The Best Albums of 2018

“Best album” has been decided by Emacs which keeps track of what albums I’ve listened to most, so this is a totally objective list that objectively literally lists the best music this year.

Except for the bits where I just edited by hand, because I’ve been listening more to old music than new music this year. There hasn’t been a single new “wow, this is the best album ever” in 2018, I think, but just a huge quantity of really kinda good stuff. I think 2018 has been a stronger year than what we’ve seen recently. Music goes in waves…

Anyway, here’s the best song of the year, which is John Brown by Marc Ribot (feat. Fay Victor):

And here’s the list:

Marc Ribot

Songs of Resistance 1942-2018

Tracey Thorn

Record

Adult.

This Behavior

John T. Gast

BTEC Version #2

B. Fleischmann

Stop Making Fans

The Breeders

All Nerve

Lost Girls

Feeling

Laura Jean

Devotion

Peter Zummo

Frame Loop

Gas

Rausch

Actress x London Contemporary Orchestra

Lageos

Oneohtrix Point Never

Age Of

Mitski

Be the Cowboy

Yves Tumor

Serpent Music

Venetian Snares x Daniel Lanois

Venetian Snares x Daniel Lanois

And here’s the best new old music I’ve bought this year, and it’s really this stuff I’ve been listening to. The Bookends album by Simon & Garfunkel is just so weird, and nobody mentions how weird it is. The Wild if the Wind album by Nina Simone is absolutely fantastic, from start to finish, and is so much better than any of those “greatest hits” things I’ve been listening to all these years. And Bobbie Gentry! Oh man. Geez. And that Westbrook Blake album… Wow…

Old music roolz this year.

Simon & Garfunkel

Bookends

Nina Simone

Wild is the Wind

Bobbie Gentry

Ode to Billie Joe

Joe Jackson Band

Afterlife

The B-52’s

Wild Planet

David Allred

Woods

The Westbrook Blake

Bright as Fire

David Allred

Midstory

Simon & Garfunkel

Sounds of Silence

The Beatles

Revolver

Prince

Prince

Grace Jones

Warm Leatherette

Richard and Linda Thompson

Hokey Pokey

John Martyn

Inside Out

New Musik

Anywhere

4AD 1983

Here’s 4AD 1983 on Spotity.

1983 is the watershed year for 4AD, when they transition fully from a post-punk label into something much stranger and something that people will still obsess about decades later.

Most important commercially (and musically, for that matter) are the Cocteau Twins releases. The Peppermint Pig single was a major step away from their Garlands sound, and with the Head Over Heels album and the Sunburst and Snowblind EP later that year, everybody started paying attention. Like seriously.

Perhaps symbolically, 4AD releases two five song compilation EPs, saying a final goodbye to Bauhaus and The Birthday Party (and everybody involved with those bands), as well as a five song compilation EP from Modern English, who would leave them the next year.

And look at those covers. Vaughan Oliver/23 Envelope is getting in full swing with those gorgeous typographical covers to the Xmal Deutschland releases, and those vague Cocteau Twins covers, and, erm, the “horses fucking” Colourbox EP, which is, of course, everybody’s favourite.

Most puzzling release of the year: The second version of Breakdown/Tarantula. I wonder what the story behind that was… were Colourbox just really dissatisfied with the first version which was released half a year earlier?

[Edit: I’ve been notified that the first four tracks (by The Birthday Party) aren’t available in some regions. Rights issues? (Some of the tracks on the full version are licensed from Mute Records.) Blocked because of the Swastikas on the cover artwork? I don’t know.]

1983

 BAD301
The Birthday Party — The Bad Seed

Sonnys Burning, Wild World, Fears Of The Gun, Deep In The Woods

 CAD302
Xmal Deutschland — Fetisch

Qual, Geheimnis, Young Man, In Der Nacht, Orient, Hand In Hand, Kaempfen, Danthem, Boomerang, Stummes Kind

 AD303
Cocteau Twins — Peppermint Pig

Peppermint Pig, Laughlines, Hazel

 AD304
Colourbox — Breakdown

Breakdown, Tarantula

 BAD305
Xmal Deutschland — Qual

Qual, Zeit, Sehnsucht

 BAD306
Modern English — Gathering Dust

Smiles And Laughter, Mesh & Lace, Gathering Dust, Swans On Glass, Home

 BAD307
The Birthday Party — The Friend Catcher

The Friend Catcher, Release The Bats, Blast Off, Mr. Clarinet, Happy Birthday

 CAD308
The Wolfgang Press — The Burden Of Mules

Lisa (The Passion), Prostitute I, The Burden Of Mules, Compleate And Utter, Prostitute II, Slow As A Child, Journalists, Give It Back, On The Hill

 AD309
Modern English — Someone’s Calling

Someone’s Calling, Life In The Gladhouse

 BAD310
This Mortal Coil — Sixteen Days – Gathering Dust

Sixteen Days – Gathering Dust, Song to the Siren, Sixteen Days Reprise

 AD311
Xmal Deutschland — Incubus Succubus II

Incubus Succubus II, Vito

 BAD312
Bauhaus — 4.A.D

Dark Enties, Untitled, Terror Couple Kill Colonel, Scopes, Rosegarden Funeral of Sores

 CAD313
Cocteau Twins — Head over Heels

When Mama Was Moth, Five Ten Fiftyfold, Sugar Hiccup, In Our Angelhood, Glass Candle Grenades, In The Gold Dust Rush, The Tinderbox (Of A Heart), Multifoiled, My Love Parmour, Musette And Drums

 BAD314
Cocteau Twins — Sunburst And Snowblind

Sugar Hiccup, Flagstones, Hitherto, Because Of The Whirl-Jack

 MAD315
Colourbox — Colourbox

Shotgun, Keep On Pushing, Nation, Justice

This post is part of the chronological look at all 4AD releases, year by year.

November 1944: The Children Are Watching Us












Oo. Those are purdy fonts.



Huh? An Italian movie from 1944?

Oh, it’s from the director of Bicycle Thieves, which is a wonderful movie. And this is pretty great, too.

According to this, it was filmed in 1942, before Italy started losing. There’s no mention of the war in this film, although we do see some soldiers in crowd scenes.

Throughout the movie, I was trying to puzzle out whether there’s some sort of ideological component being subtly pushed, but if so I’m not quite sure what it would be. Could be a Kinder, Kuche, Kirche thing… But in Italian. But it doesn’t really seem that way for most of the movie. The ending can definitely be taken that way.

This movie is brimming with emotion, but unusually for an Italian movie, most of them are conveyed subtly, by surreptitious looks and avoidances. The actors are really fabulous here.

The Children Are Watching Us. Vittorio De Sica. 1944.

Popular movies in November 1944 according to IMDB:

PosterVotesRatingMovie
157587.7Meet Me in St. Louis
3547.7Bowery Champs
42777.5Thirty Seconds Over Tokyo
37897.4The Thin Man Goes Home
9297.0Lost in a Harem
14017.0The Princess and the Pirate
2287.0And Now Tomorrow
2906.7Two Thousand Women
5746.6Dark Waters
4246.1Dead Man’s Eyes

This blog post is part of the Decade series.

October 1944: To Have and Have Not















After a couple of cheapies, this is a proper, expensive A movie. I mean, Bogart? Bacall? Howard Hawks? Hemingway? Doesn’t get more A than that.

The movie has been beautifully restored for this bluray release.

I must have seen this movie a few times before (who hasn’t?) because some of the scenes seem awfully familiar. But I did not remember that there were this much music in the movie. You can see the filmmakers trying to make another Casablanca, complete with hit theme music and all, and they almost make it.

I don’t think these people could make a movie that wasn’t pleasurable to watch, but I did find something to be annoyed with: That old coot just gets on my tits.

But it’s just not a good movie. The plot doesn’t go anywhere and nothing much of interest happens. It all rests on the performances. They are, admittedly, wonderful, but it still needs like a script.

To Have and Have Not. Howard Hawks. 1944.

Popular movies in October 1944 according to IMDB:

PosterVotesRatingMovie
330558.1Laura
243698.0To Have and Have Not
99657.8The Woman in the Window
52017.2Ministry of Fear
3277.2The Very Thought of You
10097.0Mrs. Parkington
2826.8An American Romance
2066.6Love Story
17336.6None But the Lonely Heart
7106.5The Conspirators

This blog post is part of the Decade series.