December 1944: Together Again


















Oh, this is from the Icons of Screwball Comedy DVD “box”, which I can’t seem to find at the moment… I’m substituting the other box for the dice throw picture.

CONTINUITY ERROR

This is a supremely amiable movie. The actors are charming; the storyline is cute; the lines are witty.

It’s entertaining and amusing, but you know how this is going to end up: The mayor is going to resign her job, meaning that the village is going to be left in the unsuitable hands of that newspaper asshole.

So it’s kinda not very satisfying, although it’s a funny little movie.

Together Again. Charles Vidor. 1944.

Hey! I’m at the half-way point in this 40s blog series? Look at the stack of DVDs:

I think I must be. 1940-1945… That’s like… five years…

Popular movies in December 1944 according to IMDB:

PosterVotesRatingMovie
91907.6Murder, My Sweet
18117.5The Keys of the Kingdom
10067.5The Suspect
2767.4The Fighting Lady
15337.3I’ll Be Seeing You
51747.3National Velvet
13887.3Hollywood Canteen
2087.2Sunday Dinner for a Soldier
4176.9Together Again
3786.7Music for Millions

This blog post is part of the Decade series.

CCCB: Oliver Twist

It’s Thursday, so it must be time to bake something and read a book I’ve avoided reading for a couple of decades.

I’ve done cake and cookies, so why not bread? Nutty bread. Looks like the flour:nut ratio is 25:10, and I have no idea whether that’s like totally nuts.

I have baked a couple of loaves of bread before, but they’ve never been like actually any good.

So much ingredient.

I got to use the fud professor attachment to the kitchen machine. I may not have picked the right blade, though, because the nuts came out very unevenly chopped. On the other hand, the recipe said to do that to give some textural variety, so… Probably a bit on the coarse side, though?

Making the bread dough is a breeze with a kitchen machine with some oomph, so I don’t have to actually use any muscles. Except when cleaning up, as I seem to have smeared the machine with honey.

D’oh!

Wow, that’s some active yeast… it… like… quadrupled in size.

I’ve never handled dough that’s this sticky before. It’s absolutely impossible to do anything bready with, so I just kinda scooped the d’oh into the forms and hoped for the best…

And, yes, it’s a arisen again! Raise the bread!

Cool, baby.

Oo. I thought this was going to be very dense because of all the nuts, but it’s kinda fluffy.

Mmmm… butter on the bread while it’s still hot…

And some brown goats cheese.

And how does it pair with the book? Excellent! The nutty buttery goatey chocolatey (OK, I made hot chocolate to drink with this) goes great with Dickens’ witty and exciting book about that hapless waif.

I have to say (well I don’t I just told a lie ha!) that I’d rate this bread a “well, that’s quite OK then”. It’s the first thing I’ve baked in this blog series that’s like successful.

Am I getting better at this or is this just a fluke!? Tune in next week for

oh I have to talk about the book, too.

For this week’s eeney meeney miney mo of books that’s been sitting in my bookcase, unread, since the late 80s/early 90s, I choose… well, you’ve read the title of this blog post, so it’s probably no surprise. It’s Oliver Twist by Charles Dickens.

And the reason that I have it but didn’t read it is because I WON”T DO WHAT YOU TELL ME. I read tons of books, but whenever I have to read something, it’s just torture to motivate myself to read it. It’s insane and counter-productive and weird, but there it is. I remember once in like fifth grade we were assigned a book to read over the holidays and write about and we could pick pretty much anything we wanted. I picked a book I’ve already read, and the teacher asked why, and I said “well, then I don’t have to read it”.

Instead I read dozens of other books.

What can I say? I’m counter-productively lazy.

This book is an artefact of me taking English at the university, and I just couldn’t bring myself to read it. And looking at that first page, it does look a bit eh.

Whaaa? I’ve never seen an upside-down y typo before.

Anyway! As you all know, it’s a very funny, very angry book. Dickens is relentlessly witty, and is scornfully sarcastic about all persons in charge. And it’s an exciting, classic adventure story, to boot. I’ve seen several movie/tv versions of it, so I know just about what’s going to happen, but there’s so much pleasure to be had from Dickens’ writing. It just flows so well: It’s entertaining and smart.

It’s such an effortless read that I started wondering whether this edition had been updated to modern English or something, but no: I found somebody that had helpfully shot a picture of a 1837 page, and it’s pretty much identical, except for some slight changes in punctuation, as far as I can tell.

Oh! An ear! So I didn’t bail at the first page, but made my way to chapter 13 before I stopped reading back in… 1991? Something like that?

I have no recollection of having read bits of it before, so apparently reading a novel as a required assignment was so traumatic that I’ve suppressed the memory.

It’s a delight to read now that it’s unrequired reading.

But while it’s fun, in the final third I got to the “I want to read this book forever” slash “bored now” point. Dickens is padding out the storyline quite a bit with atmospheric bits (like the above). While it’s fun in isolation, the loss of tension in the third part is palpable.

So Dickens is nice, but what about the edition?

The reproduction of the artwork is shockingly bad.

But worse are the footnotes. Here’s a footnote after “crowd at the execution”, and I innocently flipped to that to see what the editor had to say, and…

Boom! Spoiled the next-to-last chapter of the book. Nice work, asshole. So I had to stop reading the footnotes and never found out what a “paviour” was.

The Best Albums of 2018

“Best album” has been decided by Emacs which keeps track of what albums I’ve listened to most, so this is a totally objective list that objectively literally lists the best music this year.

Except for the bits where I just edited by hand, because I’ve been listening more to old music than new music this year. There hasn’t been a single new “wow, this is the best album ever” in 2018, I think, but just a huge quantity of really kinda good stuff. I think 2018 has been a stronger year than what we’ve seen recently. Music goes in waves…

Anyway, here’s the best song of the year, which is John Brown by Marc Ribot (feat. Fay Victor):

And here’s the list:

Marc Ribot

Songs of Resistance 1942-2018

Tracey Thorn

Record

Adult.

This Behavior

John T. Gast

BTEC Version #2

B. Fleischmann

Stop Making Fans

The Breeders

All Nerve

Lost Girls

Feeling

Laura Jean

Devotion

Peter Zummo

Frame Loop

Gas

Rausch

Actress x London Contemporary Orchestra

Lageos

Oneohtrix Point Never

Age Of

Mitski

Be the Cowboy

Yves Tumor

Serpent Music

Venetian Snares x Daniel Lanois

Venetian Snares x Daniel Lanois

And here’s the best new old music I’ve bought this year, and it’s really this stuff I’ve been listening to. The Bookends album by Simon & Garfunkel is just so weird, and nobody mentions how weird it is. The Wild if the Wind album by Nina Simone is absolutely fantastic, from start to finish, and is so much better than any of those “greatest hits” things I’ve been listening to all these years. And Bobbie Gentry! Oh man. Geez. And that Westbrook Blake album… Wow…

Old music roolz this year.

Simon & Garfunkel

Bookends

Nina Simone

Wild is the Wind

Bobbie Gentry

Ode to Billie Joe

Joe Jackson Band

Afterlife

The B-52’s

Wild Planet

David Allred

Woods

The Westbrook Blake

Bright as Fire

David Allred

Midstory

Simon & Garfunkel

Sounds of Silence

The Beatles

Revolver

Prince

Prince

Grace Jones

Warm Leatherette

Richard and Linda Thompson

Hokey Pokey

John Martyn

Inside Out

New Musik

Anywhere

4AD 1983

Here’s 4AD 1983 on Spotity.

1983 is the watershed year for 4AD, when they transition fully from a post-punk label into something much stranger and something that people will still obsess about decades later.

Most important commercially (and musically, for that matter) are the Cocteau Twins releases. The Peppermint Pig single was a major step away from their Garlands sound, and with the Head Over Heels album and the Sunburst and Snowblind EP later that year, everybody started paying attention. Like seriously.

Perhaps symbolically, 4AD releases two five song compilation EPs, saying a final goodbye to Bauhaus and The Birthday Party (and everybody involved with those bands), as well as a five song compilation EP from Modern English, who would leave them the next year.

And look at those covers. Vaughan Oliver/23 Envelope is getting in full swing with those gorgeous typographical covers to the Xmal Deutschland releases, and those vague Cocteau Twins covers, and, erm, the “horses fucking” Colourbox EP, which is, of course, everybody’s favourite.

Most puzzling release of the year: The second version of Breakdown/Tarantula. I wonder what the story behind that was… were Colourbox just really dissatisfied with the first version which was released half a year earlier?

[Edit: I’ve been notified that the first four tracks (by The Birthday Party) aren’t available in some regions. Rights issues? (Some of the tracks on the full version are licensed from Mute Records.) Blocked because of the Swastikas on the cover artwork? I don’t know.]

1983

 BAD301
The Birthday Party — The Bad Seed

Sonnys Burning, Wild World, Fears Of The Gun, Deep In The Woods

 CAD302
Xmal Deutschland — Fetisch

Qual, Geheimnis, Young Man, In Der Nacht, Orient, Hand In Hand, Kaempfen, Danthem, Boomerang, Stummes Kind

 AD303
Cocteau Twins — Peppermint Pig

Peppermint Pig, Laughlines, Hazel

 AD304
Colourbox — Breakdown

Breakdown, Tarantula

 BAD305
Xmal Deutschland — Qual

Qual, Zeit, Sehnsucht

 BAD306
Modern English — Gathering Dust

Smiles And Laughter, Mesh & Lace, Gathering Dust, Swans On Glass, Home

 BAD307
The Birthday Party — The Friend Catcher

The Friend Catcher, Release The Bats, Blast Off, Mr. Clarinet, Happy Birthday

 CAD308
The Wolfgang Press — The Burden Of Mules

Lisa (The Passion), Prostitute I, The Burden Of Mules, Compleate And Utter, Prostitute II, Slow As A Child, Journalists, Give It Back, On The Hill

 AD309
Modern English — Someone’s Calling

Someone’s Calling, Life In The Gladhouse

 BAD310
This Mortal Coil — Sixteen Days – Gathering Dust

Sixteen Days – Gathering Dust, Song to the Siren, Sixteen Days Reprise

 AD311
Xmal Deutschland — Incubus Succubus II

Incubus Succubus II, Vito

 BAD312
Bauhaus — 4.A.D

Dark Enties, Untitled, Terror Couple Kill Colonel, Scopes, Rosegarden Funeral of Sores

 CAD313
Cocteau Twins — Head over Heels

When Mama Was Moth, Five Ten Fiftyfold, Sugar Hiccup, In Our Angelhood, Glass Candle Grenades, In The Gold Dust Rush, The Tinderbox (Of A Heart), Multifoiled, My Love Parmour, Musette And Drums

 BAD314
Cocteau Twins — Sunburst And Snowblind

Sugar Hiccup, Flagstones, Hitherto, Because Of The Whirl-Jack

 MAD315
Colourbox — Colourbox

Shotgun, Keep On Pushing, Nation, Justice

This post is part of the chronological look at all 4AD releases, year by year.