. 2019. ☆☆★★★★

Uh-oh. This movie starts off with that sample of an eagle er falcon that’s used everywhere. Yeah, this one:

This doesn’t bode well for the budget.

OK, this is very high concept: A knight from the thirteen hundreds (I think?) is magically transported to the present day. Hi-jinx ensues.

It’s kinda… lame? Some of the jokes are fun, but none of them are actually funny. Everything moves sooo slowly, and there’s so much wide-eyed wonder… It’s like none of the actors take the gag seriously; their faces are saying “we’re so over it already”. When you’re watching something as silly as this, it doesn’t help when you feel that the actors are giving you the stink eye for having bad enough taste in movies to actually watch this crap.

I’m really easily moved by schmaltzy movies, but all I could muster here was a feeling of vague annoyance.

This post is part of the NFLX2019 blog series.

NFLX2019 November 15th: House Arrest

House Arrest. Shashanka Ghosh, Samit Basu. 2019. ☆☆☆★★★

I think this may be the final Indian Netflix Original of the year. They’ve been more miss than hit, so my expectations aren’t high.

This one starts off really well: They’re going for a kooky, topsy-turvy aesthetic, and the actors seem charming. It’s basically a screwball comedy with everything spiralling out of control? I think? I’m only fifteen minutes in.

It obviously a low budget movie, but they’ve worked around their limitations very neatly. They’ve set everything in one (gorgeous) flat, but people call him and when that happens, we see them being “teleported” into a the background of the shots. It’s gimmicky, but it’s cheap and fun and keeps thing snappy.

So it looks good, the characters are fun and inventive (love the upstairs gangster daughter), it’s inventive and the actors are great. So everything should be fine, right? But no: Instead of zapping along and building to some crescendo, the pacing is just way off. We get way too much of the (admittedly cute) love story, and too little of the craziness that we seem to have been promised.

This post is part of the NFLX2019 blog series.

BC&B: Saucisson Chaud Pommes À L’Huile w/ Cake au Citron

It’s been a while since I French Bistroed (had a cold twice! or two different ones once! each!), but it’s time to start cooking again.

The next thing in the appetiser section is … basically some sausage with some potatoes tossed in an onion/vinegar mixture. I’m quite sceptical, because it looks (once again) like it’s a pretty… harsh-looking recipe. I mean, even if you put some raw onions into oil for an hour, it’s still going to taste like raw onions. But we’ll see.

I have a tendency to buy bunches of books from the same author, but I usually space them out so that I don’t read many of them in sequence. Because any charming idiosyncrasy turns into an annoying tic if you immerse yourself too long.

But here we have The Golden Globe by John Varley, despite me reading another novel by him the other week. Because the concept (ahem) behind this blog series is to read the 20 books I most recently bought (in reverse chronological order).

I know, I know.

But let’s read the first three pages.

Oh, well, that’s a bit different from Irontown Blues. It’s not about a 30s private dick on the moon. Instead it’s about an actor on … Pluto.

Totally different thing.

And instead of having an intelligent dog as a viewpoint character, here we just have an intelligent dog as a non-viewpoint character. See! Totally different!

Oh, this book is going to annoy me so much…

Chip Delany once described himself as that erudite guy that could talk about anything in an endlessly fascinating and erudite way, and you’d just that he would shut up? Well, Varley is like that, too, except the fascinating and erudite bits. Varley will go off on any boring tangent at the drop of the hat, which makes for less than riveting reading.

But Varley is witty. The plot is barely there: I doubt very much that Varley had any idea what this was going to be about other than a chance to have an actor/con guy traipse across the solar system. But we’re along for the ride, I guess.

The ingredients aren’t very complimacated. Just the usual stuff. And sausage.

Hey, I got a new knife. “PS60”, apparently. It’s the best knife I’ve ever used: It just sits so well in my hand, and has the right balance.

Chop chop chopping has never been easier.

So the onions are supposed to just sit there in oil for a while to make it more… mellow? I have some doubts.

And then the “country sausage” (I still don’t know what that means, so I got some raw pork sausage) is just supposed to barely simmer for a while.

Hm… perhaps I can bake a cake while it’s barely simmering? I mean, there’s not much to do in this recipe.

So that’s a lemon cake. It looks simple to make, too — just put everything into the mixer… in a specific order. It looks suspiciously easy: Is this even going to rise without doing the egg whites separately and stuff? Hm.

So the normal ingredients for a cake, but with creme fraiche and lemons. And His Dark Materials on the TV.

Dry ingredients…

And then all the rest of the ingredients, stirred in, and that’s it.

Into a couple pans and then into the oven for an hour. And then back to the appetiser.

The recipe said to use “best quality” sherry vinegar, and doesn’t that look fancy? Behold! Vinegar!

So that’s the onion mixture seasoned and vinegared.

So the potatoes are cooked and sliced and into the mixture.

So how does it taste? Well… it’s not bad. In fact, it’s kinda good. I mean, the raw onions are raw onions, even if they’ve “marinated”, but with the potatoes, vinegar and the sausage, it’s really edible. I mean, it’s the sort of thing you can just sit there and eat a bit of, and then eat another bit of, and before you know it you’ve been slowly finished a couple of plates of. It’s a good nibbling kind of food, because it has really bold flavours.

It’s not something that I’d make again, but it’s fine.

And now the cake is done.

Eep! It hasn’t risen at all!

My worst fears are confirmed: It’s flat as a flat omelette.

Which is basically what it is: It’s a flat omelette with some flour in it.

So that was a total failure.

But, dude, the flavour is fabulous! If this had been made properly, it would have been the best lemon cake ever. It’s quite in your face, but it’s also nicely rounded, what with the vanilla sugar and the creme fraiche.

So I think the author is onto something, and I have to remake this cake, but do it properly with whisked egg whites, because this iteration was inedible.

But that just leaves me with finishing the book:

Varley will go on and on and on about all these science fictioney things, and I’m on board with that. Sort of. Except that there’s way more than the storyline (if you want to call it that) can take.

And I’m horrified; just horrified, I tells ya, when one of the most long-winded schticks Varley has his … let’s call him character, for want of a better word… go around calling all the banks in the system and asking whether they have bank accounts for any of his many aliases. As a bankster myself, I visibly blanched at the idea of a bank even responding to such a question: Whether a person has a connection with a bank is a secret! It’s not something you blab to anybody who asks! Over the phone, even!

Dude!

Dude!

And it goes on for so long. I guess Varley just had a whopping number of funny names he felt that he had to share with us.

(They aren’t funny.)

So many parts of this book feels like it was written in a particularly backward version of the 1950s instead of 1998, which it was. For instance, here’s Varley talking about how nobody could publish facts about the Charonese Mafia, because everybody who tried were killed.

This is written about ten years after the Internet was available to a whole bunch of people, and anonymous remailers had existed longer than that. It’s just… odd.

Anyway! All this nitpicking is happening because I’m bored, of course. The bits from his upbringing (as a child actor) seem interminable, and the main story (if you can call it that) only is seldom interesting. The courtroom scene at the end is fun, though, even if the twist ending is more on the nose than a pince-nez.

This blog post is part of the Bistro
Cooking & Books
series.

November Music

Music I’ve bought in November.

I’ve been buying all the usual nonsense this month, but I’ve particularly been delving into the output of Broklyn Beats (yes, one O), a label that was active in the early noughts. They concentrated on what some people at the time called “brokebeat”: Harsh, annoying music you can’t dance to. For instance, here’s Toecutter:

Man, that album is the most annoying thing I’ve heard ever! And I’ve heard all the annoying albums! I challenge anybody to program while listening to this album! Kudos!

But I didn’t know that Broklyn Beats also did this charming packaging stuff:

See? It’s a mesh thing stapled into a kind of sleeve.

And inside, there is what looks like a hand-screen-printed paper sleeve. (And a CD-R.)

I love it.

jukebox.php?image=micro.png&group=Bark+Psychosis&album=400+Winters+EPjukebox.php?image=micro.png&group=Thomas+Dolby&album=Blinded+by+Sciencejukebox.php?image=micro.png&group=Various&album=Brutal+Police+Menacejukebox.php?image=micro.png&group=Ford+%26+Lopatin&album=Channel+Pressure+Remixesjukebox.php?image=micro.png&group=Liquorice&album=Cheap+Cuts+(Promo)
jukebox.php?image=micro.png&group=Susumu+Yokota&album=Cloud+Hiddenjukebox.php?image=micro.png&group=Stereolab&album=Cobra+and+Phases+Group+Play+Voltage+in+the+Milky+Night+(1)jukebox.php?image=micro.png&group=Stereolab&album=Cobra+and+Phases+Group+Play+Voltage+in+the+Milky+Night+(2)jukebox.php?image=micro.png&group=Matana+Roberts&album=Coin+Coin+Chapter+Four%3A+Memphisjukebox.php?image=micro.png&group=Minimal+Compact&album=Creation+is+Perfect
jukebox.php?image=micro.png&group=Pet+Shop+Boys&album=Dreamlandjukebox.php?image=micro.png&group=Fort+Romeau&album=Dweller+on+the+Thresholdjukebox.php?image=micro.png&group=Erion&album=Erionjukebox.php?image=micro.png&group=Games&album=Everything+is+Workingjukebox.php?image=micro.png&group=Nico&album=Fata+Morgana
jukebox.php?image=micro.png&group=Kreidler&album=Floodjukebox.php?image=micro.png&group=Juana+Molina&album=Forfunjukebox.php?image=micro.png&group=Front+242&album=Geographyjukebox.php?image=micro.png&group=Scout+Niblett&album=I+Conjure+Seriesjukebox.php?image=micro.png&group=The+Residents&album=I+am+a+Resident!+(1)
jukebox.php?image=micro.png&group=The+Residents&album=I+am+a+Resident!+(2)jukebox.php?image=micro.png&group=Split&album=Jason+Forrest%2C+Endjukebox.php?image=micro.png&group=Mark+Kozelek+with+Petra+Haden&album=Joey+Always+Smiledjukebox.php?image=micro.png&group=Siouxsie+and+the+Banshees&album=Join+Handsjukebox.php?image=micro.png&group=Kevin+Ayers%2C+John+Cale%2C+Eno%2C+Nico&album=June+1%2C+1974
jukebox.php?image=micro.png&group=Criterion&album=La+Ciudadjukebox.php?image=micro.png&group=Patty+Waters&album=Livejukebox.php?image=micro.png&group=Bottleskup+Flenkenkenmike&album=Looks+Like+Velvet%2C+Smells+Like+Peejukebox.php?image=micro.png&group=Doily&album=Mattress+of+the+Universejukebox.php?image=micro.png&group=The+Iceburn+Collective&album=Meditavolutions
jukebox.php?image=micro.png&group=Various&album=Meshed-Up+Mindsjukebox.php?image=micro.png&group=Crash+Course+In+Science&album=Near+Marinelandjukebox.php?image=micro.png&group=Ben+Neill&album=Night+Sciencejukebox.php?image=micro.png&group=Kim+Gordon&album=No+Home+Recordjukebox.php?image=micro.png&group=Pat+Thomas+and+Kwashibu+Area+Band&album=Obiaa!
jukebox.php?image=micro.png&group=Front+242&album=Official+Version+%5B1986-1987%5Djukebox.php?image=micro.png&group=Various&album=Pet+Shop+Boys+Collaborationsjukebox.php?image=micro.png&group=Teenage+Jesus+%26+The+Jerks&album=Pre-Teenage+Jesusjukebox.php?image=micro.png&group=The+Body&album=Remixed+and+Reinterpretedjukebox.php?image=micro.png&group=Octo+Octa&album=Resonant+Body
jukebox.php?image=micro.png&group=Criterion&album=Root+Canaljukebox.php?image=micro.png&group=Various&album=SHAPE+Platform+2019jukebox.php?image=micro.png&group=Yukihiro+Takahashi&album=Saravah!jukebox.php?image=micro.png&group=End&album=Science-Fictionjukebox.php?image=micro.png&group=Massive+Attack&album=Singles+90-98+(1)%3A+Daydreaming
jukebox.php?image=micro.png&group=Massive+Attack&album=Singles+90-98+(10)%3A+Angeljukebox.php?image=micro.png&group=Massive+Attack&album=Singles+90-98+(11)%3A+Inertia+Creepsjukebox.php?image=micro.png&group=Massive+Attack&album=Singles+90-98+(2)%3A+Unfinished+Sympathyjukebox.php?image=micro.png&group=Massive+Attack&album=Singles+90-98+(3)%3A+Safe+From+Harmjukebox.php?image=micro.png&group=Massive+Attack&album=Singles+90-98+(4)%3A+Hymn+of+the+Big+Wheel
jukebox.php?image=micro.png&group=Massive+Attack&album=Singles+90-98+(5)%3A+Slyjukebox.php?image=micro.png&group=Massive+Attack&album=Singles+90-98+(6)%3A+Protectionjukebox.php?image=micro.png&group=Massive+Attack&album=Singles+90-98+(7)%3A+Karmacomajukebox.php?image=micro.png&group=Massive+Attack&album=Singles+90-98+(8)%3A+Risingsonjukebox.php?image=micro.png&group=Massive+Attack&album=Singles+90-98+(9)%3A+Teardrop
jukebox.php?image=micro.png&group=Oliver+Cherer&album=Sir+Ollife+Leigh+%26+Other+Ghosts+%2B+A+Millying+%26+Mor+EPjukebox.php?image=micro.png&group=Split&album=Songs%3A+Ohia%2C+Scout+Niblettjukebox.php?image=micro.png&group=Lightning+Bolt&album=Sonic+Citadeljukebox.php?image=micro.png&group=David+Bowie&album=Storytellersjukebox.php?image=micro.png&group=Demdike+Stare&album=Symbiosis
jukebox.php?image=micro.png&group=Tom+Robinson+Band&album=The+Anthology+1977-1979+(1)jukebox.php?image=micro.png&group=Tom+Robinson+Band&album=The+Anthology+1977-1979+(2)jukebox.php?image=micro.png&group=Tom+Robinson+Band&album=The+Anthology+1977-1979+(3)jukebox.php?image=micro.png&group=Siouxsie+and+the+Banshees&album=The+Screamjukebox.php?image=micro.png&group=Thee+Oh+Sees&album=Thee+Hounds+of+Foggy+Nation
jukebox.php?image=micro.png&group=Toecutter&album=Toecutterjukebox.php?image=micro.png&group=The+Ex&album=Turnjukebox.php?image=micro.png&group=Hugo+Largo&album=Turtle+Songjukebox.php?image=micro.png&group=Big+Thief&album=Two+Handsjukebox.php?image=micro.png&group=Stephen+Mallinder&album=Um+Dada
jukebox.php?image=micro.png&group=Scout+Niblett&album=Whoever+Your+Are+Nowjukebox.php?image=micro.png&group=Ved+Buens+Ende...&album=Written+in+Watersjukebox.php?image=micro.png&group=The+Police&album=Zenyatt%C3%A0+Mondatta

Translations are Hard

Yesterday I was delving into the wonderful world of crowd-sourced subtitles, and I was wondering whether TV translations are easy to do.

I downloaded the Emacs/mpv-based subed mode and got started.

And then stopped immediately, because the mode is really geared towards editing srt files, not writing brand-new ones. You can write new ones, but there’s really no workflow offered by that mode that makes it pleasant.

However! While Youtube doesn’t offer to auto-subtitle Swedish programmes, it does offer to mark out sections of the programme that has speech in it. (I guess they do it with elves. Or AI.) So I went to one of the Bergman things, Trädmålning (which is basically a quite different take on the same material that went into making The Seventh Seal), said “I want to subtitle this”, and it made an empty scaffolding, marking out all parts that have dialogue.

And then I went to a service that offers to download .srt files from Youtube (because it doesn’t seem like Google offers this capability itself), and then I had an empty .srt file!

Simple! Modern! Efficient!

(We got this instead of flying cars. People in the 50s would have been so disappointed in this stupid future timeline.)

So then I could start subtitling in Emacs.

Here’s what it looks like:

It’s kinda nifty. When you move around in the Emacs buffer, mpv automatically synchronises to the place where you are, and plays that bit in a loop.

However, it’s really grating to listen to the same thing in a loop, even if it pauses the loop while you’re typing. So there’s a lot of hitting the `M-SPC’ key to auto un/pause involved. And the mode lacks some commands (for smashing consecutive too-fast titles together into one, slower, longer ones) that I was writing while doing this, so doing this one 50 minute play took me… what… five hours?

I’m exhausted.

It’s strange how tiresome it is to do translations. My mind just isn’t up to it: I’ll be looking for even the simplest words for the longest time. “Oh, what’s the word for the thing on a branch… a thin branch… er… uhm… Twig! That’s it! Twig!” Repeat for all the words. Writing in a specific language is one thing, but listening to one and writing in another makes mah branes hurt. So there’s a huge number of er awkward word choices in the translation.

I put the .srt file up at Microsoft Github, and if you want to correct anything, use the Youtube interface. Or send a pull request.

The result is on Youtube. It’s a pretty good play! Very Bergman: Funny and emotionally draining at the same time.

Trigger warning: Some religious stuff may be encountered during the watching of this play.