Comics Daze

Finally another day I’ve got nothing planned so that I can do some comics reading.

David Bowie: Who Can I Be Now? (7): Young American

09:07: Mimosa by Archie Bongiovanni (Abrams)

The artwork’s quite attractive — open and friendly, like.

But while there are only four characters, I’m having a lot of trouble keeping them apart. And I generally like low-stakes stories — this is about four friends in their thirties and their dramas — it’s just hard to get invested.

Heh heh.

David Bowie: Who Can I Be Now? (8): Station To Station

09:50: Nikel Junk by Nakito Bolino

I bought a whole lot of stuff at Desert Island when I was in New York, so let’s read some of that…

Wow, this folds out into a very wide diorama…

Totally wild. Totally amazing.

09:54: USA Truck by CF/Mickey Zacchilli/Charlotte de Sédony

We get about 12 pages from each artist…

They’re all loosely tied to the “USA Truck” theme.

It’s fantastic.

10:01: Warm Television by John Pettinger

This is very funny.

But there’s like an emptiness here?

But it is indeed very funny.

10:11: Liquid Realm 2 by Samuel Hickson

This is very intriguing — three stories that all pack a punch (and are pretty funny).

Sliiightly political.

Good stuff.

David Bowie: Who Can I Be Now? (10): Live Nassau Coliseum ’76 (1)

10:27: Quarter Vomit “Gets Day Drunk” by Chad Gumbo

This has a lot of New Orleans in jokes (I’m guessing), but also a lot of fart jokes.

It’s very strange, which is nice.

10:47: Closed-Eye Hallucination by Cody Hudson

This is kinda gorgeous.

But very brief.

10:50: Palookaville #24 by Seth (Drawn & Quarterly)

OK, back to more mainstream stuff.

I love that Seth is still doing Palookaville, serialising his comics instead of just plonking out new graphic novels. However, the current story, where he mostly harps on about his utterly, totally original observation that it’s frequently quite difficult to remember what happened when you were a kid, is a bit disappointing.

It’s pretty good?

As usual, the final two thirds of the is “extras”: Here we get a lot of pics from making of a movie twenty years ago…

… and a whole lot of strips from his sketchbook, and they’re all kinda dream-like.

Also included is a DVD of the aforementioned movie.

David Bowie: Who Can I Be Now? (11): Live Nassau Coliseum ’76 (2)

11:20: Proof That The Devil Loves You by Gilbert Hernandez (Fantagraphics)

Anyway, what’s up with Fantagraphics these days? I know that comics publishers have to pay the bills, but it’s getting a bit out of hand…

Indie comics publishers have (almost) always had to publish profitable things to subsidise publishing the books they want to publish, but there’s an unfortunate progression to these things you can see with publishers historically. To take an example — Eclipse Comics started out very “pure”, just publishing things they obviously felt were good comics, and then when the market turned sour, they started publishing more mainstream adventure comics, before dabbling with collectables like non-sports trading cards, before publishing virtually nothing else. So, like, publishers “do business” to be able to publish comics, but then the “business” takes over, and we end up with a company that publish comics to “do business”.

Fantagraphics has always been in the former group, subsidising their real publishing schedule first with things like Amazing Heroes, then reprints of John Byrne comics, then porn, and then reprints of Italian Disney comics.

Looking at the September publishing schedule, these are the only new things they’re publishing:

POPEYE HC VOL 03 SEA HAG & ALICE THE GOON
BILL WARD STUDIO ED HC
THE ATLAS ARTIST EDITION VOL 01 JOE MANEELY
PRINCE VALIANT HC VOL 27 1989 – 1990
PRINCE VALIANT HC BOX SET VOL 16 – 18
COMPLETE PEANUTS TP 1989 – 1990
COMPLETE PEANUTS TP 1987 – 1990
DISNEY MICKEY AND DONALD FANTASTIC FUTURES CLASSIC TALES WI
FANTAGRAPHICS UNDERGROUND FLAMED OUT WILLY MURPHY
EC FAN ADDICT #5

This excludes things that they’re offering again (i.e., “AO” and “SS” in Previews parlance).

It’s all reprints, except for the last two books — which aren’t comics, but are books about comics.

And of the reprints, it’s all either Disney stuff or newspaper strips — except for the Bill Ward book and the Atlas book (which reprints pre-Marvel stuff).

So what’s going on at Fantagraphics these days?

Oh, I’ve read this before… this book reprints stuff from issues of Love and Rockets. But is this sequence long enough to be a standalone book? I remember this thing, which is a “Fritz movie” that uses the milieu from Hernandez’ first few stories, the ones collected as Heartbreak Soup, in an er sacrilegious way. I mean, Fritz (i.e., Hernandez) is making fun of his own work, with the “me and my symbolic screwdriver” bit, portraying Luba as a loon.

Yeah, I was wondering whether Hernandez was going to expand that “movie”, but nope — instead we just get a lot other things glued onto that one, without much rhyme or reason. I’m not sure how much of these things are reprints, but I recognise some of it, at least.

It’s a very strange book. Perhaps there’s some logic to the selections, but I’m not really invested enough to try to tease that out. (With Hernandez’ early stuff, I was, and that made for very rewarding reading — because there really was a lot to tease out, but I’m not sure that’s the case any more.)

Perhaps they’re just supposed to be separate “movies”? They’re brief ones if so.

David Bowie: A New Career in a New Town (1): Low

11:54: The Naked Tree by Keum Suk Gendry-Kim (Drawn & Quarterly)

Ah, right, another Korean book from Drawn & Quarterly… it’s their speciality these days, isn’t it?

It’s… kinda odd? It presents itself as an autobio book, but it can’t be (because of the dates involved). And it’s way odd for autobio — the main character seems to be introduced as a really harsh character that does seemingly inexplicable things — presumably to have a “character arc” where she learns stuff, probably involving some other character dying.

(I know, I’m so non-judgemental.)

So I did something that I never do: I turned to the back cover of the book and read what was written there, and then things became clear: This is an adaptation of an old, famous novel.

OK, makes sense, then.

David Bowie: A New Career in a New Town (2): Heroes

The layouts are cool, but the storytelling is a bit choppy. And… there’s a lot of clichés in the story, and I didn’t much like the book.

But I guess if you like this sort of book, this is the sort of book you’ll like.

David Bowie: A New Career in a New Town (4): Stage (1)

13:18: Epic Wayne Quarterly #1 edited by Teo Suzuki

OK, back to the Desert Island haul…

The format is cute (a small square-ish book), but few of the pages were drawn with the format in mind, so some things you have to squint at to read.

While other things come off better.

I guess this is more of a showcase for young artists than an anthology? It’s pretty entertaining.

13:40: Somewhere Far From Here by Darty Foroohar

This is utterly original, and makes for quite riveting read.

The story absolutely doesn’t go where you expect it to. Good stuff.

David Bowie: A New Career in a New Town (5): Stage (2)

13:58: Tourista Dibujos by Caroline Sury (Le dernier cri)

Desert Island had a whole bunch of stuff from Le dernier cri, but as I’m going to Paris next month, I thought it would perhaps make more sense to pick up books there. They’re located in Marseille, though. Anybody know a comics shop in Paris that carries their stuff? I should get googling…

This is a collection of drawings Sury made on various journeys.

It’s great!

14:14: Gleem by Freddy Carrasco (Peow)

This is a lot of fun to read. It’s really kinetic, propulsive.

And the stories are pretty original. The strongest piece is the middle story, I think, which ends up being rather touching, and the scene in the park is kinda magical.

David Bowie: A New Career in a New Town (9): Lodger (2017 Remix)

14:30: Mother Nature by Jamie Lee Curtis/Karl Stevens/Russell Goldman (Titan Comics)

Back to more mainstream comics… and… what the? Oh, right, I bought this because I’m a Karl Stevens fan. But it’s written by Jamie Lee Curtis? That Jamie Lee Curtis?

I’m guessing this is based on a movie script? Stevens is an odd choice for adapting something like this to comics, because his artwork is extremely photo-referenced, which doesn’t make for great action scenes. (It does make for lovely domestic and nature scenes, though, which is what he’s known for.)

And… while the colours are beautiful as always, it’s just hard to tell what’s actually going on. Too many of the characters look similar, and the storytelling style leaves a lot to the characters to convey what’s happening, and they just don’t — it’s usually impossible to tell what they’re supposed to feel, or just what they’re doing. Like who is that woman flipping off anyway?

David Bowie: A New Career in a New Town (10): Scary Monsters

The further on the book gets, the less I understand what’s happening. This book could have been helped by captions like “Meanwhile, back at the ranch, they were worried that it wasn’t a good idea to clad the fallout shelters with radium” (!), or whatever — it’s frequently just totally impenetrable.

I suspect that the script is kinda bad, too, but I just don’t know, because I don’t know what’s supposed to be going on.

So I was wondering whether I’d had some sort of brain trauma and suddenly become unable to read a comic book, but nope:

This is such a mess. I can’t write a summary of it ‘cause I’m not sure what exactly was happening in it. There’s something about an oil drilling company, but also about radioactive stuff, and also Diné spirits. It’s an adaptation of a movie script, but unfortunately the art does not do a good job of communicating what’s unsaid, and the dialog on its own isn’t quite enough. The art style makes it hard to tell characters apart. There are too many close-ups, that it’s hard to tell what is actually happening in different situations. It skips around so much at times that it feels like there are panels or full pages missing. It is just a mess.

[…]

I wanted to love this. It was about what we’ve done to our planet, and written by Jamie Lee Curtis, whom I love. Yet the story was so confusing. I couldn’t follow what was happening, and the artwork between two of the main characters made them look so like I kept confusing who was who. I felt like I was missing things and reread the beginning at least 10 times going back trying to see if I had missed something only to realize that it just wasn’t there. Such a huge disappointment!

OK, after that I think I need a break to make some dinner and unfuddle my brain.

David Bowie: Loving the Alien (1): Let’s Dance

16:35: Ashes by Álvaro Ortiz (Top Shelf)

This is a very griddy book — it starts off on a 4×6 grid (with many panels combined in various fashions)…

David Bowie: Loving the Alien (2): Serious Moonlight (1)

It gives the book a stark graphical quality.

David Bowie: Loving the Alien (3): Serious Moonlight (2)

Then after about 60 pages, the book shifts to a 4×5 grid for no particular reason, as far as I can tell.

Sometimes with comics that follow a strict grid, it makes the panels sort of stop being noticeable? But here I found that I’m almost doing nothing but looking at the various grid configurations.

Anyway, this is a classic road movie comic book, with a classic setup: Three friends are going to bring the ashes of a fourth to a specific place, and then things happen along the way. There’s a lot of enjoyable scenes, but I’m not quite sure it works as a whole? That is, I’m finding myself growing rather impatient with the entire thing…

The ending was really fun, though.

David Bowie: Loving the Alien (4): Tonight

18:23: Cartoon Dialectics 4 by Tom Kaczynski (Uncivilized Books)

I enjoy Kaczynski’s books — I think I’ve read all of them — but this one feels more distracted than usual.

And it’s about Atlantis and stuff? It’s just not my thing.

18:39: The Other Option by Soso Capaldi

This comes with a quizzing glass, which is very handy if you want to quiz somebody.

This book is largely narrative, but in a kind of vague way. It’s actually kind of moving? Really lovely.

David Bowie: Loving the Alien (7): Glass Spider (Live Montreal ’87) (1)

18:58: ABC of Fears and Anxieties by Simone F. Baumann

*gasp* That’s so frightening!

*gasp* Even worse!

This is a very funny book, and I love the artwork.

OK, I’m fading now… reading comics is exhausting. But just one more.

19:04: What Did You Eat Yesterday 20 by Fumi Yoshinaga (Vertical)

Drama!

The food they make usually seems delicious, but that just seems… wrong. I’m glad he was able to use that ketchup, though: It must have weighed on his mind.

Drama!

I can’t stop smiling while reading this book.

David Bowie: Loving the Alien (8): Glass Spider (Live Montreal ’87) (2)

20:09: The End

And now I really have to stop reading.

Comics Daze

I’m back from New York with a whole bag full of comics, so I guess I should start reading. And my sleeping is all messed up now again, so I’ll be reading until dawn or something? Probably.

The first shop I visited was Forbidden Planet, which I hadn’t really planned — I just happened to walk past it, and dropped in. I’ve probably been there before over the decades, but I have no recollection of doing so, and I didn’t think I’d find anything there (as it’s a super-hero focused store), but there was a nice shelf of small press stuff, and I ended up buying a little stack… so let’s start with those.

And as it’s nighttime, let’s go with Bowie for music. And… the remastered versions, just because.

Oh, er, I don’t think the white balance went right on that one… how do I operate this camera again… it’s been weeks…

David Bowie: Five Years (1): Space Oddity

23:17: Lots of Love in the Ring by Nahia Mouchica (SVA BFA Comics)

That’s better.

It’s a wrestling match kind of book…

It’s cute!

And it’s apparently part of doing the BFA at the School of Visual Arts, which is neat.

23:27: Eyeland by Nick Forker

This book starts off in a somewhat tentative way, but then rapidly becomes more interesting, and by the end I was really intrigued by the mix of (covid-era) autobio and odd whimsy.

Heh heh yeah. Every time I go to New York (or pretty much any city in the US) I’m like “oh yeah, everything is so loud here”. It’s like the base noise level in American cities is just much higher than in Europe. And it’s like that makes everybody feel free to make everything even louder? Like there’s no point in even trying to keep the noise down? It’s like a constant low level stress factor that’s been added…

Even fire trucks are louder in the US than in Europe.

23:42: Steel Streets #7 by Mahdi Khene (Zuperhero Comics)

The cover says that this is #7 and published in 1987, but I assume that’s part of the er storyline or something. I find the artwork here to be really attractive, and the restricted colouring works really well.

Especially since there are several layers, drawn in different ways, intruding on different realities. It’s a fun read, even if I didn’t really… understand… what’s going on.

David Bowie: Five Years (3): Hunky Dory

23:54: Blazing Quantum #5 by William Keops Ibanez

I like the character design on this — everybody’s drawn very distinctly, which is nice because there’s a lot of characters. It’s also a propulsive read, and it had me laughing out loud in the roller coaster scene.

The plot is told from a viewpoint we don’t often see in comics — it’s pretty original, and the book ends on an unexpectedly heartfelt note.

00:17: Delphinium by Pat Aulisio (Strangers Publishing)

This sci-fi book is pretty interesting, but it’s so brief that it’s a bit unsatisfying story-wise.

But I love the artwork — the scratchy designs remind me of early-90s indie comics, and the colouring fits perfectly.

00:27: Comics by Casey Roonan

This book is fantastic. It sneaks up on you and ends up being really, really moving.

There’s a diary section here that’s done in a way I haven’t seen before — one panel per day. It’s super-compressed, but is really efficient in conveying the mood and what’s happening, and it’s heart-breaking.

David Bowie: Five Years (4): Ziggy Stardust and the Spider from Mars

00:50: Halcyon by Ron Regé, Jr. (Fantagraphics)

This is the final book I picked up at Forbidden Planet, and is something I don’t understand how I missed when it was published last year — I’m a huge Regé fan, and I always look at the Fantagraphics listings, but…

This starts off as a being about (I think) angels and stuff…

… and people encountering them. But then it shifts into a science fiction thing, before tying everything together. It’s fantastic! And the artwork is just almost unbearably attractive.

David Bowie: Five Years (6): Live Santa Monica ’72

01:14: A Man & His Cat 1 by Umi Sakurai

Oh, right, I got this at The Strand (which I visited to buy A Coney Island of the Mind to read at Coney Island).

I picked this up at random because it looked like it might be fun…

… but it’s not — it’s maudlin and tedious. It tries so hard to be cute that it wraps over and into grotesque.

01:42: Tales From Qyleoth by M Yaxam

The next little stack of comics (and stuff) I bought at Printed Matter.

Oh, right — I’ve read this before. That is, this collects three minis, and I’ve read the first one, and was quite intrigued by the mood and setting of this.

So I’m glad I bought this, because it’s really charming — it’s got a tangible mood going on, and the artwork’s really attractive. It’s a kind of meandering sort of storyline in a world that feels fully realised. It’s great.

01:56: Tense by Lucy Lippard/Jerry Kearns

This little book juxtaposes a somewhat abstract text with panels from EC Comics (I think). That is, the text sometimes obliquely references the panels, but usually not.

“Comics are realer than newspapers because they’re more like dreams.”

So this is a facsimile of an unpublished book from 1980-ish? It’s a cool little book.

02:17: Slight by Simão Simões (Can Can Press)

This is a very handsome book — it’s printed on rough paper and has a very nice feel.

Slightly abstract comics have had an uptick lately, right? This isn’t all formalist, but instead has a narrative of sorts, and it’s a really cute one. (If I interpreted it correctly.) Great stuff.

02:26: Motif in Madness by Asjha Malcolm

This is a uniquely assembled book — all the pages fold out, and it’s bound with two huge clips.

It’s an A-Z — it says that each page features the first word starting with the letter in question that occurred to them.

It’s really cool.

David Bowie: Five Years (7): Aladdin Sane

02:42: Bugggs by Ian Mackay

Riso-printed, I guess?

This is a really, really charming little book. Just a kind of perfect little thing.

02:46: Capitolo Zero by G. Sandri (Daba)

This book was originally published in 1969 in Italy.

The introduction talks about a narrative here, and I can kinda sorta see it.

It’s got a rhythm of sorts, and feels oddly intriguing.

OK, that’s the last of the comics/comics-adjacent books I got from Printed Matter… and now I think it’s time to read some more mainstream books.

David Bowie: Who Can I Be Now? (1): Diamond Dogs

02:58: Juliette by Camille Jourdy (Drawn & Quarterly)

Lovely colours.

This book starts off in a really frustrating way, though. We’re not introduced to any of the bewildering number of people, or learn what their relationship to one another is. And it’s structured in a way that it seems like it could perhaps be a book with many different timelines, and perhaps we’re watching the same characters in different time periods or something? So for the first 50 pages or so, I spent half the time flipping back and forth, trying to determine who was who and doing what — and they way they’re drawn, it’s difficult to tell some of the characters apart.

But after about fifty pages, things straighten out, and while it’s still sometimes hard to tell the characters apart, it starts being enjoyable to read.

It’s a very low-key book, and none of the expected clichés in a book like this happen — instead we just end on a kind of wistful (but hopeful) note.

It’s pretty good.

David Bowie: Who Can I Be Now? (2): David Live (1)

04:11: Boxes #1 edited by Steven Ingram

Hm… Oh yeah, I got this from a Kickstarter. It’s an anthology of shorter pieces. Most are kinda wistful.

I think that’s a brilliant idea for a restaurant, but while they come up with many reasons why not, they don’t mention the most obvious one: You can’t serve hot dishes that way. Which is why only sushi places use a conveyor belt.

There’s a variety of approaches…

… but there’s a kinda unity of mood going on in most of the pieces, so it feels pretty coherent.

(And the moral of this story is that you should never listen to your kids, I guess.)

David Bowie: Who Can I Be Now? (3): David Live (2)

04:33: Werewolf Jones & Sons Deluxe Summer Fun Annual! by Simon Hanselmann & Josh Pettinger (Fantagraphics)

This is a fancy hardback with a nice dust jacket.

Heh heh. I assume Hanselmann did that just to make fun of the horrible new Fantagraphics logo.

Oh, I’ve read this before? Ah, right, it says on the spine that this is a collection of things from various zines (but now coloured).

I thought most of these pieces were pretty harsh the first time around, and collected like this, it’s a lot to take. But there’s some really funny sequences here amongst the “eeep” stuff.

I though Pettinger’s pieces were pretty weak, but the one by HTMLflowers was great.

David Bowie: Who Can I Be Now? (6): The Gouster

05:08: Hypnotic Midday Movie by Simon Hanselmann (The Mansion Press)

Yes! More Hanselmann.

This is a collection of paintings with commentary from Hanselmann. Most of the paintings have been used as endpapers in various books, but it’s cool having them collected like this, too.

Most of the comments are pretty amusing, but some are more heartfelt.

*gasp* I feel so privileged.

Heh heh.

Anyway, this is a classy book — I really enjoy Hanselmann’s paintings, and the text is very entertaining.

David Bowie: Who Can I Be Now? (7): Young American

05:55: The End

Uhm… I think I’ll go to bed now. Perhaps I can sleep until noon and be reasonably synchronised with daytime again.