TSP2019: Uncut Gems

Uncut Gems. Josh Safdie and Benny Safdie. 2019.

[twenty minutes pass]

Oh deer.

This is the Adam Sandler Oscar bait movie? To ensure getting nominated, you have to have some sort of health angle, so it starts with a colonoscopy (it is Sandler, after all) and some possible cancer, before we go into full-bore New Era of Quality TV doing Death of a Salesman (which means that everybody is from New Jersey and that all these morons are shouting at each other ALL THE TIME).

If you were to design a movie to annoy me, this would be that movie.

I don’t recalling it actually winning any Oscars, though…

But it did win a bunch of other awards — perhaps the Independent Spirit Awards are the most significant…

Well, perhaps it gets less annoying…

GAH! IT GOES ON FOREVER!

Well, re-roll the movie…

[ten minutes pass]

I wondered when they were going to introduce the bitchy wife. I should have made a bet.

[twenty minutes pass]

I can’t take any more of this. One hour of watching uninteresting morons shout at each other is all I can take. I’d rather get my teeth cleaned.

Is this the only movie in this blog series that has broken me? I think it may be. And apparently I’m not missing much of a performance:

This post is part of The Tilda Swinton Project.

TSP2019: The Dead Don’t Die

The Dead Don’t Die. Jim Jarmusch. 2019.

[five minutes pass; i.e., I watched the titles]

Wow; this movie basically has everybody that’s famous. It’s not just Jarmusch’s normal troupe (although many of them are here), but a bunch of random famous people. I’m assuming they called his agent or his agent called them and they said “sure!”

Appearing here for free, I’m assuming.

[wtf; forty minutes pass?!?!]

I thought that was like ten minutes.

I’m so totes engrossed in this movie… I’ve been a Jarmusch fan since forever (I saw him once on the streets of New York! squee!), and this is just such a Jarmusch movie. It’s basically a goof on Night of the Living Dead: Nothing’s very serious; it’s all just done in fun, even the really grisly bits (and the political bits).

It’s like… if you designed a movie to appeal specifically to me (and you weren’t French), this would definitely be the movie to make.

The “name” actors are definitely having fun here (although Chloë Sevigny seems to be participating in a totally different movie than everybody else), and the newcomers are delivering, too. I love the two threesomes — the hipsters, and the peeps in juvie. Just amazeballs.

(I’m typing this because I had to take a pee ‘n cocktail break.)

[the end]

The pacing, the way the actors deliver their lines… It’s just like er Down By Law or any of the early Jarmusch movies. Adam Driver in particular — I’m wondering if he studied those movies like hard and is just going “how would John Lurie do this scene” and then doing that.

But it’s not just a goof, of course. Just like Romero’s Night of the Living Dead was a movie about racism, this is a movie about Trump, and just as despairing.

It’s a really well-made, funny, knowing movie, so I was expecting everybody to hate it.

And I was right!

*phew*

This post is part of The Tilda Swinton Project.

TSP2017: War Machine

War Machine. David Michôd. 2017.

Oops. This is a Netflix movie from 2017? Starring Brad Pitt? I’ve never heard of it, but apparently Tilda Swinton has a tiny role in this, so I’ve gotta see it for this blog series.

[ten minutes pass]

Oh deer. This is my least favourite movie genre ever? The satirical-military-movie-with-an-omniscient-voice-over film? I hate these movies so much.

And the director has told Brad Pitt to be a gruff general, so he tries to speak like Christian Bale as Batman, but he comes off as just being constipated.

[forty minutes pass]

IT”S JUST BEEN FIFTY MINUTES?!?!

I’m so bored I could plotz.

There’s nothing… nothing here. The cinematography is tedious; the acting is bad (Pitt is hamming it up to the max and the rest of the actors are playing it straight); the plot is without interest…

This is a typical Netflix Made for TV movie: It can be fun to watch cheaply made indie movies, but cheap Made for TV movies remove all the quirky stuff that cheap indie movies may occasionally have. It’s the worst of all worlds: None of the freedom of indie filmmaking, and none of the budget of studio movies.

[the end]

The last bit is… vaguely more interesting?

The paying-off-the-Afghan-guy thing reads more like “well, not all Americans are bad, right” than anything else, though. So the father’s suffering is more of an opportunity to show that most of them care.

Which is eye roll inducing.

It’s such a confused movie. You can almost see how this could be a good movie, if only not for… every single artistic choice by the director while making it? I mean, I can see how the pitch sounded like it was going to be good?

But it’s not.

Also: I hate the colour grading.

This post is part of The Tilda Swinton Project.

TSP2019: The Souvenir

The Souvenir. Joanna Hogg. 2019.

Hey! We’re back with our sorta-yearly “what has that Swinton woman been up to since last we checked?” This year, we have … about half a dozen movies? So she’s been busy.

First off a movie by Joanna Hogg? That name seems so familiar to me that I assumed that I had seen a bunch of her movies, but apparently not…

[an hour passes]

It’s very Rohmer in the way that it’s not clear what it’s going to be about… It’s not very Rohmer in the way that it’s all meta: It’s about a woman in film school, so we get to hear some bits from the teachers that also seem to apply to the movie I’m watching.

I love movies about making movies, but it’s not a genre that endears itself to a whole lot of people, so I’m not surprised at this tomatometer:

[the end]

Very meta. I just googled, and apparently Tilda Swinton performed in Joanna Hogg’s graduation movie in film school? And the woman playing the central character name is Honor Swinton Byrne, so I’m guessing that’s her daughter? And the in one of the scenes, the professor reiterates that she should make a movie about what she knows? So is this an autobiographical movie by Hogg?

SO META.

Oh… There’s going to be another part? Well, I’m there.

This post is part of The Tilda Swinton Project.

BC&B: Sauté de Veau aux Carottes La Boutarde w/ Harengs Marinés

Just four (?) posts to go! So that’s eight dishes and four books.

The first dish of the day is the mains, because it turns out that the starter takes four days! Who knew! Not me! I never read these recipes before I start to cook; I just get the ingredients and hope for the best.

“Oops.”

So they mains is… veal? VEAL?! Isn’t that supposed to be all evil and stuff? What is veal anyway? I’ve never actually looked that up… is it Bambi? Young Bambi before his/her mother was killed? Or is that… venison? Veal? Venison?

*duckduckgo*

Oh, it’s a young cow.

Possibly male. (Well, not the one in the GIF.)

I think I knew that, but I blanked.

So off to the butcher, because somehow the local grocery store doesn’t have any young cow meat, but the butcher was all like “YES WHAT CUT WE”VE GOT ALL THE PIECES OF THE ANIMAL” and I was like “it’s… sirloin? in English?” and then he googled it and I got this:

It’s all meat to me.

So I cut it in big chunks…

And then into a skillet with some hot olive oil.

Do you know that olive oil is quite violent? You heat it up and it goes BANG POW COMICS AREN”T FOR CHILDREN ANY MORE no that’s a different thing, but it sprays all over the kitchen when you’re cooking with it over high heat, which this is supposed to be.

But! Technology to the rescue! I got this like a year? ago:

It’s quite efficient.

It’s like a netting thing you put over the pan. It allows all the steam to escape (so you don’t end up boiling stuff you want to broil), but it catches like 87% of the grease that’s trying its best to sear your naked arms.

Or perhaps that’s just me, and that’s why chefs wear long-sleeved uniforms?

IT COULD BE

Anyway, less ouch.

So I sear the young cow (or ox; the butcher didn’t specify the identity) hard, in batches, to get it all Maillarded in the reactions. I mean, browned.

Then an onion into the pan for a few minutes…

… and then all the herbs and a tomato. Tomatoe? Was that what Dan Quayle used to write on blackboards to teach children? Potatoe or tomatoe? I forget. The 90s were a long time ago and god don’t we all wish we were back in the 90s?

*sigh*

OK, so that simmers for… TWO FUCKING HOURS.

I should really read these recipes before starting to cook, because now I’m famished.

So the next ingredient are carrots, which makes sense based on the name of the dish (“aux Carottes”). But man! These carrots! Is it the corona? Because I have never ever in my life bought carrots in a shop that’s as fresh as these. They smell and taste like they just came out of the earth!

While cutting these up I couldn’t stop snacking! They’re the best carrots ever! The aroma… man! I didn’t know that store-bought carrots could be this good!

Anyway, I stopped eating (the two hours waiting for the young cow (or ox) to finish simmering may have influenced my snacking here) before I there were no carrots left, and I dumped the rest into the skillet.

And then that cooks for 45 minutes.

*sigh*

Well, I have a couple more carrots to snack on…

“By this point, the carrots will have absorbed much of the sauce.”

I thought that sounded very weird, because carrots are very compact and mostly just water… there’s no structure there to absorb anything? And so it turned out: Nothing was absorbed.

I boiled a couple of potato… e? … s to go with the meat (and carrots).

Hm… well, all the meaty stews I’ve cooked from this book have been failures, I think?

The meat here (the dead calf) is really, really tender. You don’t need a knife to eat this; it just falls apart in the best way with just a fork. But… it’s dry. If you heap on a lot of sauce, it’s less dry, but, still, the meat is just dry.

But kinda tasty?

But there’s something offputting about the sauce… it’s got like a … wrongness to it. I mean, I finished that plate; it wasn’t horrible, but there’s something off. I have no idea what.

This is the same complaint I had about the previous thing I made. So perhaps my dried herbs just suck? It had a lot of dried herbs, too. OK, I’m dumping all my dried herbs and getting new, more fabulous dried herbs.

[ESTIMATED LIKELIHOOD OF THIS MAKING A DIFFERENCE: THE COMPUTER SAYS 0.2.]

But there’s a book, too:

Today’s book is a short story collection by Tove Jansson, Brev från Klara. (She was Finnish but wrote in Swedish.) She is, of course, famous for her Moomin books (and comics), but she also wrote a handful of books for adults. They have mostly remained out of print for decades, but somebody finally (in 2017) got their shit together and issued new editions of them all. Yay!

Let’s read the first three pages together:

OK, the first one epistolary, and sort of gives you a clue as to what the woman writing the letter’s like, but it’s a pretty vague sketch. It’s fascinating, though.

The rest of the book mostly consist of very short short stories: Between three and twelve pages long. This means that most of the stories are just a snippet from a single scene, but they’re all… very enjoyable.

Or perhaps that’s the wrong word: In every story, everything is at stake. The stories are gripping, mysterious, and yet straightforward and plain.

Wonderful storytelling, and I’m now definitely buying the rest of her books that I haven’t read yet.

And now on to the starter:

It’s… herring? It’s herring.

Now, I’ve got a … I’ve got an odd relationship to herring. As a child, it was something that was served a lot as a mains: Grilled (or braised) herring. It’s lovely! Delicious! But I never make it myself, because it’s kinda whiffy, and I’m guessing that’s why restaurants shy away from doing it, too. Or perhaps people just don’t like grilled herring: It’s got a lot of itsy bitsy bones you gotta be careful about, and if you don’t have the right technique, it takes a lot of time to deal with it.

But on the other hand: Pickled herring is a huge thing in Scandinavia — I think you can get like 20 different kinds in normal shops here. But I don’t like cold herring! It’s just something about the texture and the … cold fat? So I haven’t tried any for a few decades.

So here I’m picking some herring. As a basis I’m using a … pickled herring, but I tried to choose one that sounded like it had as few additives as possible. This one was just salted.

So there’s these things, all cut in rounds…

And then the herring fillets…

… which I cut into more manageable sizes.

And then it’s all layered into a box.

Finished off with lemons on top, and then peanut (!) oil to cover it all.

I’m kinda dreading how this all will turn out, but it’s then into the fridge for two to four days. I think I’ll have a taste after a couple of days.

I’m hoping I’m not ending up in one of these situations:

We’ll see!

[time passes]

So after three days I’m unpickling this… And there’s no horrible stench rising from the box, so that’s a positive.

So I’m serving this with some boiled small new potatoes.

Hm… It’s one of those flavours where I’m going “well, I’m not hating this”… But I’m not loving it, either. The onions go well with the herring, but perhaps the carrots should have been blanched a bit first? They’re extremely crunchy.

But the potatoes were awesome. Excellent tots.

I did finish the plate, but I wasn’t tempted to go back for more, so I say that’s a semi-win.

This blog post is part of the Bistro
Cooking & Books
series.