February 1944: Passage to Marseille

















Claude Rains! Bogart! This is no B movie.

I found this to be a frustrating watch. It’s a sort of mid-war fantasy about war. Not that there’s anything wrong with that, but it’s so… stiff? Perhaps it’s because everything looks like it’s filmed on a sound stage? Even the outdoors bits?

This is definitely not Casablanca II, although it tries hard. Ideologically, it paints a rather large number of French people as horrible people, while the framing of it is telling us that France is great. It’s kinda weird.

Great bluray transfer, though.

Passage to Marseille. Michael Curtiz. 1944.

Popular movies in February 1944 according to IMDB:

PosterVotesRatingMovie
17707.6The Sullivans
3117.4Le ciel est à vous
72217.4The Uninvited
4507.3On Approval
4737.2Million Dollar Kid
14207.2It Happened Tomorrow
3507.1None Shall Escape
11886.9Charlie Chan in the Secret Service
29336.9Passage to Marseille
6886.8The Purple Heart

This blog post is part of the Decade series.

January 1944: Career Girl











That’s some design on those er leotards.

Indeed.

This is a cheap and short B movie, I guess?

It’s got a classic set-up: A Broadway hopeful moves into a hotel for Broadway hopefuls. Lots of good movies have been written around that concept… and while this is very likeable, and it’s got some good lines here and there, it doesn’t quite sparkle like these things are supposed to.

But it’s a very amiable way to spend an hour. I could watch stuff like this all night long.

And… it’s got the most insane hairdos! I think the same hairdresser has done all the actors, and it’s one wild hairdo after another, all around the same preposterous construction concept.

Career Girl. Wallace Fox. 1944.

Popular movies in January 1944 according to IMDB:

PosterVotesRatingMovie
55867.9The Miracle of Morgan’s Creek
211687.8Lifeboat
6897.7María Candelaria (Xochimilco)
31087.4The Spider Woman
28607.3Phantom Lady
21227.2The Lodger
25666.5The Fighting Seabees
8376.4Ali Baba and the Forty Thieves
3174.1Nabonga

This blog post is part of the Decade series.

CCCB: Mind as Passion

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Eenie meenie… It’s Thursday, so time to pick another book to read from the cache of my most ancient unread books and bake another cake.

And this time the lucky winner is Susan Sontag: Mind as Passion by Liam Kennedy. Which I apparently bought at a sale in mid-90s (so it’s a bit newer than most of the books here, I think).

Back when I was pretentious teenager (before maturing into a pretentious adult), I used to read books written by all kinds of intelligent people (preferably in places where people could see me reading them), and Susan Sontag was one of them. I vaguely remember On Photography and… er… Notes on “Camp”? Was that a book or just an essay in a book?

Oh, yeah, it’s in this one:

Isn’t that a stylish edition?

Anyway, I was a fan, so I picked up this book about Sontag and never read it. Because you know.

It’s not really a biography, but it’s an overview of her writings. Here’s a sample:

But the thing is, I’m not really that interested in reading about Sontag’s writing. It’s interesting to have it contextualised to see what she was writing against, I guess, but it just mainly reminded me that I probably should be re-reading Sontag instead of reading this book.

It’s refreshing to read a British take on her writing. And, I mean, it’s well-written and all.

Let’s look at the cake instead:

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The cake to go along with the book is ginger layer cake with rhubarb fool.

Look at my expert decorating skillz!

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It turned out pretty delicious, although I over-baked the ginger cake by a couple of minutes.  (I was watching Xena, and I couldn’t find the time buzzer thingie.)  And the rhubarb for the fool could probably have been a little less wet — the fool turned a bit more runny than was probably warranted. I mean. A lot more runny.

But it was pretty delish anyway.  Mmm.

4AD 1980

Some years back, I read the excellent Facing the Other Way book by Martin Aston. It’s about the British independent record company 4AD, which I used to be an er somewhat obsessive fan of in my teens, which resulted in absurdities like this.

I decided to listen to everything 4AD had released, chronologically, while reading the book because you know. I found it a kinda interesting experience. I’d been listening to some of the artists excessively, but not really in context.

The other week I started wondering whether anybody had done something similar as a Spotify playlist, and yes, at least one person has created a playlist that’s supposed to be all 4AD tracks in sequence… but it’s missing tracks here and there! The outrage!

So I started puttering around and looking at whether it’s possible to do a complete 4AD listening experience on Spotify, and it looks promising. 4AD has always been wonderful at making their music available (for instance, in the 80s when CDs became a thing, they scrupulously included rare early singles with the albums they re-released), and they’re still at it on Spotify: I couldn’t find single track, no matter how obscure, that’s missing when putting together the 1980 playlist.

So here’s the Spotify playlist link, and below is a list of the releases and tracks included in the playlist.

I’ll be aiming for a new year (and a new playlist) once a week.

1980… It’s not the most memorable year in 4AD’s history. The label was started by Ivo Watts-Russell with a couple of partners, and they didn’t really have that much of a vision musically (or artistically) as 4AD would get a few years later. The first four singles, released under the Axis name (Ivo changed the name, fortunately) were already in the pipeline, but Ivo took over the release.

And there’s things like Hunk Of A Punk included on the Presage(s) compilation that Ivo didn’t want there at all, but… it’s kinda fun? Right? RIGHT!?!?

Of note are future major successes Bauhaus, The Birthday Party and Modern English. The first two with their sound already pretty much developed, while Modern English sounds nothing like what they would when they got their hit(s) later.

Oh, and The The, with a very early single.

What’s striking with these later successes were that they left 4AD, some of them very soon indeed (Bauhaus and The The) and some after getting at least some sales going. It can’t have been fun seeing them wander off to other pastures.

And then there’s Rema-Rema: In a way 4AD’s longest association… well, until the mid-90s. They merged with In Camera, sort of, and turned into Mass, and then finally into The Wolfgang Press and got pretty good after a few years.

1980

 AXIS1
The Fast Set — Junction One

Junction One, Children Of The Revolution

 AXIS2
Bearz — She’s My Girl

She’s My Girl, Girls Will Do

 AXIS3
Bauhaus — Dark Entries

Dark Entries, Untitled

 AXIS4
Shox — No Turning Back

No Turning Back, Lying Here

 BAD5
Rema-Rema — Wheel In The Roses

Feedback Song, Rema Rema, Instrumental, Fond Affections

 AD6
Modern English — Swans On Glass

Swans On Glass, Incident

 AD7
Bauhaus — Terror Couple Kill Colonel

Terror Couple Kill Colonel, Scopes, Terror Couple Kill Colonel

 AD8
In Camera — Final Achievement

Die Laughing, Final Achievement

 BAD9
Cupol — Like This For Ages

Like This For Ages, Kluba Cupol

 AD10
The The — Black And White

Controversial Subject, Black And White

 BAD11
Various — Presage(s)

Sargaso Sea, Let’s Have A Party, Security Idiots, Home, Malignant Love, Hit The Dead, Hunk Of A Punk

 AD12
The Birthday Party — The Friend Catcher

The Friend Catcher, Waving My Arms, Catman

 CAD13
Bauhaus — In The Flat Field

Double Dare, In The Flat Field, God In An Alcove, Dive, Spy In The Car, Small Talk Stinks, St. Vitus Dance, Stigmata Martyr, Nerves

 AD14
Mass — You And I

You And I, Cabbage

 AD15
Modern English — Gathering Dust

Gathering Dust, Tranquility Of A Summer Movement (Vice Versa)

 CAD16
B. C. Gilbert / G. Lewis — 3R4

Barge Calm, 3, 4…, Barge Calm, R

 AD17
Bauhaus — Telegram Sam

Telegram Sam, Crowds, Rosegarden Funeral Of Sores

 AD18
Dance Chapter — Anonymity

Anonymity, New Dance

 BAD19
In Camera — IV Songs

The Conversation, The Attic, Fragments of Fear, Legion