In the previous installment, we saw that Penguin had done weird stuff typographically. And now I understand why.
In the back of the book is a “List of Variants”, which details minutely what manuscripts have been used. I mean, important stuff like “La” vs “la”.
And they list these variants based on page and line numbers.
This was done for the previous, un-annotated edition. So when they wanted to add some footnotes, they either had to re-do the entire “List of Variants”, or do it the easy/hard way by just pasting in new lines (in a narrower typescript) here and there.
It’s all so logical.
I was reading Tender is the Night and was puzzling over the typesetting. The foreword and the index is set in a very clear, narrow typeface, while the text itself looks old and worn.
This is unfortunately an annotated edition, which I loathe. I wouldn’t have bought it if I’d known.
But that doesn’t make sense. If it’s a new, annotated edition, why does is look so worn and old-timey?
Then I noticed. Just look at it. The single line that has the annotation “15” is set in a narrower typeface that also looks crisper. Just look at those to “but”s.
So the cheap bastards just cut out the lines where they wanted to have an annotation, re-set it in the narrower font to make room for the annotation, and then pasted the result back in.
I didn’t know that doing stuff like that was even possible in these digital days. It’s practially midieval.
I’ve been celebrating the Norwegian constitutional day (I think it’s celebrating that we were rid of the tyrannical rule of the Danes, or the Swedes, or somebody equally tyrannical and heinous) by putting up more book shelves.
I’m not digital at all in the book dept. It’s still all papery stuff. It takes a lot of space! Nature abhors walls without book shelves, so, after doing an intensive search for something that would fit this rather small wall, I settled on these Ikea shelves.
The wall is rather thin particle board, and I didn’t actually do the whole anchor thing, so they’re probably going to fall down after a while, but here’s the fun fact: I paid more for the screws than the shelves themselves!
That’s so sexist.
The fun people at McSweeney’s have done a lot of amusingly formatted issues of their Quarterly Concern (a shaving kit, an advertising folder, etc), but this one is certainly the bulkiest one:
It’s a 15x15x15cm box, and when you crack open his forehead, you find lots of neat litte pamphlets inside instead of brains:
And how are the pamphlets? Er… you expect me to read them? Now? Look at the box! Just look at it!