January 1947: Calendar Girl










It’s been a while, but here’s another B movie from that box set where all the other B movies came from. Unfortunately the sound quality here is so bad that I can make out only every third word.

It’s kinda charming. It doesn’t really amount to a whole lot, but it’s inoffensive. Nothing much to dislike (except the audio quality). It’s… nice!

But not very interesting.

Calendar Girl. Allan Dwan. 1947.

Popular movies in January 1947 according to IMDB:

PosterVotesRatingMovie
66397.8Odd Man Out
3807.3Hungry Hill
30817.3Boomerang!
47447.2Dead Reckoning
2737.1Zakazane piosenki
21867.013 Rue Madeleine
5376.9The Man I Love
9446.9Johnny O’Clock
37336.6Lady in the Lake
2986.4The Shocking Miss Pilgrim

This blog post is part of the Decade series.

December 1946: Humoresque















Joan Crawford! John Garfield! And directed by Jean Negulesco! Er… Ok, that’s a completely utterly unfamiliar name to me. That’s a really unenthusiastic Wikipedia page. He was nominated for a bunch of awards but didn’t win much. But they let him make a bunch of movies, so I guess they were commercially successful?

This is… kinda bad? Negulesco goes for Real Drama in every scene, I think, and it falls kinda flat. He mostly doesn’t have good enough actors to carry it off, and there’s such an abundance of bad lines and uninspiring (but “clever”) cinematography.

I’m not sure where my immediate antipathy for this is coming from. I mean, in some respects it’s not that far from Douglas Sirk, and he’s brilliant. But he… knew what he was doing?

Crawford’s performance is appropriately over-the-top, but..

I do like the extended musical scenes. That’s kinda unusual. And they’re all from the Now That’s What I Call Really Dramatic Classicalish Music Volume 14! Let’s see… this claims it’s Gershwin, Bizet, Chopin, Gershwin, Chopin, Chopin, Korsaov, Dvorák, Dvorák, Wagner, Grieg, Prokofiev, Shostakovich, Bach, Tchaikovsky, Mendelssohn, Brahms, Porter, Porter and de Sarasate?

But it’s mostly Waxman? I think?

Humoresque. Jean Negulesco. 1946.

Popular movies in December 1946 according to IMDB:

PosterVotesRatingMovie
2938268.6It’s a Wonderful Life
182108.0Great Expectations
3917.8Enamorada
29517.6Humoresque
44307.3The Yearling
16837.2The Locket
65156.9Duel in the Sun
2316.6The Falcon’s Adventure
4266.6The Secret Heart
17196.6The Beast with Five Fingers

This blog post is part of the Decade series.

November 1945: Brief Encounter










This seems awfully familiar… Oh, I watched this in 2014!

Oh, well. Let’s watch it again; I seem to remember it being rather good.

This 2K version has been beautifully restored — the last time I saw this was on .7K. So many more pixels!

This is adapted from the Noel Coward play, and I thought that he mostly did droll comedies? This isn’t a comedy at all in any way.

The actors are absolutely brilliant. Mixing theatre projection with understated, subtle little details.

Grade A schmaltz.

Brief Encounter. David Lean. 1945.

Popular movies in November 1945 according to IMDB:

PosterVotesRatingMovie
273668.1Brief Encounter
262158.0The Lost Weekend
61747.7‘I Know Where I’m Going!’
26777.6Road to Utopia
103437.4Detour
32867.2Fallen Angel
12357.1My Name Is Julia Ross
11047.0The Seventh Veil
3106.9Allotment Wives
4776.8Danger Signal

This blog post is part of the Decade series.

CCCB: Jane Eyre

Thursday is book’n’bake day.

The bready hype the last few months has been the no-knead bread recipe from the New York Times. (Were they the ones responsible for the one-pot pasta travesty that was all the rage a couple of years ago? That thing was vile.)

But let’s give it a go.

You basically just combine the ingredients and then let it sit for 18 hours.

After which you fold it a bit and then let it sit for 90 minutes more…

Before plonking into a pot.

And then bake with a lid on for 30 minutes.

I should have floured the baking paper more: This dough is sticky, and transferring it from the paper to the piping hot pan was a challenge.

Then pop the lid off…

And then bake 15 minutes more.

I wondered whether I was supposed to continue baking until it had, like, the right colour, but the bread felt OK… Perhaps I should have put it higher up in the oven.

Let’s let it rest a bit while I pick out a book to read from the cache of my oldest avoidingest books:

And I chose Janë Eyrë by Charlottë Brontë. (Is that the correct number of rock dots?)

As with Oliver Twist, this book was an assignment for my University English class. And as you can see from that dog ear up there, I got to page 13 before abandoning it: Not even making it past the introduction.

And my stypid reason for giving is basically the same as for Oliver Twist, so I won’t repeat it here. But I’ve learnt one thing since 1991: NEVER READ INTRODUCTIONS!

So I’m just skipping to the start of the novel, with a nice facsimile of the original title page…

I had been very positively surprised by Dickens, so I’ve got high hopes for this one, too. The language seems a bit more old-fashioned than Oliver Twist, despite being written some decades later…

But how does it pair with the bread?

I was worried that the bread wasn’t cooked all the way through (because it was kinda light) or that it was going to be very compact (since it’s flat-ish), but it’s perfectly baked inside and very fluffy.

It’s a very nice bread! The best I’ve baked, ever. It’s fluffy, but not insubstantial. The bottom crust is nicely crusty, while the top could have gotten a bit more heat. It’s perfectly chewy on the inside, with perfectly wheaty glutenous action going on without being sweet. I mean, it’s just wheat, salt, yeast and water: No sugar or syrup added, which is a common trick to avoid dryness.

Well, this is a bread I’m definitely going to bake more of. Good reporting by the New York Times once again!

And how does Jane Eyre read?

“[…] under her light eyebrows glimmered an eye devoid of ruth”. It’s fun how some of Brontë’s language could sometimes be modern smarty-pants writing (ruthless -> devoid of ruth).

Brontë does tend to go into great detail about just about anything, but I’ve never read anybody that uses so long sentences that still manage to have them so clear and compulsively readable. She’s got a huge variation in what tricks she uses to keep on going, and on the reader goes with her.

Oh, yeah, this is a strange thing that I’ve seen in a lot of English writers (from the oldee time): Using just the first letter of place names; here it’s “L-“. Are we meant to understand what town this is? Brontë has “stony street” in quotation marks, so is the referring to some L town that famously has a stony street?

If that’s not the point, but just keeping things vague to make them … less specific, then you could just have dropped the L altogether…

I should do some research; I’ve seen this phenomenon in more than a handful of books.

Oh! Another canem auris! So I stopped reading the introduction pretty fast, and then read until chapter seven of the novel before abandoning it.

I think I can see why I stopped reading just here, because the preceding page is a bit snooze-worthy, but reading Eyre now, I’m plenty entertained. Brontë isn’t funny the way (say) Dickens is, but the story is interesting and, like I said, I really like her reading on a sentence by sentence basis…

I thought things got way less compelling once we get to Rochester. He just doesn’t seem that interesting to me, and yet Jane Eyre is riveted by him. I mean… it’s still a good read, but things grow progressively more conventional as the book progresses.

I guess all book-reading British people were expected to know some French at the time… and the weird thing is, I’m just about able to parse that, too, even if I don’t know French. But, after all, it’s a seven year old who makes these French utterances, so I guess it’s pretty basic French.

Hm…

The novel has also been the subject of a number of significant rewritings and reinterpretations, notably Jean Rhys’s seminal 1966 novel Wide Sargasso Sea.

Oh! I’ve read that book. It was good? It’s been some decades.

Literary critic Jerome Beaty felt that the close first person perspective leaves the reader “too uncritically accepting of her worldview”, and often leads reading and conversation about the novel towards supporting Jane, regardless of how irregular her ideas or perspectives are.

Ah. It was the first novel written as a first-person narrative? Then I do understand why it’s so famous now. Because reading it I’m a bit disappointed.

4AD 1988

Listen to 4AD 1988 on Spotify.

And here my problems really start with the “let people listen to 4AD as if they were around at the time” approach starts fraying.

Over the next few years, 4AD would start getting in to the 12″ remix business, and it starts here with The Wolfgang Press’ King of Soul single. It has three different versions of that song… and, as I pretty much expected, none of those versions exist on Spotify. Only the album version does.

As we get into the 90s, expect more lacunae.

After the very exciting 1987, 1988 comes off as a breathing space. Basically all the bands keep on doing what they do, and what they do is very good indeed. Vaughan Oliver is still art-directing his hands off on these releases, with some very striking result (like the Ultra Vivid Scene cover which looks like nothing else, especially in the original vinyl version). It’s all very tasteful.

And then there’s the cover of Bird Wood Cage, which is an old toilet sat on a lawn, courtesy the funsters of The Wolfgang Press, who allegedly insisted on that design just to piss Oliver off.

Ultra Vivid Scene was the only new band of the year, and only ten things were released, which I think is the least ever in 4AD’s history. But two of the releases were huge sellers, I think: Cocteau Twins’ Blue Bell Knoll, which signalled that they were going in a more commercial, bright direction. And then there’s The Serpent’s Egg by Dead Can Dance that signalled that they definitely weren’t.

Perhaps 4AD was treading the water a bit, but it’s pretty good water to be treading. Still, some fresh young energy was needed to spice things up, and that’d come next year.

My favourite release of the year is House Tornado by Throwing Muses. It’s Peak Quirkiness: Every song is just downright weird. And fabulous. My go-to song to sing to myself when my brain is otherwise blank is still Juno, after all these years.

If they were pretty
It’d be OK to say
But that day only
When she wore dresses she felt born

*sings along in his head*

Oh, and, bragging time:

I got a CADX703 this week!!!! After lusting after it for 30 years!

This has nothing to do with Bernard Valentin posting a picture of his two copies, which didn’t make me jealous at all, not in the least. Nothing to do with that!

Now I’m going to remain giddily happy for the rest of my life!

Oooh, nice print:

Anyway, bragging time’s over; here’s 1988:

1988

 CAD801
Bulgarian Voices — Volume 2: Le Mystere Des Voix Bulgares

Kaval Sviri, Stani Mi, Maytcho, Di-Li-Do, More Zajeni Se Ghiouro, Tche Da TiKupim Bela Seitsa, Ovdoviala Lissitchkata, Messetchinko Lio, Ei Mori Roujke, Dragana J Slavei, Atmadja Duma Strachilu, Dve Tourlaski Pesen, Trenke Todorke, Besrodna Nevesta, Jzpoved, Ghiore Dos, Spis Li, Milke Le

 CAD802
Throwing Muses — House Tornado

Colder, Mexican Women, The River, Juno, Marriage Tree, Run Letter, Saving Grace, Drive, Downtown, Giant, Walking In The Dark

 CAD803
Pixies — Surfer Rosa

Bone Machine, Break My Body, Something Against You, Broken Face, Gigantic, River Euphrates, Where Is My Mind?, Cactus, Tony’s Theme, Oh My Golly!, Vamos, I’m Amazed, Brick Is Red, Caribou

 BAD804
The Wolfgang Press — King Of Soul

King Of Soul*, King Of Soul*, King Of Soul*

 BAD805
Pixies — Gigantic

Gigantic, River Euphrates, Vamos, In Heaven (Lady In Radiator Song)

 BAD806
Ultra Vivid Scene — She Screamed

She Screamed, Walkin’ After Midnight, Not In Love (Hit By A Truck)

 CAD807
Cocteau Twins — Blue Bell Knoll

Blue Bell Knoll, Athol-Brose, Carolyn’s Fingers, For Phoebe Still A Baby, The Itchy Glowbo Blow, Cico Buff, Suckling The Mender, Spooning Good Singing Gum, A Kissed Out Red Floatboat, Ella Megalast Burls Forever

 CAD808
Dead Can Dance — The Serpent’s Egg

The Host Of Seraphim, Orbis de Ignis, Ulysses, The Writing Of My Father’s Hand, Song Of Sophia, In The Kingdom Of The Blind The One-Eyed Are Kings, Chant Of The Paladin, Echolalia, Mother Tongue, Severance

 CAD809
Ultra Vivid Scene — Ultra Vivid Scene

She Screamed, Crash, You Didn’t Say Please, Lynn-Marie #2, Nausea, Mercy Seat, A Dream Of Love, Lynn-Marie #1, This isn’t Real, The Whore Of God, Bloodline, A Kiss And A Slap, How Did It Feel, Hail Mary

 CAD810
The Wolfgang Press — Bird Wood Cage

King Of Soul, Raintime, Bottom Drawer, Kansas, Swing Like A Baby, See My Wife, The Holey Man, Hang On Me (For Papa), Shut That Door

This post is part of the chronological look at all 4AD releases, year by year.

*) Missing from Spotify.