Eclipse 1937: Elephant Boy

Oh, this box set — “Sabu!” — is a collection of movies featuring this guy (later seen in Black Narcissus etc). And this is his first movie.

Man, that’s a big elephant.

Oh my god! These filmmakers are insane!!!!

(No babies were squished during the making of this movie, I hope, but…)

See? Very large elephant.

*pause while I read the liner notes*

Aha! Flaherty shot the nature scens in India, while the more narrative scenes were shot by Korda… on a studio lot in England!?

I really wouldn’t have guessed — it’s pretty seamless.

Aww.

Oh, yeah, I can see how they cleverly are using bokeh to disguise that they’re shooting in a Denham back lot…

This was a major box office smash and won plenty of awards and stuff, and that’s totally understandable. It’s a very amiable movie, and there’s just a lot of fun and interesting shots — like randomly of an elephant picking up a huge log: Will he make it? Will he? He does!

So it’s like a mix of nature documentary, and pre-internet snippets of animals doing odd and cute stuff, and then there’s even an adventure plot about going into the jungle to find the Macguffin (which here is apparently a whole bunch of… wild elephants…?)

But… as the plot becomes thicker and the Denham shots starts to outweigh the Flaherty shots, it’s starting to fall a bit flat, and it becomes quite clear why this isn’t one of those classics they show at Xmas every year. There just isn’t much here? It feels like they had some nice nature shots, and a really good child actor in Sabu, and then made a movie around that (based on the Kipling story), but that gives you a 40 minute short. This movie just needs… more… Like a fun B plot or something.

It’s also never explained why we should cheer when they capture all the wild elephants? Which just seems cruel and heartless? It’s just odd. This is one of those rare instances where a movie could have used a Hollywood script doctor to drop in some motivation and stuff.

Elephant Boy. Robert J. Flaherty and Zoltán Korda. 1937.

This blog post is part of the Eclipse series.

Eclipse 1933: 非常線の女n

Oooh! Is that the Evil Corporate Guy? He always looks like this.

That’s a nice sweater.

As with all the other Ozu movies, this looks really good. And the plot is a more engaging than his other two crime dramas in this box set. I think?

OK, I’ve lost track of what the plot is. It’s probably me, but there’s just a lot of … stuff happening that I didn’t quite get what the reasons behind were. But I did zone out a bit there in the middle.

Swords!?

Anyway, I enjoyed a lot of the scenes, so:

Dragnet Girl. Yasujirô Ozu. 1933.

This blog post is part of the Eclipse series.

Eclipse 1974: Place de la République

This is very 70s. I mean, in a good way. It’s apparently a totally random documentary thing where they spent a couple of weeks in one specific place in Paris and interviewed people walking by.

I love all these people, but Malle and his team seem to go after the more… “interesting”… people. I don’t know what their intentions were — perhaps just giving a snapshot of people in one specific neighbourhood as a snapshot of humanity, or something equally 70s. But the people they give most screen time are, well, pretty er odd, so it’s (so far) tending towards an awkward “cavalcade of freaks”, which is kinda mean?

That is, it feels like Malle is making fun of these people.

I’m really disappointed by this one. Malle’s previous docu, Humain, trop humain was amazing, but… this feels lazy and mean.

Place de la République. Louis Malle. 1974.

This blog post is part of the Eclipse series.