NFLX2019 May 3rd: The Last Summer

The Last Summer. William Bindley. 2019. ☆★★★★★

So… this is one of those teen dramedies about a pre-nostalgic “last summer”. There are jocks, there are nerds, there are Heathers.

It’s such a generic throwback of a movie.

I can’t decide whether the filmmakers are totally inept or they’re taking brave artistic choices: Everything is washed-out and often in somewhat bizarre colours. The lighting is insane: Even the children have bags under their eyes and look like they do meth on a regular basis. The audio is weirdly subdued for this type of movie: When you’d expect a slamming dubstep track, there’s a plunkly (that’s a word) guitar instead. When you expect the characters to drop some witty repartee, they just stand there… staring…

Some things are standard: All the teenagers look like they’re in their mid-20s. Some in their early 30s. Makes it difficult to tell the teenagers from their parents, but you know.

I’m guessing this was pitched to Netflix as a really cheaply made movie that everybody who loves teen rom coms will at least spent ten minutes with. So just another random walk in Netflix’ quest to have a library of movie-like objects they own themselves.

It’s insanely boring and virtually charmless.

Once in a while, there’s a joke that lands, but in this context I’m almost offended: “How dare you make me smile after boring me this much!” That’s unfair, I know, but it’s the truth.

This post is part of the NFLX2019 blog series.

NFLX2019 May 3rd: Despite Everything

Despite Everything. Gabriela Tagliavini. 2019. ☆☆☆☆★★

I went on a holiday for ten days, and then I had a cold for a week, so I’m way behind on my Netflixes. I seem to have eight movies to catch up with…

Well, that’s doable this weekend.

Let’s get started.

Hm… Oh, this is a Spanish movie? And it’s one of those modern, breezy Spanish ensemble comedies (with sudden pathos)? I like those.

Aand… Wow! This is one of those high concept movies, with a central conceit that so “MOVIE” that it makes your brain splode. Totally shameless. It reminds me of plots from 40s screwball comedies… although they wouldn’t have chosen exactly this plot. (Trey risque.) The scene where they explained the plot made me laugh out loud.

It get the formula almost exactly right: The four sisters go on a journey of discovery (and self-discovery) and do all the requisite things (like smoking pot in the car and singing along to a song) they have to do on the journey.

Like I said, it’s shameless, and I like that. But… For such a pile of clichés to work, it has to snap and pop, and some of the scenes are a bit on the limp side.

It’s perfectly charming and a fun way to spend 80 minutes.

This post is part of the NFLX2019 blog series.