TSP2021: The Souvenir Part II

Right!

OK, an explanation before we get started:

Almost a decade ago, I started a blog project to look at the brave new world of movie availability: It was the heyday of Netflix and people were going “oooh, ah, you can watch every movie now”. And I was rather sceptical, because… well, just because. But I wanted to check, so I thought would make sense to choose a famous actor and see whether all their films were available.

So I chose Tilda Swinton, because she seemed like she had good taste (from the few films of hers that I had seen).

Spoiler warnings: There’s lots of films that live on in obscurity, and you can’t watch. Still.

But I’ve been doing updates to the blog series, checking if somehow the future had arrived, about once a year. I forgot to last year, so I’ve got two years to catch up with, as well as checking all the previously missed films to see whether any of them are now available.

Makes sense? No, I know, but here we go with this film anyway.

I have to admit that I don’t recall what happened in Part I, except for… er… Tilda Swinton’s daughter apparently playing the part of director Joanna Hogg? Or something? Something very meta, at least.

But I do remember that I really enjoyed Part I.

The cinematography is very unusual — it looks like it was shot on film? (I mean, not on digital.) At least some of the scenes.

Or it could be digital, but then colour graded in … ways that aren’t usual. There’s also something about the graininess that looks real instead of simulated… but I guess anything is possible with digital these days.

Nice pants.

Hey! It’s Richard Ayoade! Playing a chain-smoking cool-as-fuck director! That’s typecasting for you.

This film is lovely. Less Éric Rohmerish than the first film (because it’s less unclear what the film is about), but it’s still quite Rohmerish.

So if this is about Joanna Hogg’s first movie (which I still haven’t seen), then they’re soon going to be casting somebody playing Tilda Swinton (who was in that movie)? IT”S SO META

On the other hand, it might not be that autobiographical at all.

I guess part of the fascination here is that this is an old-fashioned intellectual movie — the kind that used to rule art cinema, but has mostly disappeared now. If it’s art cinema these days, it’s something like, say, Titane or Caché, which are very different sort of things.

So meta.

Oh, are we getting the entire student movie? Caprice? (I mean, not the literal movie, but a new version of it?)

Hm… Oh! Caprice is now available on the youtubes! So I’m gonna watch it next.

This studentey film they’re pastiching here is quite studentey, so props for authenticity.

Great 80s music director outfit.

But… if this is supposed to be an 80s pop song, couldn’t they have chosen a singer who’s not autotuned? Are people deaf? That’s like anti-80s.

Authenticity fail!

It really is a lovely movie, and is the meta-est ever. That bit is so much fun; so playful.

But it’s not perfect. I think it kinda dragged in the middle bits.

The Souvenir Part II. Joanna Hogg. 2021.

This post is part of The Tilda Swinton Project.

Comics Daze

This week was supposed to be all sunny and stuff, but instead it’s pouring down today… so it’s a perfect day to daze with some comics, I guess?

Kitchens of Distinction: Watch Our Planet Circle (2): Strange Free World

14:47: Island 3 #1-5 by Lando (Decadence Production)

Many of today’s comics arrived from 50 Watts Books — they carry lots of visually interesting oddball stuff I’ve never seen anywhere else. This is one of them — a digest sized series published back in 2013-15, with an art style that looks Japanese-ish.

The storyline, though, reminds me more of 70s French comics, in a way — it’s about a guy that may or may not be held captive by a robot on a desolate island.

It’s really good, but over these five issues, we don’t really get any kind of resolution — the series just ends, apparently, with a “to be continued”. I’m guessing this was projected to be a several hundred page story? But the last issue is from 2015, so I’m guessing the artist just ran out of steam…

Oh, looks like they’ve published a bunch more interesting things, so I guess I’ll be doing some shopping.

Everything But The Girl: Fuse

15:07: PTSD Radio vol 3 by Masaaki Nakayama (Kodansha)

Huh. This is a collection of horror vignettes — there’s some nicely spooky setups, but the stories (or “stories”) are so brief you get whiplash. Most seem to be between six and ten pages? And we’re not talking condensed storytelling.

They just set up a spooky situation, and then it’s over.

It’s just not that scary.

And then we get a total shift to scary autobio (allegedly) told in this way.

I just found it all kinda… underwhelming, and I ditched the book after 140 pages.

15:26: Captivity by Xiang Yata (Paradise Systems)

This is a very mysterious little allegorical fairy-tale, I guess.

It’s cool.

15:31: Drifter by Anna Haifisch (Perfectly Acceptable Press)

This is a big, spiral-bound book with thick pages. Is it screenprinted or something? It doesn’t really feel that way…


Anyway, it’s lovely. It’s got such a moody mood going on.

Weekend: La Varieté

15:35: Brush Paradise by Mathilde Kitteh (Peow)

A new Desert Island Mystery Box arrived, so let’s read that.

This is pretty amusing, and the artwork is cute.

And eventually it morphs into an Akira pastiche, I guess. It feels very improvised — as if it started off as a goof on brush salesmen, but then more and more plot was added, and it doesn’t really cohere?

But it’s plenty amusing.

16:10: War Horse by Susan Kaplan

I first thought this was totally non-narrative…

… but it seems like there’s a vague story here. Anyway, interesting book.

Oh, I’ve got Cowlick 6 already…

16:16: Magnet Head by Jasper Krents (Desert Island)

This is the final book from the Mystery Box.

This book has got something real going on. It feels very honest, and it’s gripping.

Wild artwork, too.

Alasdair Roberts: Pangs

16:22: The Nib: Future edited by Matt Bors

This is … probably the only issue of The Nib I’ve bought. They recently shut down (or are shutting down), so I thought I’d grab an issue.

Disclosure: I’m not a fan on The Nib. Almost every time I’ve seen something published there, it was something jejune. But then again, I’m not a fan of editorial cartooning in general, even if I agree politically with what they’re saying. Or perhaps especially if I do that.

Yeah, this book is pretty much as I imagined — it’s very didactic and keeps telling you things everybody already knows.

There’s some pieces here that are a bit better, but most read like if they originated as Twitter threads, and then somebody had to draw images to go with each tweet. It’s a mostly a miserable reading experience.

I love World War 3 Illustrated, and that’s a series that isn’t that different from this, in some ways. But WW3 is always fresh and exciting; there’s something new, different and interesting coming your way all the time. The Nib, on the other hand, is just deadeningly samey. It feels like every strip has been edited to death, and by an editor that’s not a lot of fun.

After reading half a dozen of the pieces, I started skimming, because I lost any glimmer of hope that things were going to improve.

Oh well.

Debby Friday: Good Luck

16:57: The Delicacy by James Albon (Top Shelf)

Oh, I love this artwork! That line! Those colours! Those figures!

And the storytelling is on point, too.

This starts off as an unexpected, very amiable read. Unfortunately, we get one third into the book, we devolve into a cliched Faustian-ish storyline — the protagonist is a chef, so I was expecting him to inevitably start serving his guests corpses… and he kinda does, I guess.

So that’s disappointing. Still, the good bits are really good.

I see that Albon has two other books out that I haven’t read, so it’s shopping time.

Modern Cosmology: What Will You Grow Now?

17:57: (untitled) by Lando

That is, I’m not sure what the titles of these books are…

These small books are earlier than the Island 3 books, but seem to deal with approximately the same concerns.

That is, they’re sci-fi vignettes with a lot of running around and stuff.

They remind me even more of Moebius — they’ve got some good, associative logic going on, and the artwork is attractive.

Very brisk reads.

18:08: Platonic Love by A ee mi (Paradise Systems)

This starts off in a kinda didactic way…

… and then turns very strange indeed. Very original book.

A Certain Ratio: 1982

18:15: Sammy the Mouse Book 1-2 by Zak Sally (La Mano 21)

The first book collects the three Coconino/Fantagraphics issues of Sammy the Mouse (which I bought at the time, but I’ve totally forgotten the storyline). This edition is hand-made — on a two-color offset press. It feels very nice — the paper is nicely rough.

And it’s no wonder I don’t remember the storyline, because it’s very … associative? That is, it seems to be building up to something, but it’s not clear at all where this is all going. It’s a really engrossing reading experience, though.

The second book isn’t hand-printed, I think — it’s on much smoother paper.

And indeed, the all the plot threads are really starting to develop here. And I read the third book the other month, so now I guess I just have to wait for the fourth book (which may be the last one?) to arrive in a decade or so.

Alva Noto: Kinder der Sonne

19:29: Bruno Brazil 3 by Aymond/Bollée (Zoom)

Oh, hm. I thought I had decided not to buy more of this revival series, but I guess I forgot.

And… it’s a painful read. The artwork is generic and charmless, and the repartee is deadly.

The plot is just moronic beyond belief. But I guess it does remind me of some French fantasy comics from the 70s? Not in a good way.

Rob Mazurek Exploding Star Orchestra: Lightning Dreamers

20:05: Stready Rollin’ by Fred Noland (Birdcage Bottom Books)

This starts off in an uptight way — both the artwork and the stories feel rather belaboured and lifeless.

But then things take a turn for the better, and things grow more lively and fun to read.

I’m guessing these strips were originally published on the internet somewhere? We get plot points and sentences repeated from strip to strip, which makes for a less than ideal reading experience.

Water From Your Eyes: Everyone’s Crushed

…

Anyway, this book could have done with some editing. It’s not that there aren’t amusing or interesting anecdotes here, but there’s too many pieces that go nowhere. At over 200 pages of generally very short strips, it gets repetetive.

Animal Collective: Spirit They’re Gone, Spirit They’ve Vanished (1)

21:37: The Lie and How We Told It by Tommi Parrish (Fantagraphics)

This is from 2017, but apparently I missed it the first time around.

And… man, white balance is tricky when you have two wildly differing light sources, eh? Eh?

This is fantastic. It’s about meeting somebody you were close with in high school some years later, and then not/connecting. It’s told very straightforwardly, but holds a lot of intrigue anyway.

And there’s a story within the story.

21:59: I Don’t Belong Here! by Mattlock

I have no idea what’s going on here, but it looks very interesting.

It’s a science fiction story, I guess, but it’s a bit hard to follow… I do like the artwork.

22:06: Flow-Form Speciman by Lale Westwind

Wow, gorgeous.

This seems to hint at a story, but I guess it’s a series of illustrations. The little creatures at the bottom of the pages sometimes resemble letters, but I wasn’t able to make anything out…

22:09: Lucin se met au vert by Frank Margerin (Zoom)

Man, this is a blast from the past. I remember reading Margerin as a child, but I haven’t seen one of these albums in decades. Are the Danes re-publishing the old stories or is this new?

Looks like this might be old (looking at that car, for instance, and nobody has mobile phones). OK, I have to look this up…

Ah, this is from 1989. And I see that I misremembered — I thought the series started in the 70s, but the first album is from 1982.

I was never a fan of the series… I remember always being disappointed that it wasn’t more like, say, Gotlib.

I’m not surprised I assumed that this was from the 70s, because it’s so old-fashioned. I’m guessing the main inspiration for this was the Freak Brothers. Not that there’s a lot of pot jokes (just a couple), but the general vibe.

The problem is that it’s not really that funny. It’s OK, but…

Animal Collective: Spirit They’re Gone, Spirit They’ve Vanished (2)

22:52: New Age by Peter Kielland (Fahrenheit)

This is a wordless comic — with is a demanding genre, but Kielland pulls off some impressive sequences.

(So blurry snaps…) But it’s not even clear how many characters there are here. It’s about an old guy looking back on his life, and the many, many, many dramatic things that have happened. But there’s also fantasies mixed in here? And dreams? And it’s just hard to tell what’s what.

Perhaps reading the book several times would help with comprehension, but… I’m not sure it’s interesting enough to warrant that, really.

It’s pretty good, but it’s not quite… Jim Woodring, who I think was an inspiration for at least some of the scenes.

Shirley Collins: Archangel Hill

23:19: Cankor by Matthew Allison

Peevin’ time: I wish the “soft touch” cover trend would stop soon. I think there’s a matte plastic layer outside the paper that’s been pumped full of phthalates to give you a soft, velvety touch… and I hate touching that stuff. It’s just icky.

Wow! The artwork here is super sharp — you could cut yourself on those lines.

This is a very referential book, but it doesn’t get lost in the jokes. That is, the jokes are good, but it also feels like the book is building towards something grand?

Bram Stadhouders, Sidsel Endresen, Jim Black: Bell Time

Heh heh.

It just keeps getting more and more interesting.

And then, a few dozen pages after this, it’s like the whole thing dissipates. The last fifth of the book feels very slight — it’s still got good jokes, but it feels like it’s lost momentum, and now the jokes are it, basically.

Which is a huge disappointment, because the first three quarters of this book are totally amazing. Yes, it’s referential, but it’s also unique and fresh.

00:16: Sci-fi Stories from Pangea Proxima by Ashton Carless

This is really interesting… I have no idea, really, what’s going on in these texts, but I like the mood.

I like it.

00:35: The End

I think it’s time to start pondering whether to start considering whether to plan to go to bed.

PX11: The Land Unknown

The Land Unknown by Gary Panter (170x261mm)

This book was published (in France, but in English) in 2011, and I’ve somehow never seen a copy before. I happened onto this one in the 50 Watts Books store, but I see that it’s still available from the publisher here, and for just €15. So it’s (still, 12 years later) generally available, and I’m rather puzzled that I didn’t happen onto a copy back when I was doing the Punk Comix blog series.

So let’s take a look at the book.

It’s about 120 pages long, and is on matte stock, and is mostly printed in colour.

There contents are all over the place, in a way. That is, we get all sorts of stuff, from 1979 until the present, but the book almost totally eschews the more famous Panter stuff (like Jimbo).

The reproduction is excellent.

The only thing in here I’ve seen before is the three page Freaks d’Amour strip (last page seen on the left there). And… perhaps that’s the organising principle behind this book? To include obscure things that have not been printed before (widely)? In a way, it’s kinda the book I would have put together if I had had access to Panter’s archives: Great stuff that I hadn’t seen before anywhere else.

So while the book covers a lot of years, it’s a somewhat nerdy book: It doesn’t really give a good overview of Panter’s career (for that you can read that huge book from Picturebox), but instead is like a treasure hunt?

Lots of lovely stuff.

We also get a nice selection of sketchbook pages.

The longest section in the book is a collection of these William & Percy strips from 1979, and again, I don’t think these have been collected anywhere else? (Many other William & Percy strips have, though.)

This book also includes the five pages Panter did for Omega the Unknown (from Marvel Comics), so that you don’t have to buy that series.

We get a handful of pages of a gag strip Panter did around 2003, Smoke Wagon.

And more paintings.

This is a wonderful book, really — it feels quite thoughtful, and has a whole bunch of great Panter stuff I haven’t seen before.

So weird that it hasn’t sold out in twelve years, but like I said, it’s not a book that’s I’ve seen mentioned a lot. I’m guessing people just don’t know it exists (or think that it’s in French since it published by a French publisher).

This blog post is part of the Punk Comix series.

Pop Show

That was amazing. It’s the first time I’ve seen Laurie Anderson with a full live band, and it was so awesome. Not that I don’t like her more sparse stuff, but it was just in-credible to get to hear versions of Let X = X and stuff that were kinda like what they sounded like in the early 80s.

Yay backing band Sexmob! Kenny Wollesen and etc! Amazing.

WHERE ARE YOU GARD

Childhood Culinary Inventions Part One: Lait frappé au Coca Cola

Lynda Barry included this delightful food recipe in It’s So Magic:

So I was thinking… did I ever invent any recipes for food-like substances as a child? And indeed I did, so I’m going to present these magnificent inventions in a short blog series.

Well, OK, I didn’t actually invent this first one: There was one fast food place in my home town that had this on the menu, but (for some reason!) it closed when I was like ten, so I had to adjust the recipe to make it at home. And I refuse to google to see whether everybody else has already invented this, because I want to live confidently with my delusions.

But here’s the incredibly complex recipe.

vanilla ice cream
Coca Cola

And here’s how to make this dish:

1) Put the ice cream into a blender.

Use as much ice cream as you want.

2) Pour the Coca Cola into the blender.

Use less Coke than you’d think you’d have to use — you don’t want this to turn into “coke with some ice cream” — this is supposed to be a thick milk shake, so you should use something like 1:3 Coke/Ice Cream, but it depends on the consistency of the ice cream. If there’s too much Coke, it’s just yucky.

Then blend until smooth.

Pour into a glass, and: There! It’s done!

Nom nom.

I seem to remember from childhood experiments that you can use other pops, too, but if they’re too sweet, it turns into something kinda nauseous. And with other pops, you have to use even less liquid.

Next week: More culinary experiences!